THE CHARLOTTE PERKINS GILMAN READER is an anthology of fiction by one of America's most important feminist writers. Probably best known as the author of "The Yellow Wallpaper," in which a woman is driven mad by chauvinist psychiatry, Gilman wrote numerous other short stories and novels reflecting her radical socialist and feminist view of turn-of-the-century America. Collected here by noted Gilman scholar Ann J. Lane are eighteen stories and fragments, including a selection from Herland, Gilman's feminist Utopia. The resulting anthology provides a provocative blueprint to Gilman's intellectual and creative production.
A definitive edition of the groundbreaking feminist fiction of a nineteenth century pioneer Library of America presents the fullest selection ever of visionary American writer Charlotte Perkins Gilman: two novels, forty-four brilliant short stories, nearly two-hundred poems, and both the published and manuscript versions of the landmark story “The Yellow Wall-Paper.” The short fiction presented here showcases Gilman’s mastery of ghost stories, allegorical fantasy, and social realism and includes a virtuoso series of stories written in imitation of the most acclaimed authors of her day. The utopian novels Herland and With Her in Ourland—about a remote and isolated society of women—are pioneering works of speculative fiction and still-incisive commentaries on the politics of gender. Gilman was known to her contemporaries first and foremost as a poet, and this volume brings together her collection In This Our World with more than fifty other poems, many written in support of suffrage and other causes.
Charlotte Perkins Gilman (1860-1935) is best known as the author of the short story The Yellow Wallpaper and a utopian novel, Herland. This reader offers a representative sample of her nonfiction writing. Presented chronologically, it emphasizes her thoughts on gender, evolution, economics, radical political movements, and women's groups.
This early work by Charlotte Perkins Gilman was originally published in 1935. It is the autobiography of the American sociologist, novelist and poet who is best remembered for her semi-autobiographical short story 'The Yellow Wallpaper'.
Hill puts the letters into biographical and historical context in an introductory essay that also explains their theoretical and historical importance. The edited and annotated letters then follow in chapters, each preceded by an introductory essay. The book concludes with a biographical sketch of the remaining thirty-five years of Gilman's life, together with an assessment of the letters' historical and biographical significance."--BOOK JACKET.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Charlotte Perkins Gilman (1860-1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. Table of Contents: The Yellow Wallpaper Why I wrote the Yellow Wallpaper (1913) What Diantha Did The Crux Moving the Mountain Herland With Her in Ourland Three Thanksgivings According To Solomon Her Housekeeper A Middle-Sized Artist When I Was A Witch A Coincidence The Cottagette Mr. Robert Grey Sr. The Boys And The Butter My Astonishing Dodo A Word In Season Turned The Giant Wistaria Essays and Sketches: The Man -Made World; Or, Our Androcentric Culture The Home: Its Works and Influence Concerning Children Women and Economics A Small God And A Large Goddess Introducing The World, The Flash, and The Devil Where The Heart Is Why We Honestly Fear Socialism The Poor Relation Reasonable Resolutions Private Morality and Public Immorality The Humanness of Women The Barrel Kitchen-Mindedness Parlor-Mindedness Nursery-Mindedness Naughty A Village of Fools Believing and Knowing The House of Apples Ten Suggestions Genius, Domestic and Maternal A Man in Prison A Woman in Prison Improved Methods of Habit Culture Only an Hour Wholesale Hypnotism The Kitchen Fly Her Pets What Virtues Are Made Of Animals in Cities While The King Slept The Beauty Women Have Lost Is It Wrong To Take Life? The World and The Three Artists Woman and The State Why Texts? Women Teachers, Married and Unmarried Christmas Love Our Overworked Instincts The Permanent Child The New Motherhood How We Waste Three-Fourths of Our Money The Nun in The Kitchen Poems: Then This Arrears How Doth The Hat Thanksgiving Thanksong Love Steps Child Labor His Crutches Get Your Work Done A Central Sun, a song Locked Inside Here is the Earth
Her highly acclaimed first edition of verse, In This Our World (1893), earned her instant celebrity and was followed by such groundbreaking works as Women and Economics (1898) and The Home (1903). At the time of her death, Gilman was in the process of preparing a second volume of her poetry for publication. Although she grew increasingly weak during the final stages of her three-year battle with breast cancer, Gilman's resolve to see her second book of poetry in print never diminished.
This book contains the complete novels and novellas of Charlotte Perkins Gilman in the chronological order of their original publication. -The Yellow Wallpaper -Women and Economics -What Diantha Did -The Man-Made World; or, Our Androcentric Culture -Herland -With Her in Ourland
Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Charlotte Perkins Gilmanwhich areHerland and With Her in Ourland. Charlotte Perkins Gilmanwas a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Novels selected for this book: - Herland - With Her in Ourland This is one of many books in the seriesEssential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
An anthology of fiction by one of America's important feminist writers, the author of the Yellow Wallpaper, in which a woman is driven mad by chauvinist psychiatry. Collected here, by Lane, are 18 stories and fragments, including a selection from Herland, Gilman's feminist Utopia.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: Then This Arrears How Doth The Hat Thanksgiving Thanksong Love Steps Child Labor His Crutches Get Your Work Done A Central Sun, a song Locked Inside Here is the Earth The "Anti" and The Fly Two Prayers Before Warm February Winds Little Leafy Brothers A Walk Walk Walk Ode to A Fool The Sands Water-Lure Aunt Eliza The Cripple When Thou Gainest Happiness For Fear His Agony Brain Service The Kingdom Heaven Forbid! The Puritan The Malingerer May Leaves The Room at The Top A Bawling World O Faithful Clay! We Eat At Home The Earth's Entail Alas! "The Outer Reef!" To-Morrow Night The Waiting-Room Only Mine A Question In How Little Time The Socialist and The Suffragist Worship The Little White Animals Many Windows In A Much Love's Highest Charlotte Perkins Gilman (1860-1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform.
Charlotte Perkins Gilman, a leading feminist thinker of her age, is best known for her novella "The Yellow Wallpaper" which is a chilling description of post-partum depression. This volume also contains "Why I wrote 'The Yellow Wallpaper'," "Herland" (a novel set in a society consisting solely of women), "Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution," and a selection of her verse.
Gilman's diaries document the struggles she endured: the loss of a close childhood friend; her turbulent courtship and failed marriage; her debilitating depression and mental illness; her fight against chronic poverty; her mother's losing battle with cancer; and her second marriage.
A critical edition of Gilman's turn-of-the-century feminist novel presents both manuscript and magazine versions, critically edited, and printed in parallel.
The first collection of lectures and sermons that Charlotte Perkins Gilman delivered in the first four years of her career The last decades have seen a resurgence of interest in Charlotte Perkins Gilman, now considered among the most important thinkers in US history. She is best known for fiction—such as the classic short story “The Yellow Wall-Paper” (1892)—and nonfiction, including her manifesto Women and Economics (1898), a work of intersectional sociology avant la lettre. Nevertheless, as a young writer, Gilman made her living delivering lectures. One cannot know Gilman without some knowledge of this body of lectures; this book fills that critical gap in Gilman scholarship. Since the recovery of Charlotte Perkins Gilman began in the late 1960s and continued with the republication of “The Yellow Wall-Paper” in the 1970s, her image in cultural memory has been increasingly celebrated. Andrew J. Ball presents here fifty previously unpublished texts. They trace the development of Gilman’s thoughts on diverse subjects like gender, education, labor, science, theology, and politics—forming an intellectual diary of her growth. These lectures are not just a testament to Gilman’s personal evolution, but also a crucial contribution to the foundations of American sociology and philosophy. The Essential Lectures of Charlotte Perkins Gilman, 1890–1894 marks a historic moment, unveiling the hidden genius of Gilman's oratory legacy.
The Man-Made World (1911) is a sociological study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman sought to write a work of nonfiction that explained the effects of patriarchy not only on the lives of women, but on the structure and health of society at large. In the beginning, Gilman observes that though biology naturally attributes motherhood and fatherhood to women and men respectively, there is no evolutionary explanation for the widespread control of men over all other human activities. This inequity, Gilman explains, is what she means by the term “Androcentric Culture,” a culture organized by men, for men. Having established her thesis, Gilman dedicates chapters to such topics as the family, health, art, sports, religion, education, government, economics, and warfare in order to observe the impact of male domination on each. Ultimately, Gilman asks what, if anything, will men lose if women are granted the rights and responsibilities they have no reason not to share. The Man-Made World is a thorough and powerful experiment in sociological thought and a groundbreaking work of feminist nonfiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Perkins Gilman’s The Man-Made World is a classic of American literature and nonfiction reimagined for modern readers.
The Home: Its Work and Influence (1903) is a sociological study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman sought to write a work of nonfiction that explained the role of the home as a human institution, as well as to address the problems and inequities of home life—especially for women. In the beginning, Gilman argues that “[e]very human being should have a home.” The role of the home in human society, she claims, is not only to provide safety and comfort, but to facilitate the productivity, creativity, and individuality of every person. Despite this, the home has evolved far slower than all other human institutions, ensuring that the life of humanity has failed to progress as far as its ideals would suggest. Having identified this problem—as well as shown that women bear responsibility for maintaining households while men control the home as a system of power—Gilman moves through such topics as domesticity, cooking, entertainment, and children in order to properly identify the highly gendered roles of each member of the home. Ultimately, Gilman argues that a progressive home will benefit not only each individual within the family unit, but the whole of society at large. The Home: Its Work and Influence is a powerful work of sociological thought by a leading reformer and feminist of her day. With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Perkins Gilman’s The Home: Its Work and Influence is a classic of American literature and nonfiction reimagined for modern readers.
The focus of Carol Farley Kessler's work is how Charlotte Perkins Gilman developed as a writer and how she imagined a full-blown utopia for women. This book, which offers a fresh reading of Gilman's fiction, fills a void in Gilman scholarship, in feminist utopian scholarship, and in American literary studies. Kessler provides three journeys through Gilman's life: "A Biographical Exploration'' discusses facets of her life having a substantial impact upon her utopian writing. Four themes influence this development: the legacy of ancestral expectations; her relationships to father, mother, and daughter; the experience of two marriages and a divorce; and her friendships with women. Gilman and her "Prancing Young Utopia" presents three stages in the development of Gilman's utopian writing. First, she imagined neighborhoods-writing alternately fiction and nonfiction. Second, she tested in fiction the expression of utopian principles explained in her nonfiction. Finally, she created the whole society in her 1915 satire Herland. All of the foregoing writing represents Gilman's effort to imagine in fiction solutions that she recommended in her 1898 feminist treatise, Women and Economics. "Writing to Empower Living'' connects Gilman's biography to her utopian writing as both personal expression and public activism. The writing can be understood as "equipment for living." Ten hard-to-locate utopian short stories and chapters from four novels conclude the volume.
Women and Economics (1898) is a sociological and economic study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman sought to write a work of nonfiction that explained the need to introduce women into the workforce while alleviating their responsibilities as wives and mothers. Women and Economics, arguably Gilman’s most important work, employs the theories of Karl Marx, Charles Darwin, and Thorstein Veblen to not only assess the damage done to women and human society by inequality, but to propose realistic ways of eliminating gender oppression while benefitting humanity at large. Observing that women in their roles as wives and mothers tend to work harder for longer hours than men while being excluded from the work force, Gilman proposes that the progress of human society depends upon the equality of men and women in all aspects of working and domestic life. She acknowledges the importance of the suffragist movement—in which she was a leading figure—while making the case for the economic equality of men and women in addition to the democratic equality sought by their activism. Ultimately, Gilman advocates for the professionalization of domestic work, suggesting that women should be allowed to enter the workforce while hiring others to care for and educate their children as well as perform the duties necessary for the upkeep of the home. Grounding her work in the dominant sociological, biological, and economic theories of the time, Gilman provided the intellectual arguments necessary for elevating the feminist cause from a popular movement to a true political force. Women and Economics is a powerful work of sociological thought by a leading reformer and feminist of her day. With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Perkins Gilman’s Women and Economics is a classic of American literature and nonfiction reimagined for modern readers.
There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver."--Charlotte Perkins Gilman Charlotte Perkins Gilman (1860-1935), a leading figure in the women's movement of the early twentieth century, is a pillar of the American feminist canon. This edition of her work includes her best-known story, "The Yellow Wall-paper," a terrifying tale about a woman driven to the brink of insanity by the "rest cure" she is ordered to follow by her doctor to relieve her postpartum depression. Also included is a wide range of other short stories; an abridged version of her little-known but brilliant utopian novel, Herland, about a peaceful all-female world; and selections from her landmark treatise, Women and Economics, first published in 1898 to universal acclaim.
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