Alban Berg (1885-1935), a student of Arnold Schoenberg and one of the most prominent composers of the Second Viennese School, is counted among the pioneers of twelve-tone serialism. His circle included not only the musicians of the Wiener modern but also prominent literary and artistic figures from Vienna's brilliant fin-de-siècle. In his short lifetime he composed two ground-breaking operas, Wozzeck and Lulu, as well as chamber works, songs, and symphonic compositions. His final completed work, the deeply moving and elegiac Violin Concerto, is performed by leading soloists across the world. This new life-and-works study from authors Bryan R. Simms and Charlotte Erwin delivers a fresh perspective formed from comprehensive study of primary sources that reveal the forces that shaped Berg's personality, career, and artistic outlook. One such force was Berg's wife, Helene Nahowski Berg, and the book provides a unique assessment of her role in the composer's life and work, as well as her later quest to shape his artistic legacy in the forty-one years of her widowhood. The authors present insightful analysis of all of Berg's major works, bringing into play Berg's own analyses of the music, many of which have not been considered in existing scholarship. Berg is an accessible and all-encompassing resource for all readers who wish to learn about the life and music of this composer, one of the great figures in modern music.
In novels written at the end of the long nineteenth century, women in Germany and Austria engaged with some of the most pressing social questions of the modern age. Charlotte Woodford analyses a wide range of such works, many of them largely forgotten, in the context of the contemporary cultural discourses that informed their creation, such as writings on pacifism and socialism, prostitution, birth control and sexually transmitted diseases. Women's experience of contemporary medicine as patients and doctors is a fascinating theme, treated here by several authors. Through a close reading of works by Marie von Ebner-Eschenbach, Minna Kautsky, Gabriele Reuter, Helene Bohlau, Ilse Frapan, Hedwig Dohm, Lou Andreas-Salome, and others, this study shows how writers' determination to validate women's experience of the problems of modernity informed the aesthetic development of the novel by women.
This volume collects the key-note addresses on feminist theology and feminist theory given at the international conference of the ESWTR held in Salzburg in August 2001, together with other papers given at that conference and relating to this theme. It explores the interactions between liberation theology and feminist theory in European and other contexts, considering particularly aspects crossing boundaries: gender, national, disciplinary. The papers are complemented by a comprehensive bibliography of relevant literature and by an extensive review section.
Ideal for students of German as well as crime story enthusiasts, this dual-language edition contains ten short stories. Selections range from 18th- and 19th-century classics by Friedrich Schiller and Willibald Alexis to tales by such popular contemporary authors as Iris Klockmann and Karin Holz. The editor provides an overview of German crime fiction in addition to individual introductions to each story." --
Undeterred is the story of how Luck, Love, and Learning helped a young girl from an upper-middle class European family surmount discrimination, horror, and fear engendered by the Nazis in the 1930s. Several rescuers enabled her to escape from Germany to other countries. Landing in the United States at age twelve, she soon found herself to be a little girl among sophisticated teenagers. As she matured, she traversed the European-American culture gaps, but not without strife. As is so often the case during adolescence, she had tumultuous struggles with her parents. Ultimately she herself became a mother of four. She also earned a doctorate from a prestigious university and succeeded as a respected professional. Charlotte Kahn speaks of finding her way and how she Made It In America.
This collection of essays by a group of well-known international scholars deals with the complex and fluid ways in which biblical traditions are transmitted in a variety of contexts focusing especially on the versions, the pseudepigrapha and Qumran, and early Christian literature.
Gets quickly to the heart of communication." — The New York Times Compact and comprehensive, this convenient reference contains more than 2,000 entries of terms for every occasion. Completely updated contents include a 2,500-word English-German dictionary with vocabulary for modern technology, transportation, and communications, plus essential information for travelers and points of interest about language and culture.
The Book of Donors for Strasbourg cathedral is an extraordinary medieval document dating from ca. 1320-1520, with 6,954 entries from artisan, merchant and aristocratic classes. These individuals listed gifts to the cathedral construction fund given in exchange for prayers for the donors' souls. The construction administrators (the Oeuvre Notre-Dame) also built a chapel dedicated to the Blessed Virgin Mary in the nave that housed the book and showcased prayers and masses for the building benefactors. Chapel, book and west front project formed a three part commemorative strategy that appealed to the faithful of the city and successfully competed against other religious establishments also offering memorial services. Charlotte A. Stanford's study is the first to comprehensively analyze the unpublished Book of Donors manuscript and show the types and patterns of gifts made to the cathedral. It also compares these gift entries with those in earlier obituary records kept by the cathedral canons, as well as other medieval obituary notices kept by parish churches and convents in Strasbourg. Analysis of the Book of Donors notes the increase of personal details and requests in fifteenth-century entries and discusses the different memorial opportunities available to the devout. This study draws a vivid picture of life in late medieval Strasbourg as seen through the lens of devotional and memorial practices, and will be of particular interest to scholars of art history, memory, and medieval urban life.
Waiting for the Revolution to End explores the Syrian revolution through the experiences of citizens in exile. Based on more than three years of embedded fieldwork with Syrians displaced in the border city of Gaziantep (southern Turkey), the book places the Syrian revolution and its tragic aftermath under ethnographic scrutiny. It charts the evolution from peaceful uprising (2011) to armed confrontation (2012), descent into fully fledged conflict (2013) and finally to proxy war (2015), to propose an understanding of revolution beyond success and failure. While the Assad regime remains in place, the Syrian revolution (al-thawra) still holds a transformational power that can be located on intimate and world-making scales. Charlotte Al-Khalili traces the unintended consequences of revolution and its unexpected consequences to reveal the reshaping of Syrian life-worlds and exiles’ evolving theorizations, experiences and imaginations of al-thawra. She describes the in-between spatio-temporal realm inhabited by Syrians displaced to Turkey as they await the revolution’s outcomes, and maps the revolution’s multidimensional and multi-scalar effects on their everyday life. By following the chronology of events inside Syria and Syrians’ geography of displacement, the book makes the relation between revolution and displacement its centerpiece, both as an ethnographic object and an analytical device. Praise for Waiting for the Revolution to End 'Waiting for the Revolution to End is essential reading for scholars and students wanting to understand the temporal and affective orientations at play in the aftermath of the Syrian revolution. Al-Khalili presents a lucid ethnography of revolutionary hopes, defeat, and displacement hereby offering a sustained theoretical engagement with the social, political and religious forces that undergird Syrian existence.' Andreas Bandak, University of Copenhagen 'Although so much has been said about the Syrian revolution, surprisingly little has been written about what it did to the selves, hopes, and lives of those who joined it but were defeated. Waiting for the Revolution to End is a very important and urgently needed contribution that tells the story of the revolution as it is understood by ordinary Syrians who turned into revolutionaries by participating in the uprising from its beginnings in 2011 and 2012, when the possibility of a non-violent overcoming of a violent regime still appeared within reach. Writing through the experience of living among displaced Syrians in Gaziantep, Al-Khalili tells us something that political analyses from above so often miss: the transformational power of participation in the revolution, and the cosmogonic change it effected in the minds and lives of people while they were tragically defeated. Speaking of defeat rather than failure of Syrian revolutionaries, Waiting for the Revolution to End *weaves a rich, emphatic, convincing, tragic yet also hopeful story of the possibility of dignity.' *Samuli Schielke, Leibniz-Zentrum Moderner Orient 'Charlotte Al-Khalili’s stunning and moving ethnography is a landmark in the study of revolution, social change and mobility. Through an extraordinary portrayal of the lives, hopes and fears of Syria’s exiled revolutionaries in their “capital”, Al-Khalili transforms understandings of how migration shapes revolutionary subjectivity, how grassroots revolutionary activists theorize revolutionary outcomes, and how revolutionaries reorganize families and networks to keep ideals of social transformation alive.’ Alice Wilson, University of Sussex
Ageing with Smartphones in Uganda is based on a 16-month ethnography about experiences of ageing in a neighbourhood in central Kampala, Uganda. It examines the impact of smartphones and mobile phones on older people’s health and everyday lives as part of the global ASSA project. Taking a ‘convivial’ approach, which celebrates multiple ways of knowing about social life, Charlotte Hawkins draws from these expressions about cooperative morality and modernity to consider the everyday mitigation of profound social change. ‘Dotcom’ is understood to encompass everything from the influence of ICTs to urban migration and lifestyles in the city, to shifts in ways of knowing and relating. At the same time, dotcom tools such as mobile phones and smartphones facilitate elder care through, for example, regular mobile money remittances. This book explores how dotcom relates to older people’s health, their care norms, their social standing, their values of respect and relatedness, and their intergenerational relationships – both political and personal. It also re-frames the youth-centricity of research on the city and work, new media and technology, politics and service provision in Uganda. Through ethnographic consideration of everyday life and self-formation in this context, the monograph seeks to contribute to an ever-incomplete understanding of how we relate to each other and to the world around us.
A landmark study on Aby Warburg's life and work, translated into English. In Aby Warburg and Anti-Semitism, Charlotte Schoell-Glass provides an unprecedented look at the life and writings of cultural critic Aby Warburg through the prism of Warburg's little-known political views. Schoell-Glass argues provocatively based on archival research that Warburg's work and teachings developed as a reaction to the growing anti-Semitism in Germany, which he saw as a threat to classical education and university scholarship. Translated into English for the first time, Aby Warburg and Anti-Semitism sheds much needed light on Warburg's views on Judaism and the politics of his time. Aby Warburg, scion of a well-known Jewish banking family in Hamburg, sacrificed his birthright to pursue a career as a private scholar. As an independent art historian, he devoted himself almost exclusively to reinterpreting the revival of antiquity within the Renaissance, urging other art historians to approach their work as a brand of the larger study of image making and philosophy. In this study, Schoell-Glass examines Warburg's most influential essays on Dürer, Rembrandt, and the Sassetti Chapel and his most innovative concepts--the accessories of motion, the pathos formula, and the afterlife of antiquity--to illustrate how Warburg persistently showed a deep concern over a disappointing and unstable outside world within his own work. Schoell-Glass shows how Warburg attempts to make a response to anti-Semitism the only way he knew how, despite his awareness of the diminishing societal relevance of that response. From this study of Warburg, Schoell-Glass produces a multilayered case study of the encounter between twentieth-century politics and scholarship. Art historians, German historians, and scholars of Jewish studies and cultural studies will be grateful for this volume.
Modernity, Complex Societies, and the Alphorn provides a fascinating examination of the musical instrument the alphorn, alphorn music and its performance. Indeed, it is the first book about this extraordinary instrument to appear in English. It analyses the alphorn phenomenon as a symbol of the Swiss nation, going back to the Swiss nation building process in the nineteenth century and the "invention of tradition" which began in the second half of the nineteenth century, before arriving at important issues of contemporary alphorn practice such as: what is tradition? How is it being negotiated? The insightful and valuable comments from key Swiss alphorn players add to the extensive ethnographic and archival material. Departing from this analysis, the case studies of Bavaria, the Netherlands, and Japan shed a light on the issues of worldwide migration of alphorn practice in the modern world, as well as on the diverse concepts of a Swiss imagery. Intellectually sophisticated yet easily accessible, the book ends with an exploration of how to use video and film for musical ethnography, considering the practical issues of filmmaking as well as the theoretical implications of shooting and editing for an ethnomusicological film. Drawing from the alphorn film as a sample, this book covers the entire filmmaking process, from the conception of the film to the feedback-sessions with the protagonists, providing fundamental insights into this technique for ethnomusicologists. Based on solid, careful, and complete research, this work will especially appeal to scholars of musicology, Swiss history, and filmography.
What is the subject of video? Charlotte Klink traces the development of electromagnetism in the pursuit of »Electric Seeing« that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as »video«. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana, Hito Steyerl, and Bjørn Melhus.
Using evidence from contemporary printed images, Smith examines the attitudes of Christian Europe to the Ottoman Empire and to Islam. She also considers the relationship between text and image, placing it in the cultural context of the Reformation and beyond.
Dangerous as lucifer matches.' That was how Arthur Nicholls, Charlotte Brontë's husband for the last nine months of her life, described her letters. Full of acute observations, pithy character sketches, and passionate convictions, the letters are our most direct source of information about the lives of the Brontës and our closest approach to the author of Jane Eyre. In them Charlotte writes of life at Haworth Parsonage, her experiences at a Belgian school, and her intense feelings for the Belgian schoolteacher, M. Heger. She endures the agony of the death of her siblings, and enjoys the success as a writer that brings her into contact with the London literary scene. Vivid and intimate, her letters give fresh insight into the novels, and into the development of her distinct literary style. Margaret Smith's fine edition includes invaluable notes on Brontë's correspondents, and Janet Gezari contributes a new introduction that relates the letters to both Brontë's life and her creative accomplishment. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
As early as the first century of the common era, Jews followed the Romans to live on German territory. For two thousand years Jews and the local population co-existed. This relationship has been turbulent at times but has occasionally been a model of multicultural synergism. Together the two groups have produced a unique and rich culture. Germany's Jewish Community, with thriving congregations, schools, publications, and museums, has been the world's fastest growing group. This work focuses on the present while addressing the underlying question of the future for Jews in Germany: How temperate is the German social climate and how fertile is its soil for Jews? This work focuses on the present while addressing the underlying question of the future for Jews in Germany: How temperate is the German social climate and how fertile is its soil for Jews? Seventy people were interviewed for this book to establish what kind of relationships are being established across the Jewish and non-Jewish border. The interviewees represent three generations and all walks of life. This text depicts their legacies, fears, and hopes in their own words. Existing German societal conditions are evaluated for possible future creativity and synergy.
These letters give an insight into the life of a writer whose novels continue to be bestsellers. They reveal much about Charlotte Brontë's personal life, her family relationships, and the society in which she lived. Many of her early letters are written with vigour, vivacity, and an engaging aptitude for self-mockery. In contrast, her letters to her 'master', the Belgian schoolteacher Constantin Heger, reveal her intense, obsessive longing for some response from him. Otherletters are deeply moving, when Charlotte endures the agony of her brother's and sisters' untimely deaths. We learn also of the progress of her writing, including the astonishing success of Jane Eyre, and of her contacts with her publishers, including the young George Smith; and we recognize in her lettersthe life-experiences which are transmuted into the art of her novels. Contemporary society is brilliantly described in her letters from London, when she writes of her encounters with famous writers and with critics of her novels. We hear too of her visits to art galleries, operas, and the Great Exhibition of 1851 at the Crystal Palace. Dramatic letters written in December 1852 convey the 'turbulence of feeling' in the Haworth curate Arthur Nicholls's proposal of marriage to her and in MrBrontë's violent reaction to it; and we subsequently hear of her secret correspondence with her suitor, her father's eventual consent, and her tragically brief happy marriage, cut short by her death in March 1855.
Goethe's career was an unusually long and productive one: he became a literary celebrity in the 1770s and remained so until his death in 1832. The distinguishing feature of his last works is their self-consciousness, their preoccupation both with the business of writing and with personal development. In the first cross-genre study of this period of Goethe's work, Charlotte Lee traces the theme in his last major poems and autobiographical writings, before turning to the two 'giants', 'Wilhelm Meisters Wanderjahre' and 'Faust II'. All these works share a tendency to allude subtly to earlier moments from Goethe's own literary output, but to fashion them into writing which is quite new - even though (or perhaps because) he himself is old. This book seeks to understand the unique perspective of one nearing the end of a long life.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.