Dependent on D.C. raises serious concerns about the future of liberty in America and proves beyond a doubt that the growth of dependence on government in the past seventy years has not been accidental, that its creation has been bipartisan, and that it is accelerating. Twight shows how growing federal power--driven by legislation, validated by Supreme Court decisions, and accelerated by presidential ambition--has eroded the rule of law in our nation, leaving almost no activity that the central government cannot at its discretion regulate, manipulate, or prohibit. Dependent on D.C. shows why Americans have not resistedthis expansion of federal power. In these uncertain times, Dependent on D.C. is the book Americans need to read when thinking about the future of their individual liberty.
A biography of eighteenth-century actress Charlotte Charke supplements her autobiography with modern commentary on her life, her career, and her reputation
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Charlotte Charke's autobiography, published in 1755, is far more than an exploration of social gender roles, as quite a number of critics have claimed. Charke's text is an example of the complex interactions between identity creation and gender expectations of society, family, and self.
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