The Book of Donors for Strasbourg cathedral is an extraordinary medieval document dating from ca. 1320-1520, with 6,954 entries from artisan, merchant and aristocratic classes. These individuals listed gifts to the cathedral construction fund given in exchange for prayers for the donors' souls. The construction administrators (the Oeuvre Notre-Dame) also built a chapel dedicated to the Blessed Virgin Mary in the nave that housed the book and showcased prayers and masses for the building benefactors. Chapel, book and west front project formed a three part commemorative strategy that appealed to the faithful of the city and successfully competed against other religious establishments also offering memorial services. Charlotte A. Stanford's study is the first to comprehensively analyze the unpublished Book of Donors manuscript and show the types and patterns of gifts made to the cathedral. It also compares these gift entries with those in earlier obituary records kept by the cathedral canons, as well as other medieval obituary notices kept by parish churches and convents in Strasbourg. Analysis of the Book of Donors notes the increase of personal details and requests in fifteenth-century entries and discusses the different memorial opportunities available to the devout. This study draws a vivid picture of life in late medieval Strasbourg as seen through the lens of devotional and memorial practices, and will be of particular interest to scholars of art history, memory, and medieval urban life.
The ethnic Chinese have had a long and problematic history in Indonesia, commonly stereotyped as a market-dominant minority with dubious political loyalty toward Indonesia. For over three decades under Suharto’s New Order regime, a cultural assimilation policy banned Chinese languages, cultural expression, schools, media, and organizations. This policy was only abolished in 1998 following the riots and anti-Chinese attacks that preceded the fall of the New Order. In the post-Suharto era, Chinese Indonesians were finally free to assert their Chineseness again. But how does an ethnic group recover from the trauma of assimilation and regain a lost cultural identity? Memories of Unbelonging is an ethnographic study of how collective memories of state-sponsored ethnic discrimination have shaped Chinese identity politics in Indonesia. Combining case studies, in-depth primary data, and incisive analysis of Indonesia’s contemporary political landscape, anthropologist Charlotte Setijadi argues that trauma narratives are at the core of modern Chinese identity politics. Examining spaces and domains such as residential enclaves, educational institutions, the creative arts, and politics, this book paints a vivid picture of how different generations of Chinese Indonesians make sense of their historical trauma, ethnic identity, and belonging in a post-assimilation environment. Far from being passive victims of history, the ethnic Chinese are actively challenging old stereotypes and boundaries of acceptable Chineseness in the country. This emphasis on group and individual agency marks a strong departure from structural analyses of Chinese Indonesians that mostly highlight their disempowerment as an oppressed minority. Furthermore, placing the analysis within the broader context of China’s rise in the twenty-first century demonstrates how the combination of persisting local anti-Chinese sentiments and renewed pride over China’s growing global dominance have prompted many Chinese Indonesians to re-evaluate their sense of ethnic and national belonging. By focusing on the nexus between collective memory, local identity politics, and the rise of China as an external factor, Memories of Unbelonging offers new perspectives of understanding about Chinese Indonesians, post-Suharto Indonesian society, and the relationship between China and ethnic Chinese communities in Southeast Asia.
This study offers a first comprehensive synchronic account of the Present-day English gerundial system. Most synchronic studies of gerunds have hitherto focused on the verbal gerund, scrutinizing its categorial status or comparing it with other non-finite clausal structures. A systematic comparison with its nominal counterpart, however, is lacking. Based on a detailed empirical analysis of lexico-grammar and semantics, this study develops an innovative cognitive-constructionist model of the English gerund system which depicts the usage profiles of nominal and verbal gerunds in terms of probabilistic trends rather than by means of categorical labels. It is shown that a better understanding of the functioning of the English gerund system requires a description that operates on multiple levels, accounting for both the abstract construal gerunds can impose on an event as well as the token-level constraints on variation between the two gerund types. This multifaceted approach, it is argued, not only offers a new perspective on the configuration of ing-forms in Present-day English, it can also be of relevance to the description of other complex grammatical structures.
Written by a pioneer of quantum field theory, this introductory volume will assist readers in accessing the original literature of elementary quantum mechanics. Topics include scalar fields, vector meson fields, quantum electrodynamics, and quantization of electron wave field according to the exclusion principle. 1949 edition.
Two verses about Moses in the Bible have been the subject of debate since the first century. In Exodus 33:20, God tells Moses that no one can see God and live, but Numbers 12:8 says that Moses sees the form of the Lord. How does one reconcile these two opposing statements? Did Moses see God, and who gets to decide? The Christian Moses investigates how ancient Christians from the New Testament to Augustine of Hippo resolved questions of who can see God, how one can see God, and what precisely one sees. Jaeda Calaway explains that the decision about whether and how Moses saw God was not a neutral exercise for an early Christian. Rather, it established the interpreter's authority to determine what was possible in divine-human relations and set the parameters for the nature of humanity. As a result, Calaway argues, interpretations of Moses' visions became a means for Jews and Christians to jockey for power, allowing them to justify particular social arrangements, relations, and identities, to assert the limits of humans in the face of divinity, and to create an Other. Seeing early Christians with new eyes, The Christian Moses reassesses how debates on Moses' visions from the first through the fifth centuries were, in reality, debates on the boundaries of humanity.
Narratology is concerned with the study of narratives; but surprisingly it does not usually distinguish between original and translated texts. This lack of distinction is regrettable. In recent years the visibility of translations and translators has become a widely discussed topic in Translation Studies; yet the issue of translating a novel’s point of view has remained relatively unexplored. It seems crucial to ask how far a translator’s choices affect the novel’s point of view, and whether characters or narrators come across similarly in originals and translations. This book addresses exactly these questions. It proposes a method by which it becomes possible to investigate how the point of view of a work of fiction is created in an original and adapted in translation. It shows that there are potential problems involved in the translation of linguistic features that constitute point of view (deixis, modality, transitivity and free indirect discourse) and that this has an impact on the way works are translated. Traditionally, comparative analysis of originals and their translations have relied on manual examinations; this book demonstrates that corpus-based tools can greatly facilitate and sharpen the process of comparison. The method is demonstrated using Virginia Woolf’s To The Lighthouse (1927) and The Waves (1931), and their French translations.
A landmark study on Aby Warburg's life and work, translated into English. In Aby Warburg and Anti-Semitism, Charlotte Schoell-Glass provides an unprecedented look at the life and writings of cultural critic Aby Warburg through the prism of Warburg's little-known political views. Schoell-Glass argues provocatively based on archival research that Warburg's work and teachings developed as a reaction to the growing anti-Semitism in Germany, which he saw as a threat to classical education and university scholarship. Translated into English for the first time, Aby Warburg and Anti-Semitism sheds much needed light on Warburg's views on Judaism and the politics of his time. Aby Warburg, scion of a well-known Jewish banking family in Hamburg, sacrificed his birthright to pursue a career as a private scholar. As an independent art historian, he devoted himself almost exclusively to reinterpreting the revival of antiquity within the Renaissance, urging other art historians to approach their work as a brand of the larger study of image making and philosophy. In this study, Schoell-Glass examines Warburg's most influential essays on Dürer, Rembrandt, and the Sassetti Chapel and his most innovative concepts--the accessories of motion, the pathos formula, and the afterlife of antiquity--to illustrate how Warburg persistently showed a deep concern over a disappointing and unstable outside world within his own work. Schoell-Glass shows how Warburg attempts to make a response to anti-Semitism the only way he knew how, despite his awareness of the diminishing societal relevance of that response. From this study of Warburg, Schoell-Glass produces a multilayered case study of the encounter between twentieth-century politics and scholarship. Art historians, German historians, and scholars of Jewish studies and cultural studies will be grateful for this volume.
Un DVD inclus avec des séquences vidéos inédites pour chaque chapitre ! L’épileptologie change, et les approches syndromiques sont maintenant complétées par une approche étiologique fondée sur les progrès considérables en génétique. Une approche purement « électro-clinique » n’est plus adaptée aujourd’hui dans bien des cas. Cette 5e édition du « Guide bleu » fait le point sur les plus récents progrès. Ainsi, la structure du livre a un peu évolué, laissant plus de place aux approches : - physiologiques - épidémiologiques - génétiques - thérapeutique Néanmoins, la description des syndromes épileptiques reste au cœur de cet ouvrage. La diversité des contributeurs – coordinateurs et auteurs – confère à ce livre des qualités d’objectivité et de sérieux qui en font la réputation depuis maintenant près de 30 ans.
A fresh perspective from Haida leaders, art and cultural historians, anthropologists and artists on the lasting legacy of the famed Haida artist Bill Reid.
Helmut and Charlotte Jacobitz were born in Berlin during the mid-1920s. They experienced depression and inflation, and witnessed violence as fascists and communists vied for control of Germany. When the Nazis prevailed, they survived the 12 years of the Third Reich. Drafted in 1943, Helmut was wounded fighting in Normandy. Charlotte, meanwhile, worked at the Reichsbank and took shelter against frequent bombing raids. After the Russians surrounded Berlin in April 1945, she witnessed firsthand the brutal battle for the city. The two young Germans met each other after the war, Charlotte joining Helmut to smuggle food into Berlin through the Russian blockade. The family finally immigrated to America, barely escaping before the Berlin Wall sliced the city in half. We Were Berliners combines the personal reminiscences of the Jacobitzs with a lively, detailed overview of historical events as they related to the family, to Germany, and to Europe.
This collection of approximately 150 fables is the first dual-language edition of highlights from a three-volume scholarly work originally published in the 1850s. The Introduction contains critiques of the newly rediscovered German and East Bavarian stories, in addition to background on Franz von Schonwerth and his legacy"--
Essential Biochemistry, 5th Edition is comprised of biology, pre-med and allied health topics and presents a broad, but not overwhelming, base of biochemical coverage that focuses on the chemistry behind the biology. This revised edition relates the chemical concepts that scaffold the biology of biochemistry, providing practical knowledge as well as many problem-solving opportunities to hone skills. Key Concepts and Concept Review features help students to identify and review important takeaways in each section.
Zen and the art of raising children to make peace in the world . . . In this wise and insightful volume, Charlotte Kasl applies her signature blend of spiritual guidelines, exercises, and practical advice to a stage of life that leaves many of us searching for answers. If the Buddha Had Kids draws from Buddhist, Quaker, and other spiritual traditions to help parents raise children who value cooperation, compassion, and understanding, emphasizing that finding peace within a family is the first step toward creating a peaceful world. Beginning with creating a healthy bond with your child and moving through all stages of life, encouraging empathy, respect, fascination, and curiosity, Kasl explores the spiritual journey of parenting. She also draws on her decades of experience as a healer and practicing psychotherapist to tackle very practical concerns such as the roles of electronics, money, sexuality, and education, and what it means to find one’s voice. This lively book promises to bring inspiration, humor, and wisdom to the joys and struggles of raising children in our contemporary world, and will serve as an enlightening companion for all moms and dads.
In a career that spanned nearly five decades, Dorothy Fields penned the words to more than four hundred songs, among them mega-hits such as "On the Sunny Side of the Street," "I Can't Give You Anything But Love," "The Way You Look Tonight," and "If My Friends Could See Me Now." While Fields's name may be known mainly to connoisseurs, her contributions to our popular culture--indeed, our national consciousness--have been remarkable. In Pick Yourself Up, Charlotte Greenspan offers the most complete, serious treatment of Fields's life and work to date, tracing her rise to prominence in a male-dominated world.
Before America entered World War II, twenty-two U.S. citizens went to England and volunteered with the Royal Navy. Commissioned between September 1939 and November 1941, they fought in the Battle of the Atlantic and on a variety of fronts. While the history of Americans serving in the Royal Air Force is well known, the story of these naval volunteers has not been previously told. Most trained at the Royal Naval College in Greenwich, but since foreign military service was against U.S. law, their names were never made public. Now, after years of research, their identities and the details of their contributions can be made known.
After the Second World War, Britain's overseas empire disintegrated. But over the next seventy years, empire came to define Britain and its people as never before. Drawing on a mass of new research, Riley tells a story of immigration and exclusion, social strife and cultural transformation. It is the story that best explains Britain today.
How big can polar bears grow? How do polar bears grip on the ice? How long can polar bears stay under water? This title takes a fun look at polar bears through engaging photos and lively text.
Modernity, Complex Societies, and the Alphorn provides a fascinating examination of the musical instrument the alphorn, alphorn music and its performance. Indeed, it is the first book about this extraordinary instrument to appear in English. It analyses the alphorn phenomenon as a symbol of the Swiss nation, going back to the Swiss nation building process in the nineteenth century and the “invention of tradition” which began in the second half of the nineteenth century, before arriving at important issues of contemporary alphorn practice such as: what is tradition? How is it being negotiated? The insightful and valuable comments from key Swiss alphorn players add to the extensive ethnographic and archival material. Departing from this analysis, the case studies of Bavaria, the Netherlands, and Japan shed a light on the issues of worldwide migration of alphorn practice in the modern world, as well as on the diverse concepts of a Swiss imagery. Intellectually sophisticated yet easily accessible, the book ends with an exploration of how to use video and film for musical ethnography, considering the practical issues of filmmaking as well as the theoretical implications of shooting and editing for an ethnomusicological film. Drawing from the alphorn film as a sample, this book covers the entire filmmaking process, from the conception of the film to the feedback-sessions with the protagonists, providing fundamental insights into this technique for ethnomusicologists. Based on solid, careful, and complete research, this work will especially appeal to scholars of musicology, Swiss history, and filmography.
Goethe's career was an unusually long and productive one: he became a literary celebrity in the 1770s and remained so until his death in 1832. The distinguishing feature of his last works is their self-consciousness, their preoccupation both with the business of writing and with personal development. In the first cross-genre study of this period of Goethe's work, Charlotte Lee traces the theme in his last major poems and autobiographical writings, before turning to the two 'giants', 'Wilhelm Meisters Wanderjahre' and 'Faust II'. All these works share a tendency to allude subtly to earlier moments from Goethe's own literary output, but to fashion them into writing which is quite new - even though (or perhaps because) he himself is old. This book seeks to understand the unique perspective of one nearing the end of a long life.
Quantum Leaps is a how-to book for creating fundamental change in both ourselves and our organizations. Charlotte Shelton's basic premise is that organizational change happens one person at a time. Our workplaces simply mirror our individual and collective beliefs. Therefore, we change ourselves, our workplaces, and the world by changing our minds. As our beliefs change, we not only see the world differently, we begin to be in the world in a different way, thus creating a new reality. Shelton uses the basic principles of quantum mechanics as the foundational metaphor for a new quantum skill set that recognizes the highly complex, constantly changing, totally unpredictable nature of life. She demonstrates the inadequacy of our time-honored skills of planning, organizing, directing and controlling. She shows how these skills are directly tied to an obsolete view or reality ignoring the now fundamental requirements of extreme imagination and radical innovation. Quantum Leaps introduces seven new skills: skills that are compatible with life and work in the twenty-first century. These seven Quantum Skills enable us to see, think, feel, know, act, trust and be radically different ways. Collectively they form a comprehensive model for change. These skills integrate quantum mechanical principles, state-of-the-art-psychology, and universal spiritual practices. They balance the traditional left-brain business skills with a new skill set that more fully utilizes both hemispheres of the brain. As we master these skills, Shelton states, "We create balanced lives and whole-brain organizations and we become authentic change masters, changing ourselves and our organizations from the inside out." The Seven Quantum Skills are: Quantum Seeing, Quantum Thinking, Quantum Feeling, Quantum Knowing, Quantum Acting, Quantum Trusting and Quantum Being. These 7 skills introduce a new way to access underutilized brain capacities as they acknowledge the role of intention, intuition and interconnectivity.
A new edition of the definitive title in the field of contemporary art photography by one of the world’s leading experts on the subject, Charlotte Cotton. In the twenty-first century, photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. The Photograph as Contemporary Art introduces the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged directorial spectacles. Arranged thematically, the book reproduces work from a vast span of photographers, including Andreas Gursky, Barbara Kasten, Catherine Opie, Cindy Sherman, Deana Lawson, Diana Markosian, Elle Pérez, Gregory Halpern, Lieko Shiga, Nan Goldin, Paul Mpagi Sepuya, Pixy Liao, Susan Meiselas, and Zanele Muholi. This fully revised and updated new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Alongside previously featured work, Charlotte Cotton celebrates a new generation of artists who are shaping photography as a culturally significant medium for our current sociopolitical climate. A superb resource, The Photograph as Contemporary Art is a uniquely broad and diverse reflection of the field.
For fans of Maybe You Should Talk to Someone and Tiny Beautiful Things, this inspiring and moving exploration of the twelve fundamental psychological needs we all share goes behind the closed doors of therapy to guide us in navigating our deepest longings. What do we want? And how do we get it? Chloe is beautiful and fiercely bright, but she feels desperately deprived. Elliot, lost and adrift, is secretly grieving the loss of his famous lover. Rosie has always tried to follow the rules of cultural expectations, but a year into her marriage, she still hasn’t had sex with her husband. Dwight is determined to be upbeat, even in the face of his wife’s betrayal. Each of us, at certain moments in our lives, can feel lost or confused. We often don’t know how to get what we want, or what we think we want, but we share these universal desires: to love and be loved; understanding, power, attention, freedom; to create, to belong, to win, to connect, to control; and we want what we shouldn’t. In each of these twelve chapters, focused on one of these universal desires, psychotherapist Charlotte Fox Weber takes you behind the closed doors of a therapy session to bear witness as she guides a client towards profound insights, change, and growth. Written with warmth and compassion, full of dramatic, intimate, and moving personal stories, and based on careful research as well as firsthand observations, Tell Me What You Want is an inspirational guide to living well.
The first single, comprehensive source for locating North American public prairies, grasslands, and savannas, Prairie Directory of North America is a guide unlike any other. First published in 2001, the book uniquely catalogs the continent's most well-known prairie sites by country and state for easy reference. With the addition of over three hundred newly located, preserved, or restored sites, the second edition is the prairie enthusiast's ideal guide to locating countless North American sites-from the well-documented to the remote. Readers can use the guide to plan both convenient visits to close-to-home prairies and journeys to sites well across the continent. Also included is an expanded state-by-state index, ideal for locating specific prairies in any given state. The victim of destructive plowing and construction at the hands of European settlers, North American grassland ecosystems that once spanned the entire continent have suffered degradation and fragmentation. With the Prairie Directory as a guide, however, ecologists, environmental scientists, and tourists can experience the essence of this ancient ecosystem and, in some locations, even its vastness. The book lists tiny, hidden half-acre prairies spared by the plow as well as popular sites covering millions of acres. It documents prairies hidden deep in forests or in plain sight in American Indian reservations. The only one of its kind, this book will allow readers to experience the prairie as a colorful, fragrant, wildlife-rich North American landscape.
A favorite among successful students, and often recommended by professors, the unique Examples & Explanations series gives you extremely clear introductions to concepts followed by realistic examples that mirror those presented in the classroom throughout the semester. Use at the beginning and midway through the semester to deepen your understanding through clear explanations, corresponding hypothetical fact patterns, and analysis. Then use to study for finals by reviewing the hypotheticals as well as the structure and reasoning behind the accompanying analysis. Designed to complement your casebook, the trusted Examples & Explanations titles get right to the point in a conversational, often humorous style that helps you learn the material each step of the way and prepare for the exam at the end of the course. The unique, time-tested Examples & Explanations series is invaluable to teach yourself the subject from the first day of class until your last review before the final. Each guide: helps you learn new material by working through chapters that explain each topic in simple language challenges your understanding with hypotheticals similar to those presented in class provides valuable opportunity to study for the final by reviewing the hypotheticals as well as the structure and reasoning behind the corresponding analysis quickly gets to the point in conversational style laced with humor remains a favorite among law school students is often recommended by professors who encourage the use of study guides works with ALL the major casebooks, suits any class on a given topic provides an alternative perspective to help you understand your casebook and in-class lectures
A unique perspective on intellectual property law. It examines the complex policies that inform and guide modern intellectual proprty law at the domestic (including Scottish), European and international levels, giving the reader a true insight into the discipline and the shape of things to come.
The changing landscape of health care continues to grow more diverse. As young health professionals move into clinical practice and face challenging health demands and increasing health care costs, they must be prepared to work in interprofessional teams despite a lack of experience in team-based skills. Interprofessional Healthcare: Education and Practice for Rural and Underserved Populations represents a collective response to this problem from educators, clinicians, and community health leaders to create a resource for interprofessional education and practice. Divided into five sections, this book includes the necessary information to encourage dialogue, debate, and action in interprofessional education needed to meet the health care needs for the present and the future.
Voet, Voet and Pratt's Fundamentals of Biochemistry, 5th Edition addresses the enormous advances in biochemistry, particularly in the areas of structural biology and Bioinformatics, by providing a solid biochemical foundation that is rooted in chemistry to prepare students for the scientific challenges of the future. While continuing in its tradition of presenting complete and balanced coverage that is clearly written and relevant to human health and disease, Fundamentals of Biochemistry, 5e includes new pedagogy and enhanced visuals that provide a pathway for student learning.
Two leading thinkers present alternative answers to one of the most difficult and divisive questions of our times: Is free speech under threat? Suzanne Nossel, CEO of PEN America, the leading free expression organisation, argues that alongside the necessary and long-overdue elevation of minority voices in recent years, there has also arisen an uncompromising intolerance – most notably on university campuses and online – that wrongly equates a wide range of offensive speech with violence and seeks to shut it down. This has led to an escalating free speech arms race, from which everyone loses. Charlotte Lydia Riley, historian of empire and editor of The Free Speech Wars, argues that accusations of cancel culture and defences of free speech are too often disingenuous attempts to fuel a culture war and so inhibit an important realignment in which hateful speech is at last being called out for what it is and the right to free expression is being extended to more people than ever before. Published in conjunction with Intelligence Squared, the world’s leading curator of debate, this book is part of the THINK AGAIN series: short books that present two expert, contrasting but equally persuasive views in a single volume that can be read from either end.
This book addresses fundamental issues about the last decades of Tsarist Russia, contributing significantly to current debates about how far and how successfully modernisation was being implemented by the Tsarist regime. It focuses on successive outbreaks of cholera in the city of Saratov on the Volga, in particular contrasting the outbreak of 1892 - widely regarded at the time as a national fiasco and a transformative episode for the Russian Empire - with the cholera epidemics of 1904-1910 when - despite completely new scientific discoveries and administrative arrangements - Russia suffered another national outbreak of the disease. The book sets these outbreaks fully in their social, economic, political and cultural context, and explains why a medical and social disaster - which had long since been overcome in other parts of Europe - continued much later in Russia. It explores autocratic government, urban renewal, public health, and disaster management, including the management of widespread public hysteria and social unrest. The book further analyses the assimilation of Western medical knowledge, and the resulting institutional and epistemological changes. Overall, it demonstrates that Russia’s medical history was inseparably linked to the nature of the tsarist regime itself in its confrontation with modernity.
In Marlene, the legendary Hollywood icon is vividly brought to life, based on a series of conversations with the star herself and with others who knew her well. In the mid-1970s Charlotte Chandler spoke with Marlene Dietrich in Dietrich’s Paris apartment. The star’s career was all but over, but she agreed to meet because Chandler hadn’t known Dietrich earlier, “when I was young and very beautiful.” Dietrich may have been retired, but her appearance and her celebrity—her famous mystique—were as important to her as ever. Marlene Dietrich’s life is one of the most fabulous in Hollywood history. She began her career in her native Berlin as a model, then a stage and screen actress during the silent era, becoming a star with the international success The Blue Angel. Then, under the watchful eye of the director of that film, her mentor Josef von Sternberg, she came to America and became one of the brightest stars in Hollywood. She made a series of acclaimed pictures—Morocco, Shanghai Express, Blonde Venus, Destry Rides Again, among many others—that propelled her to international stardom. With the outbreak of World War II, the fiercely anti-Nazi Dietrich became an American citizen and entertained Allied troops on the front lines. After the war she embarked on a new career as a stage performer, and with her young music director, the gifted Burt Bacharach—whom Chandler interviewed for the book—Dietrich had an outstanding second career. Dietrich spoke candidly with Chandler about her unconventional private life: although she never divorced her husband, Rudi Sieber, she had numerous well-publicized affairs with his knowledge (and he had a longtime mistress with her approval). By the late 1970s, plagued by accidents, Dietrich had become a virtual recluse in her Paris apartment, communicating with the outside world almost entirely by telephone Marlene Dietrich lived an extraordinary life, and Marlene relies extensively on the star’s own words to reveal how intriguing and fascinating that life really was.
The J. Paul Getty Museum's paintings collection ranges from the fourteenth to the end of the nineteenth century. Among the finest examples of early Renaissance painting are the Madonna and Child by the Master of Saint Cecilia, Masaccio's Saint Andrew, and Gentile da Fabriano's richly painted Coronation of the Virgin. Typical of the High Renaissance are Andrea Mantegna's splendid Adoration of the Magi and Fra Bartolommeo's Rest on the Flight into Egypt. The art of the Netherlands in its Golden Age is represented by Jan Brueghel's much-loved painting The Entry of the Animals into Noah's Ark and by The Return from War, which he painted with Peter Paul Rubens, as well as a newly acquired and magnificent landscape by Hobbema, Rembrandt's Abduction of Europa, and Jan Steen's Drawing Lesson. Painting in France ranges from recently acquisitioned works by Poussin, Fragonard, and Lancret, through the Impressionism of Monet's seminal Sunrise and his Rouen Cathedral, while the modern age is exemplified by the Irises of Vincent van Gogh. Fernand Khnopff's Jeanne Kéfer, and Cézanne's Still Life with Apples.
This book presents a critical rethinking of assumptions that have informed our understanding of women’s engagement in contact sport, based on an in-depth ethnography with an English rugby team. Looking at the day-to-day concerns of women who play rugby, this work provides a refreshing perspective on different ways of doing femininities in postfeminist times. Women’s rugby is one of the world’s fastest growing sports, yet it is also a physical game that is traditionally the preserve of men. Tackling Stereotypes reveals the cultural and symbolic stigma that ‘sticks’ to women’s rugby players and the tactics they use to carve out space for themselves and fight for legitimacy. It also argues that players engage in pragmatic politics, informed by their participation, that aims to enact realistic change. Branchu develops a situational sociology that furthers debates in the understanding of gender, belonging, becoming, embodiment, resistance politics, and the sociological study of sport.
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