Long tells the story of four proconsuls (McMahon, Wingate, Allenby and Lloyd), their principal opponent, Sa'ad Zaghul, and the great events of the time: the rise of the WAFD party, the uprising of 1919, the murder of Sir Lee Stack and the Allenby ultimatum.
Composed almost entirely of abstracts of wills, deeds, marriage records, powers of attorney, court orders, church records, cemetery records, tax records, guardianship accounts, etc., this unique work provides substantive evidence of the migration of individuals and families to Virginia or from Virginia to other states, countries, or territories. Although primarily concerned with Virginians, the data are of wide-ranging interest. England, France, Germany, Scotland, Barbados, Jamaica, and twenty-three American states are represented, all entries splendidly tied to court sources and authorities. Each record provides prima facie evidence of places of origin and removal, irrefutably linking individuals to both their old and their new homes, and incidentally naming parents and kinsmen, all 10,000 of whom are listed in alphabetical order in the indexes. It is a safe observation that half of the records, having been exhumed from the most improbable sources (some augmented by the compiler's personal files), are the only ones in existence which can prove the ancestor's identity and origin.
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
THE BEST ACCOUNT OF SIXTEENTH-CENTURY WARFARE BY THE AUTHOR OF A HISTORY OF THE PENINSULAR WAR This is an unrivalled account of sixteenth-century warfare, in which Sir Charles Oman traces the dramatic, far-reaching changes in the military strategy, tactics and organization of the period. Showing how warfare developed, he covers the Great Wars of 1949-1559; military events in Tudor England, including Henry VIII’s continental wars; the French Wars of Religion, 1562-98; the Dutch revolt and war of independence, 1568-1603; and the Turkish offensive against Christendom, from 1520 until the Peace of Sitva Torok in 1606. The battles, sieges and campaigns that Oman examines in detail clarify military development across the century, such as Ravenna (1512), the first battle won by dominance in artillery; Pavia (1525), a ‘victory by surprise’; Pinkie (1547), where an old-fashioned infantry army proved helpless against the combination of all arms; and Arques (1589), exemplifying the defence of a defile by very inferior number. Contemporary maps illustrate many of the actions, and add to the value of this brilliant and lucid history of the art of war. Sir Charles Oman was one of Britain’s foremost historians and a gifted writer. His books, noted for being both scholarly and accessible, include the two-volume History of the Art of War in the Middle Ages, the seven-volume A History of the Peninsular War and others.
Information was transcribed or abstracted from many counties in Virginia. Some information is included for North Carolina, Mississippi, Tennessee, Georgia, and Alabama.
This book aims to expand what scholars know and who is included in this discussion about black studies, which aids in the democratization of American higher education and the deconstruction of traditional disciplines of high education, to facilitate a sense of social justice. By challenging traditional disciplines, black studies reveals not only the political role of American universities but also the political aspects of the disciplines that constitute their core. While black studies is post-modern in its deconstruction of positivism and universalism, it does not support a radical rejection of all attempts to determine truth. Evolving from a form of black cultural nationalism, it challenges the perceived white cultural nationalist norm and has become a critical multiculturalism that is more global and less gendered. Henry argues for the inclusion of black studies beyond the curriculum of colleges and universities.
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