Award-winning French author shares the biography and spiritual journey of Cistercian abbot Dom André Louf. Based on a wide variety of interviews, printed sources, and Dom André Louf’s spiritual journal, The Way of the Heart narrates Louf’s spiritual journey from his childhood in Flanders through his becoming a monk in a Cistercian monastery, his ten years of retirement as a hermit in a Benedictine monastery in the south of France, and his death. Throughout his life he periodically struggled with conflicting vocational desires—sometimes wishing to serve as a pastor, academic, abbot, or to immerse himself in eremitic contemplation. That struggle is the leading thread through this biography, which portrays a man whose immense gifts pulled him in many directions, while always endeavoring to submit himself to God’s will.
Gerfaut, Complete" is a singular by Charles de Bernard, a French author known for his works in the nineteenth century. The novel, at first posted in French, is a complex tale of love, intrigue, and societal expectations. The narrative revolves across the enigmatic individual Gerfaut, a person with a mysterious past and a penchant for attracting both admiration and suspicion. As the story unfolds, readers are immersed in a world of romantic entanglements, mystery societies, and the intricacies of human relationships. Set towards the backdrop of nineteenth-century France, the novel explores topics of passion, ambition, and the restrictions imposed through societal norms. Gerfaut's adventure is marked through both triumphs and tribulations as he navigates the complexities of affection and the pursuit of personal achievement. Charles de Bernard's storytelling is characterised by its rich prose and tricky plot production. The novel provides a window into the social dynamics and moral dilemmas of the time, presenting readers a concept-provoking exploration of human nature. "Gerfaut, Complete" is a testament to Charles de Bernard's narrative ability and his potential to craft memories that captivate readers with their intensity and complexity. It stays a compelling work that invitations readers to reflect on the undying issues of affection, ambition, and the ever-present anxiety between man or woman dreams and societal expectations.
The utilitarianism of the nineteenth century, the idealist movement, the pragmatist movement, modern realism, Bertrand Russell and more recent trends in British philosophy. +
The book presents a new study of the visual arts and poetry in the work of three well-known French writers and artists from the mid-twentieth century—Georges Bataille, Pierre Klossowski, and Henri Michaux. Each was fiercely independent, belonging to no school, academy, or political persuasion. What do they have in common? While the book's three central essays do not initially set out to establish comparisons between these writers, common ground emerges: a shared combat against culture, a shared non-representational artistic practice. Their writing, poetry, and painting offer not a portrayal of things or ideas but rather an emanation or apparition of the unknown and the infinite, one charged with deepening art's relation to life.
This third collection of Charles Schmitt’s articles complements the previous two and consists largely of studies published in the last few years of his life. It therefore contains his mature reflections on central issues in the fields of Renaissance philosophy and science, as well as important new research findings. The main subjects are Aristotelianism and Scepticism, and the history of medicine and natural philosophy. Some articles assess the place of traditional elements in the work of major scientific innovators, such as Galileo or Harvey, others make available new sources of documentation and show the significance of writings others had not deigned to look at. Charles Schmitt’s insistence that Renaissance thought should be reconstructed in terms faithful to the value systems of the period also led to an increasing interest in the socio-economic context of philosophical speculation, reflected here in the studies on the University of Pisa in the 16th century.
In the 1789 Declaration of the Rights of Man and of the Citizen, French revolutionaries proclaimed the freedom of speech, religion, and opinion. Censorship was abolished, and France appeared to be on a path towards tolerance, pluralism, and civil liberties. A mere four years later, the country descended into a period of political terror, as thousands were arrested, tried, and executed for crimes of expression and opinion.In Policing Public Opinion in the French Revolution, Charles Walton traces the origins of this reversal back to the Old Regime. He shows that while early advocates of press freedom sought to abolish pre-publication censorship, the majority still firmly believed injurious speech--or calumny--constituted a crime, even treason if it undermined the honor of sovereign authority or sacred collective values, such as religion and civic spirit.With the collapse of institutions responsible for regulating honor and morality in 1789, calumny proliferated, as did obsessions with it. Drawing on wide-ranging sources, from National Assembly debates to local police archives, Walton shows how struggles to set legal and moral limits on free speech led to the radicalization of politics, and eventually to the brutal liquidation of "calumniators" and fanatical efforts to rebuild society's moral foundation during the Terror of 1793-1794.With its emphasis on how revolutionaries drew upon cultural and political legacies of the Old Regime, this study sheds new light on the origins of the Terror and the French Revolution, as well as the history of free expression.
A revised edition of the First Edition Edited by Charles T. Beke, Phil.D., F.S.A. (First Series 13, 1853), with a new introduction. With a 'Postscript' of five unnumbered pages at the beginning of the text. This is a new print-on-demand hardback edition of the volume first published in 1876.
En los últimos siglos Occidente ha ensanchado el abanico de las opciones de la creencia, ya sean religiosas, ateas u otras difíciles de clasificar. Un proceso paulatino de declive de la fe y retirada de la religión de la vida pública. Este retroceso supone un cambio impactante si pensamos en el papel que hasta hace poco jugaban las iglesias cristianas en el mundo Occidental. ¿Por qué ha sucedido todo esto? ¿Cuáles son los rasgos del nuevo paisaje espiritual? La era secular es el ensayo escrito más ambicioso y sobresaliente sobre el complejo proceso de secularización en Occidente que aún sigue en marcha. El filósofo Charles Taylor desgrana, en este segundo volumen, el cambio de las condiciones de la fe que desde la Ilustración socavaron las viejas formas y sentaron las bases de una nueva alternativa humanista. Sin embargo, este debilitamiento de las representaciones anteriores no ha sido incompatible con la persistencia de cierto anhelo de religiosidad, lo cual se traduce en nuestros días, en el florecimiento de múltiples alternativas —a veces contradictorias— y en un novedoso pluralismo en cuestión de espiritualidad.
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