Tattoos. Unwed pregnancy. Giving up on shaving…showering…and employment. These used to be signatures of a trashy individual. Now they’re the new norm. What happened to etiquette, hygiene, and self restraint? Charlotte Hays, Southern gentlewoman extraordinaire, takes a humorous look at the spread of white trash culture to all levels of American society.
Now in its second edition, Parenting Culture Studies seeks to understand how parenting is taken as a particular mode of childrearing that reflects broader social trends. Ten years after the initial volume's groundbreaking publication, the authors once again closely examine how the main aspects of parenting have been established, explored, and critically evaluated. Chapters revisit phenomena such as intensive parenting and politics around parenting, as well as controversial issues including policing pregnant women's bodies and parental determinism. In addition to updates throughout the volume, including those addressing literature that has built from the book’s original publication, the book features a new third part discussing parents dealing with risk assessment, school closures, contradictory care arrangements, and vaccine hesitancy during the COVID-19 pandemic.
What kind of book is the Bible? Is it a rulebook or a guidebook for moral living? Is it a history book or a book filled with fascinating (and sometimes fantastic) stories? Did humans write the Bible or did God somehow speak a perfect message that the authors transcribed? Many people have asked these questions about the nature of this beautiful, odd, comforting, disturbing book the church calls its “Holy Scripture.” Charlotte Vaughan Coyle shares her own journey to make sense of the Bible in this read-through-the-Bible-in-a-year project. She discovered that the crucial work of asking hard questions and even arguing with the Bible revealed the Scriptures to be a symphony of polyphonic voices, a work of art that paints an alternative vision of reality, a complex novel-like story unavoidably embedded in its own culture and time, and yet able to give witness to the God beyond history who has acted (and continues to act) within history. With the heart of a pastor and the passion of a preacher, Rev. Coyle invites seekers and students (both churched and un-churched) to strap on their scuba gear and join her for a deeper dive beneath the surface of this immense, colorful, mysterious world of the Bible.
This book argues that new parents are caught in an uncomfortable crossfire between two competing discourses: those around ideal relationships and those around ideal parenting. The author suggests that parents are pressured to be equal partners while also being asked to parent their children intensively, in ways markedly more demanding of mothers. Reconciling these ideals has the potential to create resentment and disappointment. Drawing on research with couples in London as they became parents, the book points to the social pressures at play in raising the next generation at material, physiological and cultural levels. Chapters explore these levels through concrete practices: birth, feeding and sleeping—three of the most highly moralised areas of contemporary parenting culture.
Following networks of mothers in London and Paris, the author profiles the narratives of women who breastfeed their children to full term, typically a period of several years, as part of an 'attachment parenting' philosophy. These mothers talk about their decision to continue breastfeeding as 'the natural thing to do': 'evolutionarily appropriate', 'scientifically best' and 'what feels right in their hearts'. Through a theoretical focus on knowledge claims and accountability, the author frames these accounts within a wider context of 'intensive parenting', arguing that parenting practices – infant feeding in particular – have become a highly moralized affair for mothers, practices which they feel are a critical aspect of their 'identity work'. The book investigates why, how and with what implications some of these mothers describe themselves as 'militant lactivists' and reflects on wider parenting culture in the UK and France. Discussing gender, feminism and activism, this study contributes to kinship and family studies by exploring how relatedness is enacted in conjunction to constructions of the self.
This timely textbook aims to provide adult nurses with the principles and practice insights needed to deliver exceptional care in partnership with older adults. Written by a world renowned author team and includes contributions by older people, ensuring their needs and concerns about nursing care are reflected across the book. This important book: Considers the social perspectives, wider issues and themes, such as ageism, policy, services and demographics Evaluates daily activities and needs, including: mobility, nutrition, communication, sexuality and leisure Features scenarios based on real situations and narratives from older people Examines the use of affirmative language to promote wellbeing and dignity when nursing older adults Nursing Older Adults will help nurses to better appreciate the experiences and strengths of older people. The book emphasises the importance of undertaking a collaborative approach when shaping the care that older people receive in a variety of healthcare settings. Contributors: Serena Allan, Michael Bauer, Sheena E. E. Blair, Jo Booth, Mima Cattan, Charlotte Clarke, Amanda Clarke, Christine Brown Wilson, Angela Dickinson, Karen S. Dunn, Soong-Nang Jang, Diana Jones, Mike Nolan, Linda McAuliffe, Brendan McCormack,Patricia McGeever, Ann MacFarlane, Rhonda Nay, Bhanu Ramaswamy, Jan Reed, Isabell Reid and Debbie Tolson. "Never was a book like this more urgently needed. Those who nurse older people will find much sound help within these pages." Broadcaster and writer Dame Joan Bakewell "I am delighted to commend this book to you. Putting older people at the centre of their care and support is central in all good nursing care." Dame Christine Beasley, DBE, Chief Nursing Officer for England "This text makes an extraordinary contribution to scholarship and practice and is sure to be on most undergraduate and postgraduate nursing students “must have” list of texts." Wendy Moyle, PhD, RNDirector, Research Centre for Community Practice Innovation, Griffith University, Australia "A great book: giving a comprehensive insight in the fundamentals of working with older people and key issues in nursing older people... The voice of older people is vividly written in many examples and scenarios given. I recommend this book to nurses, care staff, all who are in the education and qualification sector and other stakeholders in elder care." Professor Dr. Barbara Klein, Fachhochschule Frankfurt am Main - University of Applied Sciences, Germany "This is exactly the book to choose when looking for a straightforward study book, and is particularly good for students and newly qualified nurses... I would strongly recommend this book." Susan Doyle, Student Nurse, Bangor University Wales, UK
One of America's best short story writers and author of three fine novels, Boston Adventure (1944), The Mountain Lion (1947), and The Catherine Wheel (1952), Jean Stafford has been rediscovered by another generation of readers and scholars. Although her novels and her Pulitzer Prize–winning short stories were widely read in the 1940s and 1950s, her fiction has received less critical attention than that of other distinguished contemporary American women writers such as Carson McCullers, Flannery O'Connor, and Eudora Welty. In this literary biography, Charlotte M. Goodman traces the life of the brilliant yet troubled Jean Stafford and reassesses her importance. Drawing on a wealth of original material, Goodman describes the vital connections between Stafford's life and her fiction. She discusses Stafford's difficult family relationships, her tempestuous first marriage to the poet Robert Lowell, her unresolved conflicts about gender roles, her alcoholism and bouts with depression—and her amazing ability to transform the chaotic details of her life into elegant works of fiction. These wonderfully crafted works offer insightful portraits of alienated and isolated characters, most of whom exemplify not only human estrangement in the modern world, but also the special difficulties of girls and women who refuse to play traditional roles. Goodman locates Jean Stafford within the literary world of the 1940s and 1950s. In her own right, and through her marriages to Robert Lowell, Life magazine editor Oliver Jensen, and journalist A. J. Liebling, Stafford associated with many of the major literary figures of her day, including the Southern Fugitives, the New York intellectual coterie, and writers for the New Yorker, to which she regularly contributed short stories. Goodman also describes Stafford's sustaining friendships with other women writers, such as Evelyn Scott and Caroline Gordon, and with her New Yorker editor, Katharine S. White. This highly readable biography will appeal to a wide audience interested in twentieth-century literature and the writing of women's lives.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SEATTLE TIMES This groundbreaking dual biography brings to life a pioneering English feminist and the daughter she never knew. Mary Wollstonecraft and Mary Shelley have each been the subject of numerous biographies, yet no one has ever examined their lives in one book—until now. In Romantic Outlaws, Charlotte Gordon reunites the trailblazing author who wrote A Vindication of the Rights of Woman and the Romantic visionary who gave the world Frankenstein—two courageous women who should have shared their lives, but instead shared a powerful literary and feminist legacy. In 1797, less than two weeks after giving birth to her second daughter, Mary Wollstonecraft died, and a remarkable life spent pushing against the boundaries of society’s expectations for women came to an end. But another was just beginning. Wollstonecraft’s daughter Mary was to follow a similarly audacious path. Both women had passionate relationships with several men, bore children out of wedlock, and chose to live in exile outside their native country. Each in her own time fought against the injustices women faced and wrote books that changed literary history. The private lives of both Marys were nothing less than the stuff of great Romantic drama, providing fabulous material for Charlotte Gordon, an accomplished historian and a gifted storyteller. Taking readers on a vivid journey across revolutionary France and Victorian England, she seamlessly interweaves the lives of her two protagonists in alternating chapters, creating a book that reads like a richly textured historical novel. Gordon also paints unforgettable portraits of the men in their lives, including the mercurial genius Percy Shelley, the unbridled libertine Lord Byron, and the brilliant radical William Godwin. “Brave, passionate, and visionary, they broke almost every rule there was to break,” Gordon writes of Wollstonecraft and Shelley. A truly revelatory biography, Romantic Outlaws reveals the defiant, creative lives of this daring mother-daughter pair who refused to be confined by the rigid conventions of their era. Praise for Romantic Outlaws “[An] impassioned dual biography . . . Gordon, alternating between the two chapter by chapter, binds their lives into a fascinating whole. She shows, in vivid detail, how mother influenced daughter, and how the daughter’s struggles mirrored the mother’s.”—The Boston Globe
Published here for the first time in a modern edition, Charlotte Smith's third novel is both rivetingly plotted and unique for its time in its powerful depiction of a gifted Romantic woman poet. The novel's heroine, Celestina, abandoned as a child in a French convent, becomes an independent, witty, and accomplished elegiac poet who, in a reversal of the usual pattern of the courtship novel, acts as a mentor to several men in her life. Written at the beginning of the French Revolution, Smith's novel depicts characters challenging both corrupt authority and conventional morality, exemplifying her hope that English society was on the verge of a great change for the better. This Broadview edition includes a critical introduction and primary source material relating to the novel's reception, its political contexts (writings by Reverend Richard Price, Edmund Burke, Mary Wollstonecraft, and Thomas Paine), and the author's life.
Pushed out of the South as Reconstruction ended and as white landowners, employers, and “Redeemer” governments sought to reestablish the constraints of slavery, thousands of African Americans migrated west in search of better opportunities. As the first well-known all-black community on the plains, Nicodemus, Kansas, became a national exemplar of black self-improvement. But Nicodemus also embodied many of the problems facing African Americans during this time. Diverging philosophies within the community, Charlotte Hinger argues, foretold the differences that continue to divide black politicians and intellectuals today. At the time Nicodemus was founded, politicians underestimated the power of African American voters. But three of the town’s black homesteaders—Abram Thompson Hall, Jr., Edward Preston McCabe, and John W. Niles—exerted extraordinary influence over county, state, and national politics. Hinger examines their divergent strategies for leading their community and for relating to white people, which reflected emerging black worldviews across the United States as African Americans grappled with the responsibilities accompanying their new freedom. Hall supported racial uplift, McCabe insisted on achieving equality through politics and legislation, and Niles advocated reparations for slavery. Hall and McCabe, both northerners, had distinguished educations, while Niles, a former slave, was a gifted orator. Their differing approaches to creating a new civilization on the prairie, seeking justice for blacks, and improving the situation of Nicodemus citizens roiled Kansas politics, already in turmoil over temperance and woman’s suffrage. Nicodemus was a microcosm of all the issues facing black Americans in the late nineteenth century, and Hall, McCabe, and Niles are archetypes for powerful philosophies that have persisted into the twenty-first century. This study of their ideas and the ways they shaped Nicodemus offers a novel perspective on the most famous post–Civil War African American community in the West.
Sex goddess Mae West is responsible for some of the most quoted lines in film history: * Is that a gun in your pocket or are you just happy to see me? * When I'm good, I'm very good, but when I'm bad, I'm better. * It's not the men in my life that counts - it's the life in my men. She was a performer from childhood and debuted on Broadway in a play she wrote entitled "Sex" which was a success until it was raided for immorality and Mae was jailed for ten days. This book is packed with stars from George Raft to Cary Grant and W.C. Fields, with whom she made "My Little Chickadee", the most successful film of Fields' career. Charlotte Chandler recorded Mae West over a period of roughly a month towards the end of the star's life. She was still as vital and lively as ever, and this book will convey all of Mae West's legendary attitude.
I Love My Life takes you on a healing journey from deepest despair to finding an inner sanctuary where all of life is celebrated in peace and joy. Lewis invites you to traverse with her from the dark night of her soul to remission from cancer, from grief, and divorce, to fractured minds mended and broken hearts healed. She shares the challenges she encounters along the way, lessons learned, and a holistic treasure chest of tools and practices to help on your individual quest to heal yourself, and ultimately to love your life.
“Don’t women with children travel?” Marybeth Bond and Pamela Michael enquire, in their book A Mother’s World: Journeys of the Heart (1998), when discovering the absence of portrayals of travelling mothers. Addressing this absence, our book Travellin’ Mama: Mothers, Mothering and Travel explores the multiple dimensions of motherhood and travel. Through a variety of compelling creative pieces and critical essays with a global outlook and wide-ranging historical, cultural, and national perspectives, Travellin’ Mama: Mothers, Mothering and Travel examines the vital contributions made to travel writing and representations of travel by mothers. Autoethnographical approaches inform many of the pieces in this book, illustrating the significance of the personal and writing the self in re-imagining our cultural narratives and representations of travel, and the mothers who undertake it. This book is about mothers who travel, for mothers who travel with their children, and all those readers who have travelled in any capacity, with or without family.
Even if you've never attended a wedding in the South, you'll find laughter in the pages of this deliciously entertaining slice of Southern life and love, complete with recipes, advice, and a huge dose of that famous charm "In the Mississippi Delta, funerals bring out the best in people, while weddings, which are supposed to be happy occasions, bring out the worst." So say Gayden Metcalfe and Charlotte Hays, authors of the bestseller Being Dead Is No Excuse: The Official Southern Ladies' Guide to Hosting the Perfect Funeral, who turn their keen eyes and sharp wit from the end of the life cycle to the all-important midpoint. For anyone planning, participating in, or attending a wedding (Southern or not), this book will amuse, entertain, and provide advice for marital bliss, including: It's OK to peek at an etiquette book, but if you rely too heavily on it, people will think that you are not fully acquainted with what is right and wrong. Anything that was not done in the past doesn't need to be done now--consider this before ordering a groom's cake, especially one featuring a fishing-tackle or golfing theme.
In many ways Nina Otero-Warren's life paralleled that of Santa Fe and New Mexico in the early years of the 20th century. Born in 1881, she saw New Mexico change from a mostly rural territory to become the 47th state in 1912 with increasing Anglo immigrant influences.
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