From the pastrami-scented sidewalks of Flatbush to the pot plants and hills of California, we delight in stories from the mind of a scientist with the heart of a poet. Chronically curious Charlie—the Bard of Brooklyn—is courageous enough to tackle humanities most challenging questions, such as: “Why did Grandpa hide?”, “When to use the octopus strategy?” and “What is a Jewish Hegira?”
From the pastrami-scented sidewalks of Flatbush to the pot plants and hills of California, we delight in stories from the mind of a scientist with the heart of a poet. Chronically curious Charlie—the Bard of Brooklyn—is courageous enough to tackle humanities most challenging questions, such as: “Why did Grandpa hide?”, “When to use the octopus strategy?” and “What is a Jewish Hegira?”
This biography of vaudeville comedian Joe Frisco captures the world of show business in its transition from the heyday of vaudeville through film and radio to the early years of television. As Paul M. Levitt tells us, Joe Frisco in his day was so famous for his jazz dance that F. Scott Fitzgerald mentions him when describing one of Gatsby’s parties: "Suddenly one of these gypsies in trembling opal seizes a cocktail out of the air, dumps it down for courage and moving her hands like Frisco dances out alone on the canvas platform." Seeking to reintroduce this spontaneous and original wit to us, Levitt transforms the manuscript left by Frisco’s fellow entertainers Ed Lowry and Charlie Foy into a book as entertaining as the great comic himself. It follows Frisco’s career from his beginnings in Chicago on the midwestern circuit, through his New York heyday in vaudeville theatres and nightclubs, to his final years in Los Angeles when first film and then television came to dominate show business. Lowry and Foy, both vaudeville insiders, describe Frisco’s world, with its hotels, theatres, restaurants, clubs, racetracks, and, not least, its famous people—Flo Ziegfeld, W. C. Fields, Walter Winchell, George Jessel, Bing Crosby (who contributed the foreword to this book), even William Randolph Hearst. Ed Lowry bought a mail-order course at fourteen, taught himself to dance, and launched a half-century career in theatre. Charlie Foy, the second child in the family troupe known as "Eddie Foy and the Seven Little Foys," shared an apartment and the stage with Joe Frisco for several years.
Woody and his friends adventures continue in More Letters From Woody Woodchuck. As Old Grandpas letters continue, there is sure to be trouble brewing, and joyous celebrations. Find out what happens when the mischievous Willie Weasel disobeys his mother and ends up with a jelly jar stuck on his nose! And will there be any more weddings to celebrate? Find the answers inside! Enjoyand happy reading!
Ramblings is a lifelong dream of unveiling my philosophy, thoughts, perceptions, and opinions to the general public at large. “Naked and unafraid,” to make a twist on the name of a popular survivalist series, probably describes it best. With all my protective walls at long last eradicated and the drawbridge down, I invite one and all into my innermost sanctum never before revealed to ramble about and possibly find some insight that might help them smooth the road th
The fourth amazing, astonishing, all-action adventure journal of Charlie Small! Having escaped the clutches of the evil Puppet Master, Charlie joins Wild Bob France’s gang, the Daredevil Desperados of Destiny, whose sole aim is to get rid of the outrageous outlaw Horatio Ham and his band of hired gunslingers. Charlie, aka the Lariat Kid, brings down Ham’s posse of gunslingers, takes part in a daring bank raid, is caught up in a ferocious gunfight, lands up in jail, and is about to be sacrificed to the Great Bird of Death. Will Charlie escape? Will Ham be defeated? Only by reading Charlie’s extraordinary diaries will you find out!
Examining important issues in dementia research and care that are often neglected, the contributors to this book provide fresh perspectives on current practice. The authors put dementia care into a socio-cultural framework, highlighting the impact of social change on dementia care over the last two decades and challenging current stereotypes.
From Growing Up Country: “I learned early in life that country is not a place on a map. Country is a place in your heart. In your soul. In the very depth of your being.” —Bill Anderson “One of the things I like most about country life is that nothing much has really changed . . . My grandchildren and I are still walking and hunting in the same woods and fishing in the same creeks as I did with my father.” —President Jimmy Carter “Food was at the heart of our home. And, other than those troublesome vegetables, I loved all of it. We fried everything—we’d have even fried water if we could’ve.” —Keith Anderson “I can’t imagine what my life would have been without peaceful days, mountain streams, homegrown and home-cooked food, country church, and all-day singing with dinner on the grounds with family and friends.” —Dolly Parton “Growing up country—there’s nothing like it. It’s growing up with your grandmother and granddaddy around . . . it’s a lot of love when you need it, great cooking in the kitchen, and always being real.” —Eddie Montgomery Blackberry pie on the window ledge. The Grand Ole Opry on the radio. Sunday dinners on the table. Families swinging on the front porch after a hard day’s work. It’s all part of the country way of life. Here, legendary country music singer Charlie Daniels introduces and edits a collection of heartfelt essays from an all-star cast of contributors on what it means to grow up country. United by a love of music, these notables show us that country means more than just the twang of a guitar. They share a belief in hard work, integrity, strength of character, and having the courage not to quit. The stories here tell of rustic upbringings and rich spirits, of parents who believed in tough love and old-fashioned common sense, and of a strong sense of community, pride in your country, and a love of the natural world. You’ll get an intimate glimpse into the lives of: Country music royalty and all-time greats: such as Dolly Parton, Barbara Mandrell, Brenda Lee, Dobie Gray, and Lee Greenwood Southern rock gods: such as Gary Rossington and Donnie Van Zant The newest crop of stars: such as Sara Evans, Toby Keith, and Clint Black Special guests: such as former president Jimmy Carter, and seven-time all around rodeo champion Ty Murray These snapshots show how living country has allowed our favorite singers, songwriters, and stage performers to make a career out of doing what they love while never forgetting that when you’ve grown up country, home isn’t just a place where you live, it’s a state of the heart.
An instruction manual for the modern violinist in how to improvise solo and accompianament lines over jazz and folk music. Postclassical is a term used to descripe music genres and musicality which players investigate after a prolonged period or immersed career of playing exclusively classical music. It is a great way to utilise your existing knowledge and technique in other genres. The objective of this book is to guide string players through a structured and sequenced path to becoming a more fluent improvisor and a more effective ensemble member. You will achieve this by also expanding your role as an accompaniment instrument in an ensemble setting. This book is aimed at players who are already reasonably fluent with their instrument and musical vernacular and who can read sheet music, chord charts and lead sheets. There are eighty tunes from the swing Manouche style used in this system; the idea being that you increase your repertoire whilst developing your knowledge of playing through this genre. It is essential to learn and memorise the chord progression and form of each tune BEFORE you memorise the melody. If you only learn the melody, then you only know half of the tune. Be like a conductor, be aware of what everyone in the band is doing, what all the other roles are in a tune. Immerse yourself in a genre and remember; you are what you listen to. The skills presented are not specific to jazz. These concepts are easily transferrable to bluegrass, old timey, swing, folk, trad and other genres with elements of spontaneous creativity and mixed instrumentation. I chose Manouche jazz as the medium for these techniques as I have the most experience in this genre and there is an abundance of repertoire and recordings. As a style it features the violin quite prominently, it is great fun to learn about and play and I really enjoy it.
Writing the 9/11 Decade investigates the relation of the novel to reportage, and the role of both in shaping culture, by looking at novelists' journalistic responses to the September 11 attacks. Journalist and academic Charlie Lee-Potter argues that novelists were entrapped by the expectation that they would provide an immediate non-fiction response to 9/11. Beginning with an examination of the sometimes mawkish writing that emerged in the days after the attacks, Writing the 9/11 Decade traces the evolution of literary journalism – in writers such as Ian McEwan, Paul Auster, Don DeLillo, Mohsin Hamid and Nadeem Aslam – into new methods of subsuming the disaster, while attempting to stand apart from it. It includes interviews with novelists such as Richard Ford, Amy Waldman and Kamila Shamsie, as well as the only longform interview granted by the former Archbishop of Canterbury, Dr Rowan Williams, who is himself a 9/11 survivor. In assessing the novel's capacity to respond to and contain an unimagined traumatic event, Writing the 9/11 Decade stands as a contemporary history of the form.
At the end of the Second World War, Germany lay at the mercy of its occupiers, all of whom launched programmes of scientific and technological exploitation. Each occupying nation sought to bolster their own armouries and industries with the spoils of war, and Britain was no exception. Shrouded in secrecy yet directed at the top levels of government and driven by ingenuity from across the civil service and armed forces, Britain made exploitation a key priority. By examining factories and laboratories, confiscating prototypes and blueprints, and interrogating and even recruiting German experts, Britain sought to utilise the innovations of the last war to prepare for the next. This ground-breaking book tells the full story of British exploitation for the first time, sheds new light on the legacies of the Second World War, and contributes to histories of intelligence, science, warfare and power in the midst of the twentieth century.
The field of medical humanities is growing rapidly and offers many valuable insights for medical education generally and for enhancing and improving communication specifically. Through practical and thought-provoking examples, this innovative new text demonstrates how engaging with the arts and humanities can benefit the work of doctors and make them better, more effective practitioners with a focus on achieving this through better communication and by stimulating self-reflection. Key features: Utilises modern and familiar examples, including case studies, to illustrate and explore language and communication skill deployment in a variety of given scenarios Reflects the increasing use of online consultation and the associated importance of ensuring effective communication in virtual settings Describes several models for reflective practice Supported by a selection of eResources to enhance reader experience and understanding; visit www.routledge.com/9781032272726 This new book is written specifically for medical students, junior doctors and medical educators looking to develop or teach communication skills. It will instil and support the background understanding of the role, need and ongoing requirement for humanities engagement in self-development and reflection to enhance and improve the experience of both the practitioner and the patient.
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