I cannot say that I am sorry," he continued, "for I love my wife very dearly; but I do wish now that I had been less hurried, less precipitate. My wife's great loveliness must be my excuse. She is the daughter of a poor curate, the Reverend Charles Trevor, who came two years ago to supply temporarily the place of the Rector of Lynton. He brought his daughter with him; and the first moment I saw her I fell in love with her. My heart seemed to go out from me and cleave to her. I loved her with what I can see now was the selfish ardor of a young man. I had but one thought--to win her. I wrote to my father, who was in Italy, and asked his consent. He refused it in the most decided manner, and told me to think no more of what after all was but a boy's fancy. He was then staying near the Lake of Como--staying for the benefit of his health--and I went over to see him. I pleaded, prayed, urged my great love--all in vain. The earl, my father, only laughed at me, and said all young men suffered from the fever called love. I came back to England, and found that Mr. Trevor was dead. Madaline, his daughter, was left alone in the world. She raised her beautiful face to mine, poor child, and tried to smile while she talked of going out into the world and of working hard for her daily bread; and, as I listened, my love seemed to grow stronger and deeper. I caught her in my arms, and swore that nothing should part us--that, come what would, she must be my wife. She was very unwilling--not that she did not love me, but because she was afraid of making my father angry; that was her great objection. She knew my love for him and his affection for me. She would not come between us. It was in vain that I prayed her to do as I wished. After a time she consented to a compromise--to marry me without my father's knowledge. It was a folly, I own; now I see clearly its imprudence--then I imagined it the safest and surest way. I persuaded her, as I had persuaded myself, that, when my father once knew that we were married, he would forgive us, and all would go well. We were married eleven mouths since, and I have been so happy since then that it has seemed to me but a single day. My beautiful young wife was frightened at the bold step we had taken, but I soothed her. I did not take her home to Wood Lynton, but, laying aside all the trappings of wealth and title, we have traveled from place to place as Mr. and Mrs. Charlewood, enjoying our long honeymoon. If we liked any one particular spot we remained in it. But a letter from Italy came like a thunderbolt--my father had grown rapidly worse and wanted to see me at once. If I had been content to go at once, all would have been well. I could not endure that he should die without seeing, loving, and blessing my wife Madaline. I told her my desire, and she consented most cheerfully to accompany me. I ought to have known that--in her state of health--traveling was most injurious; but I was neglectful of the fact--I listened only to my heart's desire, that my father should see my wife before he died. We started on our fatal journey--only this morning. At first my wife seemed to enjoy it; and then I saw all the color fading from her sweet face. I saw her lips grow white and tremble, and I became alarmed. It was not until we reached Castledene that she gave in and told me she could go no further. Still you say there is no danger, and that you do not think she will die?
One can imagine the sensation that a bright, beautiful eagle would produce in a dove's nest; the presence of that beautiful, imperious child at the farm was very much the same. People looked at her in wonder; her beauty dazzled them; her defiance amused them. They asked each other where all her pride came from. Uncle Robert often said in his slow fashion that he retired from business when Leone was seven. At that early age he gave the management of everything into her baby hands. From the chickens in the yard to the blue and white pigeons on the roof. She could manage him, big as he was, with one stamp of her little foot, one flash of her bright eyes; he was powerless at once, like a great big giant bound hand and foot. She was a strange child, full of some wonderful power that she hardly understood herselfÑa child quite out of the common groove of life, quite above the people who surrounded her. They understood her beauty, her defiance, her pride, but not the dramatic instinct and power that, innate in her, made every word and action seem strange. Honest, stolid Robert Noel was bewildered by her; he did his best in every way, but he had an uneasy consciousness that his best was but a poor attempt. He sent her to school, the best in Rashleigh, but she learned anything and everything except obedience. She looked out of place even there, this dark-eyed Spanish girl, among the pretty pink and white children with fair hair and blue eyes. She bewildered even the children; they obeyed her, and she had the greatest influence over them. She taught them recitations and plays, she fired their imaginations by wonderful stories; she was a new, brilliant, wonderful element in their lives. Even the school mistress, meek through the long suffering of years, even she worshiped and feared herÑthe brilliant, tiresome girl, who was like a flash of light among the others. She had a face so grand and a voice so thrilling it was no unusual thing when she was reading aloud in the school-room for the others to suspend all work, thrilled to the heart by the sound of her voice. She soon learned all that the Rashleigh governess could teach herÑshe taught herself even more. She had little taste for drawing, much for music, but her whole heart and soul were in books. Young as she was, it was grand to hear her trilling out the pretty love speeches of Juliet, declaring the wrongs of Constance or Katherine, moaning out the woes of Desdemona. She had Shakespeare almost by heart, and she loved the grand old dramatist. When she was sixteen her uncle took her from school, and then the perplexities of his honest life began. He wanted her to take her place as mistress of the house, to superintend the farm and the dairy, to take affectionate interest in the poultry and birds, to see that the butter was of a deep, rich yellow, and the new laid eggs sent to market. From the moment he intrusted those matters in her hands, his life became a burden to him, for they were entirely neglected.
Ê"How have I borne it all this time?" she asked herself, with a flush of anger on her fair face. "Yet, why should I be angry, and in what differ from them? Why should I be vexed or angry? Mattie would have talked for an hourÑwould have given a sensible answer, while I feel as though I had been insulted. They are my own mother and sisterÑwhy am I so different from them? Why does a bird of paradise differ from a homely linnet? Why does a carnation differ from a sun-flower? I cannot tell." She could not tell. It was not given to her to know that all the characteristics of race were strong within her. But that little scene decided her; there had been some faint doubt in her mind, some little leaning toward Earle, and his great wealth of poetry and loveÑsome lingering regret as to whether she was not forsaking the certain humble paths of peace and virtue for a brilliant but uncertain career. "If I do this," she had thought to herself, "I shall kill Earle," and the idea had filled her mind with strange pathos. But all that vanished under one unskillful touch. Writing her story, knowing her faults, I make no excuses for her; but if she had had more congenial surroundings the tragedy of her life might have been averted. She stood by the open window and thought it all over. The rich scent of the roses came in and clung to her dress and her hair; the blue sky had no cloud; the birds sang sweetly and clearly in the far distance; she heard the lowing of the cattle and the voices of the laborers. Then her whole heart turned in disgust from her quiet home; it had no charm for her; she wanted none of itÑshe wanted life, warmth, glitter, perfume, jewels, the praise of men, the envy of women; she wanted to feel her own power, and to be followed by homage. What was her bright loveliness for if not for this? Stay here, where all the people were persecuting her about marrying Earle, having a respectable home, and buying gray calico! No, not for such a commonplace life. The beauty of hill and sky, and quaint meadow and shady lane, of blooming flowers and green trees, was not for her; it was dull, tame and uninteresting. The greatest queen in all the wide world had admired her face. Was she to remain hidden in this humble, lowly house, where no one saw her but Earle and the few men whom business brought to the farm? It was not to be imagined. She raised her beautiful head with a clear, defiant gaze. "I do not care," she said to herself, "whether it is right or wrong; I do not care what the price or penalty may be, I will go and take my share of what men and women call life." And from that resolution, taken on a calm, bright summer day, under the golden light of heaven, with the song of the birds in her ears, she never once swerved or departed, let it cost her what it might.
ÊThree o'clock on a warm June afternoon. The great heat has caused something like a purple haze to cloud over the deep blue of the sapphire sky. There is not one breath of wind to stir the leaves or cool the flushed faces of those whose duties call them out on this sultry June day. Away in the deep green heart of the broad land broad streams are flowing; in the very heart of the green woods there is cool, silent shade; by the borders of the sea, where the waves break with a low, musical murmur, there is a cooling breeze; but here in London on this bright June afternoon there is nothing to lessen the white, intense heat, and even the flowers exposed for sale in the streets are drooping, the crimson roses look thirsting for dew, the white lilies are fading, the bunches of mignonette give forth a fragrance sweet as the "song of the swan in dying," and the golden sun pours down its flood of rich, warm light over all. Three o'clock, and the express leaves Euston Square for Scotland at a quarter past. The heat in the station is very great, the noise almost deafening; huge engines are pouring out volumes of steam, the shrill whistle sounds, porters are hurrying to and fro. The quarter-past three train is a great favoriteÑmore people travel by that than by any otherÑand the platform is crowded by ladies, children, tourists, commercial gentlemen. There are very few of the humbler class. Ten minutes past three. The passengers are taking their places. The goddess of discord and noise reigns supreme, when from one of the smaller doors there glides, with soft, almost noiseless step, the figure of a woman. She wore a long gray cloak that entirely shrouded her figure; a black veil hid her face so completely that not one feature could be seen. When she entered the station the change from the blinding glare outside to the shade within seemed to bewilder her. She stood for a few moments perfectly motionless; then she looked around her in a cautious, furtive manner, as though she would fain see if there was any one she recognized.
ÊI have often wondered if the world ever thinks of what becomes of the children of great criminals who expiate their crime on the scaffold. Are they taken away and brought up somewhere in ignorance of who or what they are? Does some kind relative step forward always bring them up under another name? There is great criminal trial, and we hear that the man condemned to death leaves two daughters and a sonÑwhat becomes of them can any one living say? Who meets them in after life? Has any young man ever been pointed out to you as the son of Mr. So-and-so, the murderer? Has any young woman been pointed out to you as his daughter? It is not long since all England was interested in the trial of a so-called gentleman for murder. He was found guilty, condemned and executed. At the time of the trial all the papers spoke of his little sonÑa fair-haired little lad, who was as unconscious of all that happened as a little babe. I have often wondered what became of him. Does he hear his father's name? Do those with whom he lives know him for a murderer's son? If he goes wooing any fair-faced girl, will she be afraid of marrying him lest, in the coming years, she may suffer the same fate his mother did? Does that same son, when he reads of criminals and scaffolds, wince, and shudder, and grow sick at heart? And the daughters, do they grow old and die before their time? Do they hide themselves under false names in silent places, dreading lest the world should know them? Does any man ever woo them? Are they ever happy wives and mothers? I have thought much on this subject, because I, who write this story, seem to the world one of the most commonplace people in it, and yet I have lived, from the time I was a child, in the midst of a tragedy dark as any that ever saddened this fair land. No one knows it, no one guesses it. People talk of troubles, of romances, of sad stories and painful histories before me, but no one ever guessed that I have known perhaps the saddest of all. My heart learned to ache as the first lesson it learned in life. When I think of those unhappy children who go about the world with so dark a secret locked in their hearts, I think of myself, and what I hold locked in my heart. Read for yourself, dear reader, and tell me if you think there have been many fates in this world harder than mine. My Name is Laura Tayne, and my home Tayne Abbey, in the grand old County of Kent. The Taynes were of good family, not very ancientÑthe baronetcy is quite a modern one, dating from George the FirstÑbut Tayne Abbey is one of the grandest old buildings in England. Whenever I looked at it I thought of those beautiful, picturesque, haunted houses that one sees in Christmas annuals, with Christmas lights shining from the great windows. I am sorry to say that I know very little of architecture. I could not describe Tayne Abbey; it was a dark, picturesque, massive building; the tall towers were covered with ivy, the large windows were wreathed with flowers of every hue. In some parts of sweet, sunny Kent the flowers grow as though they were in a huge hothouse; they did so at Tayne Abbey, for the front stood to the west, and there were years when it seemed to be nothing but summer.
The Shadow of a Sin" by Charlotte M. Brame. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Charlotte Mary Brame/Braeme (1836-1884) who also wrote under the pseudonym Bertha M. Clay, was a prolific Victorian author. She was the author of many popular works of fiction and romance. After attending convent schools in Bristol and Preston and a finishing school in Paris, she worked as a governess. Since her husband was a poor businessman, Charlotte found herself forced to support the family with her writing. Her books were very successful with the public, but her earnings were severely diminished by piracy. Amongst her works are: Dora Thorne (1877), Madolin's Lover (1879), Hilda (1882), Wife in Name Only (1883), The Wife's Secret (1884), An Unnatural Bondage (1887) and Two Fair Women (1900).
“A Fair Mystery" is an ancient historical fiction story book written by Charlotte M. Brame. A Fair Mystery is an attractive mixture of romance and intrigue which will appeal to fanatics of historic fiction and thriller novels alike. Fictional art work provide each historic facts and a fascinating plot. The creator efficaciously weaves an internet of suspense that maintains the reader's interest with tough-hitting plot twists. The mystery of the main individual presents degrees of interest to the tale, retaining readers guessing until the end. Set in competition to the backdrop of a bygone technology, it brings readers to the social complexity and scandals of an extra society. The author's particular descriptions delivery site visitors to new locations and areas through recreating the generation's places of hobby, sounds, and smells.
Charlotte Mary (Monica? ) Brame/Braeme (1836-1884) who also wrote under the pseudonym Bertha M. Clay, was a prolific Victorian author. She was the author of many popular works of fiction and romance. Amongst her works are: Dora Thorne (1877), Madolin's Lover (1879), Hilda (1882), Wife in Name Only (1883), The Wife's Secret (1884), A Dead Heart, and Lady Gwendoline's Dream (1884), The Earl's Atonement (1884), A Wilful Maid: A Love Story (1885), A Fair Mystery (1885), A Passion Flower (1886), An Unnatural Bondage (1887), Sweet Cymbeline (1887), Arnold's Promise (1887), Unnatural Bondage (1887), The Gipsy's Daughter (1890), In Love's Crucible (1890), Between Two Hearts (1893), A Pair of Brown Eyes (1893), Her Second Love (1900), Two Fair Women (1900), The Coquette's Victim, Coralie, My Mother's Rival, Marion Arleigh's Penance, The Tragedy of the Chain Pier and others.
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