Scenes of the activities, social and professional, of painters, sculptors, research scientists, business leaders dealing with aging control, finding happiness, collecting art, golfing, the search for the Higgs Boson, and the role of the dog as pet, in locales such as London, New York, New Jersey, Florida, Europe and Pakistan.
How did the New Testament come to be? The writings that comprise the New Testament are critical for understanding the life, teachings, and impact of Jesus of Nazareth, all of which are central to Christianity. But how were these texts circulated, collected, and given their canonical status? Is the New Testament a trustworthy source for learning about Jesus and the early church? New Testament scholars L. Scott Kellum and Charles L. Quarles address the most pressing questions regarding the study of New Testament texts, their transmission, and their collection into the canon, such as: • What happened to the original manuscripts of the New Testament? • With all the variants, can we still speak of inspiration and inerrancy? • What are the competing views on canon? • Did the apostles recognize contemporaneous books as Scripture? • Did the early councils decide the canon? 40 Questions About the Text and Canon of the New Testament uses a question-and-answer format so readers can pursue the issues that interest them most with additional resources at 40questions.net.
How would our understanding of Jesus change if we abandoned our preconceptions and focussed on his words alone? How would this wisdom compare with that of ancient Israel and the early first-century church? Such questions pose serious difficulties. Everything in the early Christian gospels is either derived from historical memory, or is borrowed, or invented, argues Charles W. Hedrick. Of the many sayings attributed to Christ, historians can only agree on a few as having been spoken by him - andthose few are far from certain. In The Wisdom of Jesus, Hedrick overcomes these challenges, presenting a picture of Jesus as expressed through his own words. The Jesus that emerges is a lower-class man of the first century; a complex figure who cannot be considered religious in a traditional sense. Liberated from theological explanation and interpretation, his discourse is revealed as belonging to the secular world, and his concerns to be those of common life.
Once ... I was sitting on a stile and seven swans flew over my head, inches away. I walked on and came across an entire family of foxes at play. For both the animal and the man there was no more beautiful place in which to be raised.' That place was Glendurgan, one of three valley gardens created by three brothers near Falmouth.
Since its first appearance in 1960, Documents of the Baptismal Liturgy has been praised and used by scholars in understanding how the rite of baptism was celebrated through the centuries. This new edition retains the sources previously included and adds Eastern Christian texts from the great East Syrian Church Fathers, as well as selections from The Rite of the Assyrian Church of the East, the Syrian Orthodox Church, and the Maronite Rite. Additional Western texts include the famous Pentecost Homily attributed to Faustus of Riez, Letter 26 to Januarius from Pope Gregory I, and the Rite of Confirmation from the Pontifical of William Durandus. Instead of placing local councils together in one section, individual councils are now placed in their respective geographic locals. Bibliographical lists in a variety of languages have been added for each document studied or for each locale; and translations have often been replaced with more recent versions. The glossary and the introductions to each document make it accessible to the general, as well as the specialist, reader. Chapters are The Ante-Nicene Church," *Syria, Syro-Palestine, Antiochia, - *The Rite of the Assyrian Church of the East, - *The Armenian Rite, - *The Syriac-Maronite Rite, - *The Byzantine Rite, - *Egypt, - *Africa, - *Spain, - *Milan, - *Rome, - *Galican Documents, - and *The Sarum Rite. - E. C. Whitaker served as a parish priest and Canon Emeritus of Calisle Cathedral, England. Maxwell E. Johnson, Ph.D., is a minister in the Evangelical Lutheran Church in America and is professor of liturgy in the department of theology at the University of Notre Dame.
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
On 16 May 1943, nineteen Lancaster aircraft from the RAF's 617 Squadron set off to attack the great dams in the industrial heart of Germany. Flying at a height of 60ft, they dropped a series of bombs which bounced across the water and destroyed two of their targets, thereby creating a legend. The one-off operation combined an audacious method of attack, technically brilliant flying and visually spectacular results. But while the story of Operation Chastise is well known, most of the 133 'Dambusters' who took part in the Dams Raid have until now been just names on a list. They came from all parts of the UK and the Commonwealth and beyond, and each of them was someone's son or brother, someone's husband or father. This is the first book to present their individual stories and celebrate their skill, heroism and, for many, sacrifice.
From the time his Nazi regime launched World War II to the present, Adolf Hitler has frequently been depicted on film. He was largely ridiculed at first, since laughter was a powerful weapon and morale booster for nations at war. Later representations were more somber and realistic, yet Hitler's image never escaped the undertone of scorn. This book concentrates exclusively on portrayals of Hitler in feature films and television miniseries. The filmography covers films with a factual historical storyline, fictional stories, alternate histories, parodies and films where actors playing Hitler have a cameo. Each entry provides production credits, an annotated cast list, an analysis and synopsis of the film, an evaluation of the actor playing Hitler in terms of the strengths and weaknesses of his portrayal, and representative quotations from the film.
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