Come with us for a moment out onto the porch. Just like that, we’ve entered another world without leaving home. In this liminal space, an endless array of absorbing philosophical questions arises: What does it mean to be in a place? How does one place teach us about the world and ourselves? What do we—and the things we’ve built—mean in this world? In a time when reflections on the nature of society and individual endurance are so paramount, Charlie Hailey’s latest book is both a mental tonic and a welcome provocation. Solidly grounded in ideas, ecology, and architecture, The Porch takes us on a journey along the edges of nature where the outside comes in, hosts meet guests, and imagination runs wild. Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand. As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.
Camping is perhaps the quintessential American activity. We camp to escape, to retreat, to "find" ourselves. The camp serves as a home-away-from-home where we might rethink a deliberate life. We also camp to find a new collective space where family and society converge. Many of us attended summer camps, and the legacies of these childhood havens form part of American culture. In Campsite, Charlie Hailey provides a highly original and artfully composed interpretation of the cultural significance and inherently paradoxical nature of camps and camping in contemporary American society. Offering a new understanding of the complex relationship between place, time, and architecture in an increasingly mobile culture, Hailey explores campsites as places that necessitate a unique combination of contrasting qualities, such as locality and foreignness, mobility and fixity, temporality and permanence, and public domesticity. Camping methods reflect the rigid flexibility of the process: leaving home, arriving at a site, clearing an area, making and then finally breaking camp. The phases of this sequence are both separate and indistinct. To understand this paradox, Hailey emphasizes the role of process. He constructs a philosophical framework to elucidate the "placefulness" -- or sense of place -- of such temporary constructions and provides alternative understandings of how we think of the home and of public versus private dwelling spaces.Historically, camps have been used as places for scouting out future towns, for clearing provisional spaces, and for making semipermanent homes-away-from-home. To understand how "cultures of camping" develop and accommodate this dynamic mix of permanence and flexibility, Hailey looks at three basic qualities of the camp: as a site for place-making, as a populist precursor for modern built environments, and as a "method." Hailey's creative and philosophical approach to camps and camping allows him to construct links between such diverse projects as the "philosophers' camps" of the mid-nineteenth century, the idiosyncratic camping clubs that arose with the automobile culture in the early 1920s, and more recent uses of campsites as temporary housing for those displaced by Hurricane Katrina.In Campsite, Hailey makes a singular and significant contribution to current studies of place and vernacular architecture while also reconfiguring methods of research in cultural studies, architectural theory, and geography.
An architect and a photographer explore a community of squatters, artists, snowbirds, migrants, and survivalists inhabiting a former military base in the California desert. Under the unforgiving sun of southern California's Colorado Desert lies Slab City, a community of squatters, artists, snowbirds, migrants, survivalists, and homeless people. Called by some “the last free place” and by others “an enclave of anarchy,” Slab City is also the end of the road for many. Without official electricity, running water, sewers, or trash pickup, Slab City dwellers also live without law enforcement, taxation, or administration. Built on the concrete slabs of Camp Dunlap, an abandoned Marine training base, the settlement maintains its off-grid aspirations within the site's residual military perimeters and gridded street layout; off-grid is really in-grid. In this book, architect Charlie Hailey and photographer Donovan Wylie explore the contradictions of Slab City. In a series of insightful texts and striking color photographs, Hailey and Wylie capture the texture of life in Slab City. They show us Slab Mart, a conflation of rubbish heap and recycling center; signs that declare Welcome to Slab City, T'ai Chi on the Slabs Every morning, and Don't fuck around; RVs in conditions ranging from luxuriously roadworthy to immobile; shelters cloaked in pallets and palm fronds; and the alarmingly opaque water of the hot springs. At Camp Dunlap in the 1940s, Marines learned how to fight a war. In Slab City, civilians resort to their own wartime survival tactics. Is the current encampment an outpost of freedom, a new “city on a hill” built by the self-chosen, an inversion of Manifest Destiny, or is it a last vestige of freedom, tended by society's dispossessed? Officially, it is a town that doesn't exist. Research for this project was supported by the Graham Foundation for Advanced Studies in the Fine Arts.
From the international bestselling author of All the Birds in the Sky, Charlie Jane Anders, comes Dreams Bigger Than Heartbreak, the sequel to Victories Greater Than Death in the thrilling adventure Unstoppable series. They'll do anything to be the people they were meant to be — even journey into the heart of evil. Rachael Townsend is the first artist ever to leave Earth and journey out into the galaxy — but after an encounter with an alien artifact, she can't make art at all. Elza Monteiro is determined to be the first human to venture inside the Palace of Scented Tears and compete for the chance to become a princess — except that inside the palace, she finds the last person she ever wanted to see again. Tina Mains is studying at the Royal Space Academy with her friends, but she's not the badass space hero everyone was expecting. Soon Rachael is journeying into a dark void, Elza is on a deadly spy mission, and Tina is facing an impossible choice that could change all her friends lives forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The unique culture of the hardrock mining town is exposed through the eyes of retired miners, young welfare mothers, and children. In spite of great adversity, Cobalt remains a distinctive and cohesive working-class community
Arkansas Secretary of State Charlie Daniels is proud to present the 2008 edition of the Arkansas Historical Report. Published just once each decade by order of the General Assembly, this ready reference is a unique compendium of appointed and elected officials over the state's colonial and territorial periods as well as its 172-year history. Its comprehensive listings of county, state, and federal officials make it a must-have for historians, journalists, genealogists, and other researchers. The 2008 edition also features essays by C. Fred Williams, Jay Barth, David Ware, Ann Early, and George Sabo III that provide insight into the state's history, politics, and Native American cultures. This new edition of the Historical Report includes, for the first time, an alphabetical index of state legislators. It also features a variety of historical photographs and has been substantially redesigned to create a more user-friendly reference tool.
Outsmart Your Enemies. Outrun the Galaxy. “Just please, remember what I told you. Run. Don’t stop running for anything.” Tina never worries about being 'ordinary'--she doesn't have to, since she's known practically forever that she's not just Tina Mains, average teenager and beloved daughter. She's also the keeper of an interplanetary rescue beacon, and one day soon, it's going to activate, and then her dreams of saving all the worlds and adventuring among the stars will finally be possible. Tina's legacy, after all, is intergalactic--she is the hidden clone of a famed alien hero, left on Earth disguised as a human to give the universe another chance to defeat a terrible evil. But when the beacon activates, it turns out that Tina's destiny isn't quite what she expected. Things are far more dangerous than she ever assumed--and everyone in the galaxy is expecting her to actually be the brilliant tactician and legendary savior Captain Thaoh Argentian, but Tina....is just Tina. And the Royal Fleet is losing the war, badly--the starship that found her is on the run and they barely manage to escape Earth with the planet still intact. Luckily, Tina is surrounded by a crew she can trust, and her best friend Rachel, and she is still determined to save all the worlds. But first she'll have to save herself. Buckle up your seatbelt for this thrilling YA sci-fi adventure set against an intergalactic war from internationally bestselling author Charlie Jane Anders. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Promises Stronger Than Darkness marks the final installment of the international bestselling author Charlie Jane Anders's absolutely heart-stopping YA series, Unstoppable. They're the galaxy's most wanted—and our only hope. When Elza became a space princess, she thought she'd be spending her time at the palace, wearing gorgeous couture and soaking up everything there is to know—but instead, she's on the run, with everyone hunting for her and her friends. Rachael followed her best friend Tina on the adventure of a lifetime—but now Tina's gone, and Rachael's the only one keeping her friends together, as they go on a desperate quest to save everyone from an ancient curse. Rachael, Elza and their friends have found one clue, one shining mysterious chance to stop the end of the world. And that takes them back to the second-to-last place they'd want to be: enlisting the aid of Captain Thaoh Argentian, the woman who stole Tina's body (and who now seems to be relishing a second chance at teenage chaos and drama, instead of living up to her legacy of an intrepid heroic commander). With only a ragtag band of misfits, crewmates, earthlings, friends, lovers (and one annoying frenemy), the Unstoppable Crew are up against the universe--and they soon find that in order to survive, they may have to cross a line they vowed never to cross. Also by Charlie Jane Anders Unstoppable Victories Greater Than Death Dreams Bigger Than Heartbreak Promises Stronger than Darkness Other Books The City in the Middle of the Night Never Say You Can't Survive All the Birds in the Sky At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Readers of the Riz Sabir Thrillers series will know of Riz's wife, the hard-bitten, gum-chewing girl gang leader Holly ""Bang-Bang"" Kirpachi. ... Ever wondered how she got like that? - How did she meet Riz? - How did she join that girl gang? - How did she get all those awful tattoos? - And why does she think she's Japanese? Well, wonder no more. These and other questions you've been dying to ask are answered in... BANGER: Holly's school diaries from 2005 to 2007 BANGER: A sweeping tale of street racing, burlesque and Yakuza that flies from Dubai to Singapore to Tokyo and... Romford BANGER: REBELLION RUNS IN THE FAMILY
Are we making prayer more complicated than it needs to be? Helping us pare down our words to their most elemental level, Charlie Dawes has identified simple—yet far from simplistic—prayers that unlock the mystery of conversing with God. By focusing our prayers, we can find new a way of connecting with God at a heart level that cannot be mastered with words alone.
The inspiring true story of a boy who turned his struggle with cancer into a public health crusade that went all the way to Washington, DC. Trevor Smith Schaefer was the boy with everything to live for. Born into a family of baseball and Big Macs, his life in a small Idaho mountain town was full of nothing but potential. Then came the piercing headaches that wouldn’t stop. And soon after his thirteenth birthday he received the diagnosis that would turn Trevor’s world upside-down—he had brain cancer. After having a tumor the size of a golf ball removed from his brain, Trevor persevered through a difficult recovery. But he wasn’t done fighting. With the help of his mother, Trevor began organizing fundraisers and educational awareness events for cancer—specifically the types occurring in children due to environmental factors like pollution and toxic waste. This is the incredible tale of Trevor’s journey from cancer patient to community activist and the force behind what became known as “Trevor’s Law”—which required the government to track and follow cancer clusters and their causes. The bill was signed into law by President Barack Obama in 2016. The passing and signing of Trevor’s Law proved “the power of one Idahoan, one American, to bring change that will benefit millions of people who could face cancer one day.” —Senator Mike Crapo, R–Idaho
Finalist for the 2023 Trillium Book Award The world is desperate for cobalt. It drives the proliferation of digital and clean technologies. But this “demon metal” has a horrific present and a troubled history. The modern search for cobalt has brought investors back to a small town in Northern Canada, a place called Cobalt. Like the demon metal, this town has a dark and turbulent history. The tale of the early-twentieth-century mining rush at Cobalt has been told as a settler’s adventure, but Indigenous people had already been trading in metals from the region for two thousand years. And the events that happened here — the theft of Indigenous lands, the exploitation of a multicultural workforce, and the destruction of the natural environment — established a template for resource extraction that has been exported around the world. Charlie Angus reframes the complex and intersectional history of Cobalt within a broader international frame — from the conquistadores to the Western gold rush to the struggles in the Democratic Republic of Congo today. He demonstrates how Cobalt set Canada on its path to become the world’s dominant mining superpower.
Is there an allure of spoiled places? Spoil islands are overlooked places that combine dirt with paradise, waste-land with “brave new world,” and wildness with human intervention. Although they are mundane products of dredging, these islands form an uninvestigated archipelago that demonstrates the potential value and contested re-valuation of landscapes of waste. To explore these islands, Spoil Island: Reading the Makeshift Archipelago navigates a course along the U.S. east coast, moving from New York City to Florida. Along the way, a general populace squats, picnics, and reflects on the islands, while other forces are also at work. New York City parks commissioner Robert Moses first deplores then adopts Hoffman and Swinburne Islands, UN Secretary General U Thant meditates on the East River’s Belmont Island, businessman John D. MacArthur rejects the purchase of Peanut Island, artist Christo surrounds Miami’s spoil islands, Key Westers debate the futures of two spoil islands that mark their sunset view, and artist Robert Smithson augments this archipelago materially and conceptually. Historical and contemporary stories highlight each island’s often contradictory ecologies that pair nature with infrastructure, public concerns with private development, rationalized urbanism with artistic impulse, and order with disorder. Spoil islands put you in places you normally wouldn’t—and perhaps shouldn’t—be. To examine these marginalized topographies is to understand emergent concerns of twenty-first-century place-making, public space, and natural and artificial infrastructure. Today, spoil islands constitute an unprecedented public commons, where human agency and nature are inextricably linked. Spoil Island will be of interest to anyone working in the areas of architecture, cultural history, cultural geography, environmental studies, or environmental philosophy. Linking the islands with their environmental aesthetics, Charlie Hailey provides a lively and critical topography of places that play a part in current events and local situations with global implications.
Is there an allure of spoiled places? Spoil islands are overlooked places that combine dirt with paradise, waste-land with “brave new world,” and wildness with human intervention. Although they are mundane products of dredging, these islands form an uninvestigated archipelago that demonstrates the potential value and contested re-valuation of landscapes of waste. To explore these islands, Spoil Island: Reading the Makeshift Archipelago navigates a course along the U.S. east coast, moving from New York City to Florida. Along the way, a general populace squats, picnics, and reflects on the islands, while other forces are also at work. New York City parks commissioner Robert Moses first deplores then adopts Hoffman and Swinburne Islands, UN Secretary General U Thant meditates on the East River’s Belmont Island, businessman John D. MacArthur rejects the purchase of Peanut Island, artist Christo surrounds Miami’s spoil islands, Key Westers debate the futures of two spoil islands that mark their sunset view, and artist Robert Smithson augments this archipelago materially and conceptually. Historical and contemporary stories highlight each island’s often contradictory ecologies that pair nature with infrastructure, public concerns with private development, rationalized urbanism with artistic impulse, and order with disorder. Spoil islands put you in places you normally wouldn’t—and perhaps shouldn’t—be. To examine these marginalized topographies is to understand emergent concerns of twenty-first-century place-making, public space, and natural and artificial infrastructure. Today, spoil islands constitute an unprecedented public commons, where human agency and nature are inextricably linked. Spoil Island will be of interest to anyone working in the areas of architecture, cultural history, cultural geography, environmental studies, or environmental philosophy. Linking the islands with their environmental aesthetics, Charlie Hailey provides a lively and critical topography of places that play a part in current events and local situations with global implications.
There is something spooky and resonant about liminal places like docks, shorelines, decks, and perhaps most commonly porches. Here, Charlie Hailey meditates on porches in a way that is appropriately thoughtful, affecting, rich, and resonant. Porches, in his hands, become portals onto an endless array of large metaphysical questions: what is it to be in a place? How does one place teach us about the world and about ourselves, both as individuals and as a species? What are we-and the things we have built-in this world? In a time when questions of what makes society society and what sustains the individual are so paramount, Hailey's meditations are both a tonic and a series of welcome provocations"--
An architect and a photographer explore a community of squatters, artists, snowbirds, migrants, and survivalists inhabiting a former military base in the California desert. Under the unforgiving sun of southern California's Colorado Desert lies Slab City, a community of squatters, artists, snowbirds, migrants, survivalists, and homeless people. Called by some “the last free place” and by others “an enclave of anarchy,” Slab City is also the end of the road for many. Without official electricity, running water, sewers, or trash pickup, Slab City dwellers also live without law enforcement, taxation, or administration. Built on the concrete slabs of Camp Dunlap, an abandoned Marine training base, the settlement maintains its off-grid aspirations within the site's residual military perimeters and gridded street layout; off-grid is really in-grid. In this book, architect Charlie Hailey and photographer Donovan Wylie explore the contradictions of Slab City. In a series of insightful texts and striking color photographs, Hailey and Wylie capture the texture of life in Slab City. They show us Slab Mart, a conflation of rubbish heap and recycling center; signs that declare Welcome to Slab City, T'ai Chi on the Slabs Every morning, and Don't fuck around; RVs in conditions ranging from luxuriously roadworthy to immobile; shelters cloaked in pallets and palm fronds; and the alarmingly opaque water of the hot springs. At Camp Dunlap in the 1940s, Marines learned how to fight a war. In Slab City, civilians resort to their own wartime survival tactics. Is the current encampment an outpost of freedom, a new “city on a hill” built by the self-chosen, an inversion of Manifest Destiny, or is it a last vestige of freedom, tended by society's dispossessed? Officially, it is a town that doesn't exist. Research for this project was supported by the Graham Foundation for Advanced Studies in the Fine Arts.
Camping is perhaps the quintessential American activity. We camp to escape, to retreat, to "find" ourselves. The camp serves as a home-away-from-home where we might rethink a deliberate life. We also camp to find a new collective space where family and society converge. Many of us attended summer camps, and the legacies of these childhood havens form part of American culture. In Campsite, Charlie Hailey provides a highly original and artfully composed interpretation of the cultural significance and inherently paradoxical nature of camps and camping in contemporary American society. Offering a new understanding of the complex relationship between place, time, and architecture in an increasingly mobile culture, Hailey explores campsites as places that necessitate a unique combination of contrasting qualities, such as locality and foreignness, mobility and fixity, temporality and permanence, and public domesticity. Camping methods reflect the rigid flexibility of the process: leaving home, arriving at a site, clearing an area, making and then finally breaking camp. The phases of this sequence are both separate and indistinct. To understand this paradox, Hailey emphasizes the role of process. He constructs a philosophical framework to elucidate the "placefulness" -- or sense of place -- of such temporary constructions and provides alternative understandings of how we think of the home and of public versus private dwelling spaces.Historically, camps have been used as places for scouting out future towns, for clearing provisional spaces, and for making semipermanent homes-away-from-home. To understand how "cultures of camping" develop and accommodate this dynamic mix of permanence and flexibility, Hailey looks at three basic qualities of the camp: as a site for place-making, as a populist precursor for modern built environments, and as a "method." Hailey's creative and philosophical approach to camps and camping allows him to construct links between such diverse projects as the "philosophers' camps" of the mid-nineteenth century, the idiosyncratic camping clubs that arose with the automobile culture in the early 1920s, and more recent uses of campsites as temporary housing for those displaced by Hurricane Katrina.In Campsite, Hailey makes a singular and significant contribution to current studies of place and vernacular architecture while also reconfiguring methods of research in cultural studies, architectural theory, and geography.
The fourth amazing, astonishing, all-action adventure journal of Charlie Small! Having escaped the clutches of the evil Puppet Master, Charlie joins Wild Bob France’s gang, the Daredevil Desperados of Destiny, whose sole aim is to get rid of the outrageous outlaw Horatio Ham and his band of hired gunslingers. Charlie, aka the Lariat Kid, brings down Ham’s posse of gunslingers, takes part in a daring bank raid, is caught up in a ferocious gunfight, lands up in jail, and is about to be sacrificed to the Great Bird of Death. Will Charlie escape? Will Ham be defeated? Only by reading Charlie’s extraordinary diaries will you find out!
Woody and his friends adventures continue in More Letters From Woody Woodchuck. As Old Grandpas letters continue, there is sure to be trouble brewing, and joyous celebrations. Find out what happens when the mischievous Willie Weasel disobeys his mother and ends up with a jelly jar stuck on his nose! And will there be any more weddings to celebrate? Find the answers inside! Enjoyand happy reading!
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