A chance encounter with Silver's career in South Africa set Charles van Onselen on a twenty five-year obsession: a journey to reconstruct the shadowy life and times of-in some ways to match wits with-a devious master criminal. From Russian Poland in the 1860s, where Silver was born Joseph Lis, to London in the 1880s, turn-of-the-century New York, Argentina, and Africa, van Onselen recaptures the dangerous demimonde of the Atlantic world. Silver's notoriety was found among the most confidential correspondence of a dozen countries; what those in law enforcement kept to themselves, however, was how their officers had attempted to use Silver as an informer to infiltrate syndicates built on vice, only to have him outwit them as he moved in the risky space between police and prostitutes. Such is the meticulousness of van Onselen's research that The Fox and the Flies is as rich in history as it is in the detail and drama of Silver's career, as layer after layer of his life and times are revealed. And it has an extraordinary pay-off, for van Onselen contends that Joseph Silver's darkest secret of all lay in London in the autumn of 1888 when, before he embarked on his legendary life of crime, he was, indeed, Jack the Ripper.
Volume 1 of Three Wise Monkeys explores the Portuguese colonisation of Mozambique, and the gradual transformation of the colony into a reservoir of cheap labour, first during the Atlantic slave trade and then during the rise of the voracious Rand mining industry. Mozambique became locked into financial dependence on South Africa. The South African mining industry came to own significant parts of the harbour infrastructure of Lourenço Marques. The mining industry's insatiable appetite for pit props gave rise to a globalised trade in timber flowing in from the US, Scandinavia and Australia via new shipping lines to the port of Lourenço Marques. After World War I, the South African gold-mining industry and Mozambique's weak 'central bank', the Banco Nacional Ultramarino, operating alongside the South African Reserve Bank, a branch of the Royal Mint and the Rand Refinery, effectively controlled the economic fortunes and destiny of South Africa's neighbour. Mozambique was colonised twice over – first by Portugal and then by South Africa.
Available again in a single volume, New Babylon, New Nineveh explores the past struggles of everyday people on the Witwatersrand, South Africa, 1886-1914. This was a period of extraordinary social, political and economic change. Charles van Onselen examines a host of practices, processes and problems which, in many ways, make for startling comparisons with modern-day South Africa. Van Onselen investigates the pervasive, but highly problematic use of alcohol and prostitution, which were used to control both black and white mine workers, by the state and the mine owners. This exploitation of the lifestyle of the single miners later gave way to the official encouragement of working-class family life. This gave rise to the advent of domestic servants and the introduction of a systematic programme of suburbanisation and cheap public transportation. We see how not even these developments were able to protect the poorest and weakest South Africans of the time. Van Onselen explains how Afrikaner unemployment and an affinity for trade unionism were paralleled by further marginalisation, black unemployment and the resultant formation of prison gangs, which flourish even to the present day.
A bold and innovative social history, The Seed Is Mine concerns the disenfranchised blacks who did so much to shape the destiny of South Africa. After years of interviews with Kas Maine and his neighbors, employers, friends, and family – a rare triumph of collaborative courage and dedication – Charles van Onselen has recreated the entire life of a man who struggled to maintain his family in a world dedicated to enriching whites and impoverishing blacks, while South Africa was tearing them apart.
This seminal book reveals how black labor was exploited in twentieth-century South Africa, the human costs of which are still largely hidden from history. It was the people of southern Mozambique, bent double beneath the historical loads of forced labor and slavery, then sold off en masse as contracted laborers, who paid the highest price for South African gold. An iniquitous intercolonial agreement for the exploitation of ultra-cheap black labor was only made possible through nightly use of the steam locomotive on the transnational railway linking Johannesburg and Louren�o Marques. These night trains left deep scars in the urban and rural cultures of black communities, whether in the form of popular songs or a belief in nocturnal witches' trains that captured and conveyed zombie workers to the region's most unpopular places of employment. By tracing the journeys undertaken by black migrants, Charles van Onselen powerfully reconstructs how racial thinking, expressed logistically, reflected the evolving systems of segregation and apartheid. On the night trains, the last stop was always hell.
The Jameson Raid was a pivotal moment in the history of South Africa, linking events from the Anglo-Boer War to the declaration of the Union of South Africa in 1910. For more than a century, the failed revolution has been interpreted through the lens of British imperialism, with responsibility laid at the feet of Cecil Rhodes. Yet, the raid was less a serious attempt to overthrow a Boer government than a wild adventure with transnational roots in American filibustering. In The Cowboy Capitalist, renowned South African historian Charles van Onselen challenges a historiography of over 120 years, locating the raid in American rather than British history and forcing us to rethink the histories of at least three nations. Through a close look at the little-remembered figure of John Hays Hammond, a confidant of both Rhodes and Jameson, he discovers the American Old West on the South African Highveld. This radical reinterpretation challenges the commonly held belief that the Jameson Raid was quintessentially British and, in doing so, drives splinters into our understanding of events as far forward as South Africa’s critical 1948 general election, with which the foundations of Grand Apartheid were laid.
The Jameson Raid of 1895-1896 was a pivotal moment in the history of South Africa ... For over a century, the failed revolution has been interpreted through the lens of British imperialism, with responsibility laid at the feet of Cecil John Rhodes. ... [Charles van Onselen] identifies Californian mining engineer John Hays Hammond ... as the principal architect of the attempted coup in Paul Kruger's Boer republic. In so doing, he uncovers the hidden history of the American West on the South African Highveld, situating Hammond's career against the backdrop of the global expansion of the United States during the Gilded Age."--Jacket.
A bold and innovative social history, The Seed is Mine concerns disenfranchised black people who did so much to shape the destiny of South Africa. After years of interviews with Kas Maine and his neighbours, employers, friends, and family - a rare triumph of collaborative courage and dedication - Charles van Onselen has recreated the entire life of a man who struggled to maintain his family in a world dedicated to enriching whites and impoverishing blacks, while South Africa was tearing them apart.
Johannesburg, South Africa, was ? and is ? the Frontier of Money. Within months of its founding, the mining camp was host to organised crime: the African 'Regiment of the Hills' and 'Irish Brigade' bandits. Bars, brothels, boarding houses and hotels oozed testosterone and violence, and the use of fists and guns was commonplace. Beyond the chaos were clear signs of another struggle, one to maintain control, honour and order within the emerging male and mining dominated culture. In the underworld, the dictum of 'honour among thieves', as well as a hatred of informers, testified to attempts at self-regulation. A 'real man' did not take advantage of an opponent by employing underhand tactics. It had to be a 'fair fight' if a man was to be respected. This was the world that 'One-armed Jack' McLoughlin - brigand, soldier, sailor, mercenary, burglar, highwayman and safe-cracker - entered in the early 1890s to become Johannesburg's most infamous 'Irish' anti-hero and social bandit. McLoughlin's infatuation with George Stevenson prompted him to recruit the young Englishman into his gang of safe-crackers but 'Stevo' was a man with a past and primed for personal and professional betrayal. It was a deadly mixture. Honour could only be retrieved through a Showdown at the Red Lion.
The nineteenth-century was the age of industry. It witnessed breathaking advances in manufacturing, trade and communications. Exploiting the new infrastructure of railways, steamships and telegraph systems, European pimps and 'white slave' traffickers were hugely successful in establishing an integrated global market for commercial sex. Criminal syndicates in cities such as Buenos Aires, Cape Town, New York and London were able to organise the seduction or rape of women in under-developed parts of Europe and their 'export' as prostitutes to meet the insatiable demand for sexual services throughout the Atlantic world. For three turbulent decades before the First World War Joseph Silver - brothel-owner, pimp and trafficker in women on four continents - was central to this hidden world of betrayal, intrigue, lust and sexual slavery. Burglar, gun-runner, jewel-thief, rapist, safe-cracker and sodomist, Silver's notoriety was captured in the most confidential correspondence of a dozen countries in the western world. What those in charge of law-enforcement agencies kept to themselves, however, was how their officers had attempted to use Silver as an informer to infiltrate syndicates built on 'vice' only to have him outwit them as he moved in the dangerous space between police and prostitutes. A disturbed adolescent, youthful predator and adult misogynist driven by dark biblical and medieval obsessions, Silver's mental universe remained largely hidden from his family, other gangsters and police handlers. In this first reconstruction of the life of a dangerous psychopath, Charles van Onselen situates the private life of one man amidst the demi-monde of the Atlantic world to identify the most infamous serial killer of all time - for Joseph Silver's darkest secret of all lay in London, in Whitechapel, in the autumn of 1888.
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