Baked Alaska, melba toast, hush puppies, and coconuts. You'd be surprised at how these food names came to be. And have you ever wondered why we use the expression "selling like hotcakes"? Or how about "spill the beans"? There are many fascinating and funny stories about the language of food--and the food hidden in our language! Charlotte Foltz Jones has compiled a feast of her favorite anecdotes, and John O'Brien's delightfully pun-filled drawings provide the dessert. Bon appetit!
There is hope. You can regain control. There are brighter days ahead. Nutritionist, physiotherapist and lecturer Charlotte Jones knows how it feels to be exhausted all the time and too tired to lift your head off the pillow. She has experienced first-hand the debilitating feelings of frustration, despair and sadness that so often accompany chronic fatigue syndrome, long Covid and extreme tiredness. And she knows how confused, overwhelmed and lonely you probably feel right now. Charlotte has written this book from the heart. It’s a beautifully illustrated and uplifting story of hope that’s easy to read but will guide you on an achievable, manageable road to recovery. As you read, you’ll gently uncover ideas and approaches that you can use straight away to start your own journey from fatigue to freedom. The fascinating characters you’ll encounter in this story will each equip you with a toolbox of powerful ideas, techniques and solutions. Through their experiences you’ll discover how to manage your energy levels, understand the importance of rest and repair and start to feel empowered with the belief that recovery is not only possible, but entirely in your hands. There’s no baffling science or confusing jargon, just an inspiring and motivating tale brimming with helpful and hopeful golden nuggets that you can collect and use to support you as you heal. So lay back, relax and read your way to a better recovery!
An inspiring picture book biography of beloved author Madeleine L’Engle and the making of A Wrinkle in Time. When Madeleine L'Engle was very small, she often found herself awake at night, marveling at the stars. They guided her throughout her life, making her feel part of a big and exciting world, even when she felt alone. They made her want to ask big questions—Why are we here? What is my place in the universe?—and let her imagination take flight. Books, too, were like stars—asking questions and proposing answers. Books kept Madeleine company, and soon, she began to write and share her own. But would other people see the wonder she found in the world? Written by Madeleine's granddaughter Charlotte Jones Voiklis and bestselling picture-book author Jennifer Adams, A Book, Too, Can Be a Star follows the life of one of the world's greatest creators—and gives children encouragement to lead a creative, inquisitive life.
Teach me the language of your hands.Rachel has been the voice for her deaf mother since she was born, but now she is restless to be heard for herself. Together, they have found sanctuary in a Quaker community that reveres silence. But the world is at war and it is becoming ever harder to live in Friendship. When a stranger arrives in their midst, their fragile peace is set to shatter.The Meeting by Charlotte Jones premiered at Chichester Festival Theatre in July 2018.
“If words have the power to heal, this book is the perfect medicine” (Alex Howard). “Honest and heartfelt poetry, telling a story that needs to be heard” (Steven Camden, Polarbear). This beautiful book takes you on a poetic journey through the wilderness of CFS/ME/Fibromyalgia. Each poem is a little window into her soul. Charlotte Jones bares all in this inspirational story of hope and healing. These poems not only cover the pain and despair of living with such a debilitating illness but also highlight the joy, love, peace, and acceptance she finds along the way. When dealing with extreme emotions, words repeat rhythmically in Charlotte’s head over and over, until she releases them onto the page in the form of poetry. This has resulted in a raw, heartwarmingly honest, and sometimes humorous insight into the life of someone with CFS/ME/Fibromyalgia. By sharing her story, Charlotte hopes to help tackle the loneliness of those in its grasp, give those around them an insight into their journey, and raise awareness of the illness. “I laughed out loud and had tears streaming down my face all at the same time.” “I felt so connected to it.” “At last, a book that really helped me understand.” “A beautiful read, capturing the daily life of CFS/ME and Fibromyalgia with passion and honesty.” “A courageous book, written from the soul.”
This middle-grade biography explores the life and works of Madeleine L'Engle —written by her granddaughters. This elegant and insightful biography of Madeleine L’Engle (1918–2007) was written by her granddaughters, Charlotte Jones Voiklis and Léna Roy. Using never-before-seen archival materials that include photographs, poems, letters, and journal entries from when Madeleine was a child until just after the publication of her classic, A Wrinkle in Time, her granddaughters weave together an in-depth and unique view of the famous writer. It is a story of overcoming obstacles—a lonely childhood, financial insecurity, and countless rejections of her writing—and eventual triumph. Becoming Madeleine will speak not only to fans of the icon’s work, but also to anyone interested in writing. This title has Common Core connections.
An award-winning new play that has been called "a brilliant latter-day variant on Elsinore in an English country garden blitzed by bees" (Sheridan Morley, The Spectator) All is not well in the Humble hive. Thirty-five-year-old Felix Humble is a Cambridge astrophysicist in search of a unified field theory, but after the sudden death of his father, James, a teacher and amateur beekeeper, he is forced to return to the family home in the English countryside. Once there he and his demanding mother, Flora, a glamorous former showgirl who resents having spent the last thirty years in suburban exile, attempt to reconcile themselves to James's death and to each other, plumbing the depths of their anger as well as their love. The emotional turmoil increases exponentially with the arrival of George, Flora's longtime lover, and his daughter Rosie, Felix's former girlfriend, as Felix is forced to acknowledge that his search for unity must include his own chaotic home life. A play concerned with beekeeping and astrophysics, imbued with heartbreak and wit, larger questions of the universe and smaller questions of family dynamics, Humble Boy has been called "a feast: a serious, moving, cerebral feast" (The Sunday Times).
Set in 1920's England, Airswimming is based on the true story of two women (Miss Kitson and Miss Baker), who have been incarcerated in a hospital for the "criminally insane" for having borne illegitimate children. Forgotten by their families and not released until the 1970's, Dora and Persephone adopt alter-egos, Dorph and Porph, to enact their fantasies and survive the silence of incarceration. By turns very funny and moving, Airswimming reminds us of the forgotten women of these generations in both Britain and Ireland.
North London at Halloween. Celebrity ghost-writer Max Villiers and his wife Harriet, a talented shopper, host a party. As Max connects his first plasma TV, the evening is hijacked by interference from the past. There are trick-or-treaters at the door and strangers on the brand new rug. A shocking and darkly humorous play. The Lightning Play premiered at the Almeida Theatre, London, in November 2006.
The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as 'synthetic realism'. In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel's imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literary culture and as a transhistorical mode of representation.
This first collection of plays by Charlotte Jones includes her multi-award winning Humble Boy (Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002). 'Charlotte Jones . . . one of our most accomplished and entertaining young playwrights.' Financial Times Airswimming 'The structure and writing - admirably clear and unsentimental - both trip the light fantastic too, effortlessly gliding from the desperately funny to the desperately sad.' Guardian In Flame 'Watching Charlotte Jones's play, In Flame, is an experience of pleasure virtually unalloyed. It is funny, but with depth; painful, but with delicacy.' Financial Times 'A play about life and death, love and lust, guilt and hope and dreams and the whole damn thing. It has some of the best writing I have come across recently: vigorous, poetic and lethally funny, probing hearts with warmth, compassion and irony.' Sunday Times Martha, Josie and the Chinese Elvis 'What strikes one is the play's generosity of spirit and belief in human potential . . . confirms that Jones has a great future.' Guardian Humble Boy 'Sad, very sad: funny, very very funny . . . this is a seriously wonderful play.' Sunday Times 'Rich, original, intelligent, funny and touching . . . I can't recommend this lovely play too highly.' Daily Telegraph
Jamie's adventure begins with his summer holiday at Aunt Jane's Flamingo Pink cottage and the 'Twist of a Key' in an old wooden Grandfather's Clock. He can't believe he is faced with the 'Challenge of Chime' or the doom that will come if he does not complete all the challenges ahead of him successfully. Jamie delights in meeting his new friends especially the Time-Keeper who explains how he is the 'Chosen Guest' in their Enchanted Land. The evil Time-Taker has quite a different plan and is determined to see Jamie fail his mission. He plots to take the Crown of Cogs from the Time-Keeper and will not tolerate any child getting in his way.
There are more stories about King Arthur than you ever knew. Some of them may even be true. This massive collection spans the centuries of Arthurian legend. We are taken back to the sixth century in 'A Time Before Tales' by Colin Bradshaw-Jones. This controversial tale gives one possible explanation for a real Arthur. We are then transported to the medieval 'Kilhwch and Olwen' from The Mabinogion, translated by Lady Charlotte Guest. The story can lay claim to be one of the earliest written Arthurian romances in any language. Finally, Sir James Knowles gives us the epic collection which most closely resembles the King Arthur we know today, and which forms the largest portion of the book; 'And as they prayed, there was seen in the churchyard, set straight before the doorways of the church, a huge square stone having a naked sword stuck in the midst of it. And on the sword was written in letters of gold, "Whoso pulleth out the sword from this stone is born the rightful King of Britain.
Worldwide literature classic, among top 100 literary novels of all time. A must read for everybody, a book that will keep saying what it has to say for years.
Sarah is an English Teacher whose life is about to take a turn. In one week she will experience the most amazing highs and crashing lows in what will be a week that changes her life forever.
The greatest discoveries are made outside the classroom! Learn all about mistakes that changed the world with this collection of the strange stories behind everyday inventions! It's no accident that you'll love this book! SANDWICHES came about when an English earl was too busy gambling to eat his meal and needed to keep one hand free. POTATO CHIPS were first cooked by a chef who was furious when a customer complained that his fried potatoes weren’t thin enough. Coca-Cola, Silly Putty, and X rays have fascinating stories behind them too! Their unusual tales, and many more, along with hilarious cartoons and weird, amazing facts, make up this fun-filled book about everyday items that had surprisingly haphazard beginnings. And don't miss Eat Your Words about the fascinating language of food! “A splendid book that is as informative as it is entertaining . . . a gem.” —Booklist, Starred Review
From Wheaties to telephones, microwave ovens to yo-yos, here are the inspiring and often funny stories of 50 mistakes and misunderstandings that helped bring about life as we know it. With hilarious cartoons and wacky facts, this fascinating compendium illustrates the adage "If you don't learn from your mistakes, there's no sense making them.
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