Thoughts on Shortstakes a detailed look at a variety of short film scripts by award-winning writers including: Cup and Lipby Smita Bhide (2002) For the Love of Godby Joe Tucker (2007) Ela by Silvana Aguirre (2007) La Virgine degli Angeli by Charles Sturridge from Aria(1987) Who's My Favourite Girl? by Adrian McDowall (1999) D.I.Y. Hard by Linda Cotterill (2002) Each script is introduced by Charlie Moritz and set in context before the full script is reproduced for study. The script is followed by an interview with the writer and some final thoughts from Charlie Moritz on how the film was received and how the writer's intentions came through in the piece.
If I was setting out as a screenwriter, this is the book I would read first and keep by me'– Melanie Harris, Producer, Crosslab Productions 'An excellent resource for students and teachers alike'– In the Picture '...a valuable addition to every screenwriting bookshelf' – Screentalk 'This is one of the best guides to help screenwriters think visually that I have ever read' – Creative Screenwriting 'The inventive exercises in Scriptwriting for the Screen give it the potential for revitalizing the experience of even experienced scriptwriters' – ' Scope’ Online Journal of Film Studies Scriptwriting for the Screen is an accessible guide to writing for film and television. It details the first principles of screenwriting and advises on the best way to identify and formulate a story and develop ideas in order to build a vivid, animated and entertaining script. Scriptwriting for the Screen introduces the reader to essential skills needed to write effective drama. This edition has been updated to include new examples and an entirely new chapter on adaptation. There are examples of scripts from a wide range of films and television dramas such as Heroes, Brokeback Mountain, Coronation Street, The English Patient, Shooting The Past, Spaced, Our Friends In the North and American Beauty. Scriptwriting for the Screen includes: advice on how to visualise action and translate this into energetic writing how to dramatise writing, use metaphor and deepen meaning tips on how to determine the appropriate level of characterisation for different types of drama practical exercises and examples which help develop technique and style a section on how to trouble-shoot and sharpen dialogue a guide to further reading
Film star Charlie Chaplin spent February 1931 through June 1932 touring Europe, during which time he wrote a travel memoir entitled “A Comedian Sees the World.” This memoir was published as a set of five articles in Women’s Home Companion from September 1933 to January 1934 but until now had never been published as a book in the U.S. In presenting the first edition of Chaplin’s full memoir, Lisa Stein Haven provides her own introduction and notes to supplement Chaplin’s writing and enhance the narrative. Haven’s research revealed that “A Comedian Sees the World” may very well have been Chaplin’s first published composition, and that it was definitely the beginning of his writing career. It also marked a transition into becoming more vocally political for Chaplin, as his subsequent writings and films started to take on more noticeably political stances following his European tour. During his tour, Chaplin spent time with numerous politicians, celebrities, and world leaders, ranging from Winston Churchill and Mahatma Gandhi to Albert Einstein and many others, all of whom inspired his next feature films, Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and A King in New York (1957). His excellent depiction of his experiences, coupled with Haven’s added insights, makes for a brilliant account of Chaplin’s travels and shows another side to the man whom most know only from his roles on the silver screen. Historians, travelers, and those with any bit of curiosity about one of America’s most beloved celebrities will all want to have A Comedian Sees the World in their collections. Available only in the USA and Canada.
It’s 1976 and England is sweating its nuts off. As an unrelenting heat wave beats down on the nation, the residents of Horse’s Arse – aka Handstead New Town, north Manchester – are reaching melting point. The Park Royal Mafia, having recovered from the loss of its senior members, is under new management and open for the business of mindless violence again. Unfortunately their antics have attracted the attention of a psychotic Turkish gangster, who’s decided the Mafia is just what he needs to pull himself to the top of the criminal heap. And wading into the middle of it are the Grim Brothers, Psycho, Pizza, Ally – Horse’s Arse’s finest and the hardestboiled coppers you’ll ever meet. With this lot hot under the collar it’s all going to end in blood, (a lot of) sweat and tears.
Some fifty years apart, two itinerant men wander into two adjacent German towns. Two of their descendants, a man and a woman, eventually meet and, after traveling nearly a fourth of the way around the world to a new land, are married. In story form, this book covers the German roots of the couple, reasons for leaving their homeland, ending up in the Minnesota Territory, and the effort of becoming successful homesteaders. Following the in-depth exploration of the lives of the first generation couple, individual stories about the second generation of the family are presented. Generally engaged as farmers, the two generations of Gohmans had very diverse personalities but adapted to the world around them uniformly with strength and character. The family members experienced and adapted to great changes in their livesmoving from a German Heuerling environment to working in early Cincinnati industries and finally moving on to homesteading in the wilderness of the Minnesota Territory.
More than 15 years have passed since the speculative realism conference at Goldsmiths College, London, hosted Ray Brassier, Iain Hamilton Grant, Graham Harman, and Quentin Meillassoux. Their dictum was simple: Reality is not what it seems. 15 Years of Speculative Realism begins with four chapters, each dedicated to the work of a speculative realism panellist. On one level, their respective projects engaged with the great philosophical systems of yesteryear: Cartesian dualism; the Platonist distinction between reality and appearance; and the Kantian revival of noumena. But there is much more at stake here, such as the repositioning of the subject as yet another object in the universe, and the radically egalitarian view that individual human thought is best described as a local manifestation of nature. Through these observations, we are also encouraged to ask: 'Could the laws of physics change at any moment?' and 'How does thought think the gradual extinction of itself as but another perishable phenomenon in the physical universe?' Two further chapters offer wider context: the Analysis & Impact chapter evaluates speculative realism's relevance to the wider domain of philosophy, as well as its achievements and shortcomings, with commentary by Slavoj Žižek, and the Interviews chapter has contributions from Graham Harman, Ray Brassier, and Goldsmiths College's speculative realism conference coordinator, Alberto Toscano. As we prophetically enter into a new epoch - characterized by artificial intelligence and a withering climate - we call the Anthropocene, it seems that many of the insights offered to us through the speculative realist lens have come to fruition. The objective, now, is to speculate upon how far this major shift in the humanities will ensue, and how different this reality will be from our preconceived notion of the real offered to us by previous tenets of realism. This book charts the essential meaning of the movement in the wake of its spell as one of the most significant philosophical movements of the twenty-first century.
The life of the silent film and comedy icon, in his own words—“the best autobiography every ever written by an actor . . . an astonishing work” (Chicago Tribune) Take an unforgettable journey with the man George Bernard Shaw called “the only genius to come out of the movie industry” as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his “reverse migration” back to Europe. Charlie Chaplin’s heartfelt and hilarious autobiography—one of the very first celebrity memoirs—tells the story of his life, showcasing all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character. Re-issued as part of Melville House’s Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the heart and the mind of Hollywood’s original genius maverick.
Charlie Spedding describes himself as ‘not particularly talented’ – at least, compared to the group of people he had chosen to find himself among. These were the athletes in the Olympic marathon. So how did he end up with a bronze medal? How did he win the London Marathon? And why does he still hold the English record for the distance? In this remarkable autobiography he explains how – how someone who was almost bottom of the class when he first went to school, and even worse at sport, eventually turned himself into a genuinely world-class athlete, competing in top marathons all over the world, and genuinely going from last to first. As well as the enthralling life story of one of our finest distance runners, this book is a wonderfully clear and inspiring piece of life coaching for anyone who wants to make the most of their talents. But more than this, as Spedding says at the start, ‘I believe that on occasions you can create the circumstances in which you can perform at a higher level than your talent says you can’. Spedding’s own story, and his chronicle of the big races he excelled in, proves it’s true. For anyone aspiring to run a marathon, or indeed anyone who wants to set themselves a goal they think beyond their reach – and achieve it – this is an essential book.
This book shares the stories of 65 Gohman ancestors who grew up next to the Mississippi River in Central Minnesota. They are the third-generation members of the Gohman family that immigrated from Lower Saxony, Germany, to the United States in 1843 and migrated from Cincinnati to Minnesota in 1855. The first and second generations are introduced briefly. The lives of the Third-Generation spanned a period from 1868 to 1991, an amazing 123 years. Generally engaged as farmers, they were diverse personalities who responded to life experiences in diverse ways. They lived through times of both great prosperity and deep poverty. They experienced two world wars and dramatically changing technology. This generation of the Gohman family thrived as they adapted to the changes in their lives from the horse and buggy times to the days of the jet plane.
Combining on–the–slopes experience with off–trail research, author Charlie English follows in the footsteps of the Romantic poets across the Alps, learns how to build igloos with the Inuit on Baffin Island, examines snow–patches in the Cairngorms to detect signs of global warming, and tests his mettle on some of the most perilous peaks on Earth. Along the way, he meets up with a flurry of fellow enthusiasts, from avalanche survivors and resort operators to climate scientists and champion skiers. English is obsessed with snow, and has collected for our enjoyment an amazing array of not–so–random facts about the hexagonal substance that fills the human imagination with wonder. In this "snow handbook," he describes how snow is created, how to build an igloo, how avalanches occur, and (more importantly) how to survive an avalanche. His glossary is filled with snow terms that will delight, such as "coulior," "hoarfrost," "firn," and "sastrugi." Fresh and fun and infused with the adrenaline of adventure, The Snow Tourist is a fascinating account of one man's pilgrimage through the world's blanketed fields, ice–capped rooftops, cozy igloos, and snow–covered mountain peaks.
Charles Lutwidge Dodgson--known better by his pseudonym, Lewis Carroll--was a 19th century English logician, mathematician, photographer, and novelist. He is especially remembered for his children's tale Alice's Adventures in Wonderland and its sequel, Through the Looking Glass. By the time of Dodgson's death in 1898, Alice (the integration of the two volumes) had become the most popular children's book in England. By the time of his centenary in 1932, it was perhaps the most famous in the world. This book presents a complete catalogue of Dodgson's personal library, with attention to every book the author is known to have owned or read. Alphabetized entries fully describe each book, its edition, its contents, its importance, and any particular relevance it might have had to Dodgson. The library not only provides a plethora of fodder for further study on Dodgson, but also reflects the Victorian world of the second half of the 19th century, a time of unprecedented investigation, experimentation, invention, and imagination. Dodgson's volumes represent a vast array of academic interests from Victorian England and beyond, including homeopathic medicine, spiritualism, astrology, evolution, women's rights, children's literature, linguistics, theology, eugenics, and many others. The catalogue is designed for scholars seeking insight into the mind of Charles Dodgson through his books.
World War II presented a unique opportunity for American business to improve its reputation after years of censure for inflicting the Great Depression upon the nation. No employers’ organization worked harder or devoted greater resources to reviving business prestige during the war than the National Association of Manufacturers, which spent millions of dollars on promoting the indispensability of private enterprise to the successful mobilization of the American economy in an uncompromising multi-media campaign which spanned the factory floor to the movie theatre. Now, using unpublished primary sources, the full extent of the NAM’s wartime mission to raise the stature of American business in the post-war era is revealed. During the war the NAM erected a vast structure of research on an unprecedented scale numbering more than one hundred persons dedicated to planning the best solutions for restoring American ‘free enterprise’ capitalism after the war in a direct challenge to the ‘liberal’ prescriptions of the reigning administration. These studies were painstakingly assembled and widely distributed and served as a complimentary arm to the better-known pro-business propaganda message of the organization. What emerges is a unique and telling glimpse into the minds of the corporate class of wartime America that reveals the determination of a major employers’ organization to exploit the exceptional circumstances of total war to influence both the power-brokers in Washington who wrote economic policy and the American public as a whole to embrace a post-war future ruled by private enterprise capitalism.
The untold story of Hitler’s war on “degenerate” artists and the mentally ill that served as a model for the “Final Solution.” “A penetrating chronicle . . . deftly links art history, psychiatry, and Hitler’s ideology to devastating effect.”—The Wall Street Journal As a veteran of the First World War, and an expert in art history and medicine, Hans Prinzhorn was uniquely placed to explore the connection between art and madness. The work he collected—ranging from expressive paintings to life-size rag dolls and fragile sculptures made from chewed bread—contained a raw, emotional power, and the book he published about the material inspired a new generation of modern artists, Max Ernst, André Breton, and Salvador Dalí among them. By the mid-1930s, however, Prinzhorn’s collection had begun to attract the attention of a far more sinister group. Modernism was in full swing when Adolf Hitler arrived in Vienna in 1907, hoping to forge a career as a painter. Rejected from art school, this troubled young man became convinced that modern art was degrading the Aryan soul, and once he had risen to power he ordered that modern works be seized and publicly shamed in “degenerate art” exhibitions, which became wildly popular. But this culture war was a mere curtain-raiser for Hitler’s next campaign, against allegedly “degenerate” humans, and Prinzhorn’s artist-patients were caught up in both. By 1941, the Nazis had murdered 70,000 psychiatric patients in killing centers that would serve as prototypes for the death camps of the Final Solution. Dozens of Prinzhorn artists were among the victims. The Gallery of Miracles and Madness is a spellbinding, emotionally resonant tale of this complex and troubling history that uncovers Hitler’s wars on modern art and the mentally ill and how they paved the way for the Holocaust. Charlie English tells an eerie story of genius, madness, and dehumanization that offers readers a fresh perspective on the brutal ideology of the Nazi regime.
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