Sir Charles Villiers Stanford (1852 – 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. This volume contains the complete musical notation for his “Symphony in F Minor, Op. 28”, a classical music composition for orchestra in F minor. Presented here in its original form with wide margins for annotations, this composition is perfect for students and musicians with a love of classical music. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. This volume contains the complete sheet music for Charles V. Stanford's "Mass Via Victrix, Op. 173," a musical composition for solo voice, chorus, orchestra and organ in F minor. This beautiful piece will appeal to fans of classical music, and it is not to be missed by collectors of Stanford's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
Contained within these pages is the complete sheet music for Charles Villiers Stanford's piano composition "Ballande in G Minor, Op.170." Presented clearly with room for annotations and notes, this volume is ideal for music students and piano players with an interest in Stanford's seminal work. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the 20th century. Other notable compositions by Stanford include: "The Veiled Prophet of Khorassan" (1879), "Savonarola" (1883), "The Canterbury Pilgrims" (1883). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This volume contains the sheet music for six classical music compositions for organ by Charles Villiers Stanford. All of the pieces are related to Christian holidays and occasions, making them perfect additions to church and home collections alike. They include: "At Christmas-tide," "Occasional," "At Easter-tide," "Requium," "Epithalamium," and "At Even-tide." Clear and easy to read, the original musical notation is presented here for the enjoyment of students and musicians with an interest in English classical music. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
First published in 1912, this book contains the original musical notation for Charles V. Stanford's “Symphony No.7, Op.12”, a classical musical composition for orchestra. A wonderful example of Romantic music from the early 19th century, this piece will appeal to musicians and others with an interest in playing Stanford's marvellous compositions. Sir Charles Villiers Stanford (1852 – 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. “Ave Atque Vale” will appeal to classical music lovers and is not to be missed by collectors of related literature. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This book contains the original music notation for "A Prelude and Fugue in C, Op. 193," a 1921 classical music composition for organ by Charles V. Stanford. Originally part of his "3 Preludes and Fugues, Op.193," this wonderful piece is highly recommended for students and musicians with an interest in playing classical English organ music. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. This fantastic composition will appeal to those with an interest in learning and playing classical music, and it is not to be missed by fans and collectors of Stanford's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of the organ.
Charles V. Stanford's "Sonata, Op.129" is a classical music composition for piano and viola or clarinet. This volume contains the original sheet music for this marvellous piece, clearly presented here in its original form for the enjoyment of musicians and music lovers the world over. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the 20th century. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This volume contains the complete sheet music for Charles V. Stanford's "Prelude in the Form of a Minuet, Op.88," a musical composition for solo organ. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. Presented clearly with room for notes and annotations, this volume is ideal for students and those with an interest in learning to play one of Stanford's masterpieces. This composition would make for a fine addition to musical collections and is not to be missed by fans of Stanford's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. Stanford was a very influential composer responsible for making Cambridge University Musical Society an international acclaimed organisation. He was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. This volume contains the original sheet music for his "Organ Sonata, No.5, Op.159," a 1918 composition for solo organ. Presented clearly with room for notes and annotations, this book is ideal for students and those with an interest in learning to play one of Stanford's masterpieces, and it is not to be missed by collectors of classical music notation. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the 20th century. This volume contains the complete, original sheet music for Stanford's "Concerto for Violin Solo in D Major, Op.74," a musical composition for violin and piano. This book is highly recommended for students and musicians with an interest in learning or playing classical music, and it would make for a worthy addition to allied collections. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This volume contains the original sheet music for "Procession Music from 'Drake'," a classical music piece composed by Charles V. Stanford and arranged for the organ by G. Alcock. Sir Walter Galpin Alcock (1861 - 1947) was an English composer and organist. He was an esteemed organ player, performing at the coronations of three different monarchs during his lifetime. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. This fantastic composition will appeal to those with an interest in learning and playing classical music, and it is not to be missed by fans and collectors of Stanford's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of the organ.
Charles Villiers Stanford's "Second Sonata" is a 1893 classical musical composition for cello and piano in three movements. This volume includes the original sheet music for this piece, presented in a readable modern format for the enjoyment of musicians and music lovers alike. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This book contains the complete, original sheet music for Charles V. Stanford's "Magnificat, Op.164," a musical composition for eight-part chorus. It was dedicated to his student Charles Hubert Hastings Parry, who died in the World War I just months before the armistice and the publication of this piece. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. Stanford was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
Charles V. Stanford's "24 Preludes, Op. 163" is a collection of marvelous musical compositions in all keys for piano. This is the second volume, containing the complete, original sheet music for pieces 17-24. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. Presented clearly with room for notes and annotations, this volume is ideal for students and those with an interest in learning to play one of Stanford's masterpieces, and it is not to be missed by collectors of classical music. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This volume contains the complete sheet music for Charles V. Stanford's "A Minuet, Op. 155 - No. 1," a musical composition for piano and vocals. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. This wonderful example of Stanford's influential work will appeal to classical music lovers and is not to be missed by collectors. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This volume contains the original sheet music for "Funeral March from 'Becket'," a musical piece composed by Charles V. Stanford and arranged for the organ by Sydney H. Nicholson. Sir Sydney Hugo Nicholson (1875 - 1947) was an English organist, composer and choir director most famous for being the founder of the Royal School of Church Music (RSCM). Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. This fantastic composition will appeal to those with an interest in learning and playing classical music, and it is not to be missed by fans and collectors of Stanford's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of the organ.
Founded Upon an Irish Air - No. 4, Op. 189" a 1923 classical music composition for solo organ by Charles V. Stanford, originally part of his "4 Intermezzi, Op. 189." This volume contains the complete, original sheet music for this beautiful piece, which is highly recommended for students and musicians with an interest in playing classical English organ music. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. This fantastic composition will appeal to those with an interest in learning and playing classical music, and it is not to be missed by fans and collectors of Stanford's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of the organ.
This volume contains the original music notation for "For Lo I Raise Up, Op.145," a 1914 classical music composition for the voice and organ by Charles V. Stanford. Although composed in 1914, it was not published until 1939. Disgusted by the war and what Germany had done to its artistic heritage, Stanford endeavoured to express his hope for Britain's different future using the analogy of Habakkuk's Old Testament prophecies. This piece is set to the words of "For Lo, I Raise Up" and is not to be missed by those with an interest in Christian music or the seminal works of Stanford. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of the organ.
This book contains the complete sheet music for "The Canterbury Pilgrims," an opera in three acts composed by Charles Villiers Stanford and first performed in 1884 at the Theatre Royal, Drury Lane, London. Clearly presented with room for annotations, this volume will appeal to students and is not to be missed by fans and collectors of Stanford's marvellous work. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the 20th century. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
Symphony No.4 in F Major, Op.31" is a classic music composition in four movements for piano, composed by Charles V. Stanford and arranged by Charles Wood. This book contains the complete sheet music for the composition, proudly presented here in its original form for the enjoyment of musicians and students new and old. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. Charles Wood (1866 - 1926) was an Irish composer and teacher. A number of his students went on to become famous musicians and composers, including Ralph Vaughan Williams and Herbert Howells. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
Sir Charles Villiers Stanford (1852 – 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the 20th century. This volume contains the original sheet music for six Irish folk–songs, composed by Stanford and written by Sir Thomas Moore. They include: “Oh! Breathe Not His Name”, “What the Bee is to the Flow'ret”, “At the Mid Hour of Night”, “The Sword of Erin”, “It is Not the Tear”, and “Oh, The Sight Entrancing”. The music is for alto, tenor, bass and piano. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This is the first volume of Charles V. Standford's "24 Preludes in All Keys, Op. 163," containing the complete sheet music for 24 individual piano compositions. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the 20th century. Contents include: "Moderato Maestoso E con Moto (C Major)," "Andante Espessivo (C Minor)," "Allegro Appassionato (Db Major)," "Allegretto Grazioso (C# Minor)," "Allegro (D Minor)," "Ellegro Marziale (Eb Major)," "Allegro - Study (Eb Minor)," etc. Highly recommended for piano students and discerning collectors. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
This volume contains the complete sheet music for Charles V. Stanford's "The Blue Bird, Op.119, No. 3," a classical music composition for cello or chorus in two parts: E minor and B minor. Originally part of his "8 Part-Songs, Op.119," is it a Romantic piece first published in 1910. Presented here in its original form with wide margins for annotations, this composition is perfect for students and musicians with a love of classical music. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
3 Intermezzi, Op.13" is a musical composition in three movements For Pianoforte and Violin, composed by Charles V. Stanford. It was first performed in Cambridge, England in the December of 1897 and published shortly afterwards. This volume contains the complete sheet music thereof, clearly presented in its original format for the enjoyment of musicians and collectors. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.
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