The story of Kar-Kraft began, as did many others in the automotive industry, with an axe to grind. In 1963, Ford was seriously interested in purchasing Ferrari. Ferrari was a legendary brand with considerable success in racing, and Ford saw the acquisition as a great way to be instantly successful in the racing arena. When Enzo Ferrari realized that Ford would not give him complete control of the racing program, he backed out of the deal late in the process. Ford had spent millions in vetting and audits, which then set in motion a vengeful response against Ferrari. The result was the unthinkable: Ford beat Ferrari at Le Mans. Ford wanted to become competitive quickly, but it did not have the race history or resources in house. To remedy the situation, Ford searched the U.K. for an independent company to help accelerate its race car development. It first settled on Lola Cars and set up Ford Advanced Vehicles. Later, Ford brought its LeMans effort to the U.S. and the Kar-Kraft relationship was established. Although Kar-Kraft was technically an independent company, it really only had one customer: Ford Special Vehicles. Kar-Kraft's story doesn't begin and end with the GT 40 that took the win away from Ferrari at Le Mans. Ford expanded upon the program and organized an all-out assault on racing in general. Cars were prepared for Trans-Am, NASCAR, NHRA, and Can-Am competition. Street versions of the Boss 429 were assembled under its roof. And fabled prototypes including the LID Mustang, Boss 302 Maverick, and Mach 2C were all assembled in Ford's contracted race shop. And then, out of the blue, its doors closed for good on a cold day in 1970. History tells us that Ford won Le Mans, the Daytona 500, and the Trans-Am championship. But it doesn't tell us how this was accomplished. Author Charlie Henry (a former Kar-Kraft employee) has enlisted the help of many of his former co-workers to bring you the very first book ever published on Ford's all-encompassing special projects facility, Kar-Kraft. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial}
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Henry Bay has his own America going. If there's an offbeat interest or extreme sport that's poised to sweep the nation, chances are there's a magazine for its enthusiasts, and chances are also good that Henry has worked there. He's a modern nomad, associate-editing his way from state to state, exploring the small worlds that make up modern America from Spelunk to Ice Climbing, to Cozy, The Magazine of Tea. But those are other people's interests—Henry's still looking for his own enthusiasm. He ends up finding more than he ever imagined in this energetic, hilarious debut novel from a surprising and promising new voice.
“Huston writes dialogue so combustible it could fuel a bus and characters crazy enough to take it on the road.”—The New York Times Book Review Reluctant hitman Henry Thompson has fallen on hard times. His grip on life is disintegrating, his pistol hand shaking, his body pinned to his living room couch by painkillers–and his boss, Russian mobster David Dolokhov, isn’t happy about any of it. So Henry is surprised when he’s handed a new assignment: keep tabs on a minor league baseball star named Miguel Arenas. Henry has no pity for the slugger and the wicked gambling problem that got him in trouble, but he can’t help liking the guy. After all, Henry used to be just like him: a natural-born ball player with a bright future. But hell, that was long ago. Before Henry did some guy a favor and ended up running for his life. Before his girlfriend and buddies got gunned down by someone on his tail. Before he agreed to buy his parents’ safety with a life of violence. And when Miguel gets drafted by the Mets and is sent to the Brooklyn Cyclones, Henry must head back to New York, back to the place where all his problems began—and where Henry might find a real reason to keep living, a reason that may just cost him his life. Praise for A Dangerous Man “Among the new voices in twenty-first-century crime fiction, Charlie Huston . . . is where it’s at.”—The Washington Post “Huston reminds me of all my favorite writers–Pete Dexter, Robert Stone, Crumley. If there is such a thing as compassionate noir, Charlie has found it. He’s a true marvel.”—Ken Bruen, author of The Guards “Charlie Huston is the real deal.”—Peter Straub
Hank Thompson is living off the map in Mexico with a bagful of cash that the Russian mafia wants back and many, many secrets. So when a Russian backpacker shows up in town asking questions, Hank tries to play it cool. But he knows the jig is up when the backpacker mentions the money . . . and the family Hank left behind. Suddenly Hank’s in a desperate race to get to his parents in California before anyone can harm them. Along the way he’ll face Federales and Border Patrol, mafiosi and vigilantes, extortionists and drug dealers, and a couple of psychotic surf bums with an ax to grind. From the golden beaches of the Yucatán to the seedy strip clubs of Vegas, Charlie Huston opens a door to the squalid underworld of crime and corruption–and invites the reader to live it in the extreme.
“[A] fantastically hopped-up thriller . . . a wrong-man plot worthy of Hitchcock.”—Entertainment Weekly (Editor’s Choice) It’s three thousand miles from the green fields of glory, where Henry “call me Hank” Thompson once played California baseball, to the Lower East Side of Manhattan, where the tenements are old, the rents are high, and the drunks are dirty. But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed. It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it. Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor. All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.
Twenty curses, old and new, from bestselling fantasy authors such as Neil Gaiman, Karen Joy Fowler, Christina Henry, M.R. Carey and Charlie Jane Anders. ALL THE BETTER TO READ YOU WITH It's a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents... Here you'll find unique twists on curses, from fairy tale classics to brand-new hexes of the modern world - expect new monsters and mythologies as well as twists on well-loved fables. Stories to shock and stories of warning, stories of monsters and stories of magic. TWENTY TIMELESS FOLKTALES, NEW AND OLD NEIL GAIMAN JANE YOLEN KAREN JOY FOWLER M.R. CAREY CHRISTINA HENRY CHRISTOPHER GOLDEN TIM LEBBON MICHAEL MARSHALL SMITH CHARLIE JANE ANDERS JEN WILLIAMS CATRIONA WARD JAMES BROGDEN MAURA McHUGH ANGELA SLATTER LILLITH SAINTCROW CHRISTOPHER FOWLER ALISON LITTLEWOOD MARGO LANAGAN
Blood spilled on the asphalt of this town long years gone has left a stain, and it’s spreading. Not that a thing like that matters to teenagers like George, Hector, Paul, and Andy. It’s summer 1983 in a northern California suburb, and these working-class kids have been killing time the usual ways: ducking their parents, tinkering with their bikes, and racing around town getting high and boosting their neighbors’ meds. Just another typical summer break in the burbs. Till Andy’s bike is stolen by the town’s legendary petty hoods, the Arroyo brothers. When the boys break into the Arroyos’ place in search of the bike, they stumble across the brothers’ private industry: a crank lab. Being the kind of kids who rarely know better, they do what comes naturally: they take a stash of crank to sell for quick cash. But doing so they unleash hidden rivalries and crimes, and the dark and secret past of their town and their families.
“Mind-blowing… This isn’t Smith’s first tale of toxic and nihilistic obsession, but it is his most ravishing, painfully funny, and wildly mythic.” — Booklist (starred review) “Smith is not only a spectacular stylist but also a visionary.” —Washington Post Book World From Charlie Smith (Cheap Ticket to Heaven, Chimney Rock, Shine Hawk), author of three New York Times Notable Books and a literary stylist whose “writing can make the mountains ring" (New York Times Book Review), comes his first novel in more than a decade, Three Delays, which follows the troubled lives of two lovers as they combat their passions and each other. In the words of James Dickey, "Writers after Charlie Smith will have to take him into account, but I doubt if any will equal or surpass him.
There is a different world out there that looks just like ours. In that world people are driven by revenge as their primary motivation. Some people have gone mad with their obsessions and some people naturally derogated their mind believing in tales and rumors that are hard to believe for a normal mind. At the end it is all about survival. Some People left with no choice but either to kill or die. And there are other who have a choice to free from the chains of these violence- But they chose to stay.
Charlie Chaplin's Own Story covers Chaplin's earliest life through his first brushes with fame and depicts Chaplin as he wished to be seen in 1916, when he was on top of the world.
In October of 1949, eighteen year old Doug Wilson heads out to explore an old mining town in the high desert of California. upon arrival, he meets an elderly woman who happens to be the last surviving resident of the town. She relates to him the story of how she and her husband left New Jersey and headed west in search of a hidden underground tributary that made his grandfather a rich man back in the gold rush days. Their trip, and the life that followed, was not always easy. The heartbreak of leaving all they knew, especially after the murder of her father, and traveling to parts unknown in search of a dream was a story worth hearing. Doug listened to the tale of their journey; the adventures, the joys and the tragedies that finally brought them to this barren, dusty desert town and why she chose to stay long after the others had gone. Charlie has been a farm boy, a marine, a detective in a small town and an investigator for a large Sheriff's Department, a recreational gold prospector and now enjoys writing in the high desert of California. He has drawn from these life experiences to create this intriguing story.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.