This book brings readers into classrooms and communities to explore critical curriculum issues in the United States throughout the twentieth century by focusing in on the voices of teachers, administrators, students, and families. Framed by an enduring question about curriculum, each chapter begins with an essay briefly reviewing the history of topics such as student resistance, sociopolitical and culturally-centered curricula, curriculum choice, the place and space of curriculum, linguistic policies for sustaining cultural heritages, and grading and assessment. Multiple archival sources follow each essay, which allow readers to directly engage with educators and others in the past. This promotes an in-depth historical analysis of contemporary issues on teaching for social justice in the fields of curriculum studies and curriculum history. As such, this book considers educators in the past—their struggles, successes, and daily work—to help current teachers develop more historically conscious practices in formal and informal education settings.
This book brings readers into classrooms and communities to explore critical curriculum issues in the United States throughout the twentieth century by focusing in on the voices of teachers, administrators, students, and families. Framed by an enduring question about curriculum, each chapter begins with an essay briefly reviewing the history of topics such as student resistance, sociopolitical and culturally-centered curricula, curriculum choice, the place and space of curriculum, linguistic policies for sustaining cultural heritages, and grading and assessment. Multiple archival sources follow each essay, which allow readers to directly engage with educators and others in the past. This promotes an in-depth historical analysis of contemporary issues on teaching for social justice in the fields of curriculum studies and curriculum history. As such, this book considers educators in the past—their struggles, successes, and daily work—to help current teachers develop more historically conscious practices in formal and informal education settings.
A Vanishing West in the Middle East covers the history of Western cooperation in the Middle East and North Africa since the end of the Cold War. Based on more than fifty interviews with diplomats and experts as well as consultations of the academic literature, it describes the operational and political frameworks through which the United States and European countries have intervened in the Arab world, and how their relations with the region have changed. Practitioner testimonies and detailed case studies illuminate U.S. successes and failures in enlisting allies for campaigns in Iraq, Syria, and Libya. This analysis goes to the heart of the American debate on “endless wars” but also questions the very concept of Western intervention in a region where the Arab Spring and subsequent uprisings have profoundly changed the geopolitical landscape. Today, whereas the United States wishes to pull back from the region, Europe understands it must become more involved. Whatever their particular motivations, both must adapt to an increasingly fragmented Middle East, influenced specifically by more assertive Chinese, Russian, Iranian, Emirati, and Turkish foreign policies.
A richly detailed, sometimes challenging work, Charles Addison's The History of the Knights Templar traces the rise and fall of this legendary religious-military organization. Addison was an official member of the Templar Inner Table when he composed his definitive study. This newly edited 2018 edition from The Templar Press updates some of Addison's more archaic wording into modern English.
Book contains: 1. All branches of country's military; 2. Their structure and organization; 3. Order of Battle; can follow officers through their commands; 4. Unit/ship insignia or design.
This book explores the interaction of the EU in Greece, Slovenia, Croatia, and Macedonia in three key policy sectors – cohesion, border managements and the environment – and assesses the degree to which the European Union’s engagement with the democracies of South East Europe has promoted Europeanization and Multi-Level Governance. Although there is a tendency to view the Balkans as peripheral, this book argues that South East European states are central to what the EU is and aspires to become, and goes to the heart of many of the key issues confronting the EU. It compares changing modes of governance in the three policy areas selected because they are contentious issues in domestic politics and have trans-boundary policy consequences, in which there is significant EU involvement. The book draws on over 100 interviews conducted to explore actor motivation, preferences and perceptions in the face of pressure to adapt from the EU and uses Social Network Analysis. Timely and informative, this book considers broader dilemmas of integration and enlargement at a time when the EU’s effectiveness is under close scrutiny. The European Union and South East Europe will be of interest to students and scholars of European politics, public policy, and European Union governance and integration.
Charles Williams was a British poet, novelist, playwright, theologian and literary critic, chiefly remembered today for his innovative fantasy novels. Along with Tolkien and C. S. Lewis, Williams was a member of the Inklings, a literary discussion group based in Oxford University, who were enthusiasts that praised the value of narrative in fiction and encouraged the writing of fantasy. Williams produced notable works in all literary formats, including compelling dramas, erudite non-fiction and sublime poetry. This eBook presents Williams’ complete fictional works (except for one novel), with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Williams’ life and works * Concise introductions to the novels and other texts * All the novels (except for one), with individual contents tables * The rare unfinished novel, ‘The Noises That Weren’t There’, digitised here for the first time * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The rare short story ‘Et in Sempiternum Pereant’ * The complete poems and plays for the first time in publishing history * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes a wide selection of Williams’ non-fiction– spend hours exploring the author’s varied works * Ordering of texts into chronological order and genres Please note: due to US copyright restrictions, the novel ‘All Hallows’ Eve’ (1945) cannot appear in this edition. When it becomes available, it will be added to the eBook as a free update. CONTENTS: The Novels War in Heaven (1930) Many Dimensions (1931) The Place of the Lion (1931) The Greater Trumps (1932) Shadows of Ecstasy (1933) Descent into Hell (1937) The Noises That Weren’t There (1970) The Short Story Et in Sempiternum Pereant (1935) The Plays The Chapel of the Thorn (1912) The Masque of the Manuscript (1927) The Masque of Perusal (1929) The Masque of the Termination of Copyright (1930) A Myth of Shakespeare (1930) Three Plays (1929) Thomas Cranmer of Canterbury (1936) Seed of Adam (1937) Judgement at Chelmsford (1939) The Death of Good Fortune (1939) The House by the Stable (1939) Terror of Light (1940) Grab and Grace (1941) The Three Temptations (1942) House of the Octopus (1945) The Poetry Collections The Silver Stair (1912) Poems of Conformity (1917) Divorce (1920) Windows of Night (1924) Heroes and Kings (1930) Taliessin through Logres (1938) The Region of the Summer Stars (1944) Uncollected Poems The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Non-Fiction Victorian Narrative Verse (1927) The English Poetic Mind (1932) Bacon (1933) Reason and Beauty in the Poetic Mind (1933) James I (1934) Rochester (1935) Queen Elizabeth (1936) Henry VII (1937) He Came Down from Heaven (1938) The Descent of the Dove (1939) Witchcraft (1941) The Figure of Beatrice (1943) The Figure of Arthur (1948)
THE extraordinary and romantic career of the Knights Templars, their exploits and their misfortunes, render their history a subject of peculiar interest. Born during the first fervour of the Crusades, they were flattered and aggrandized as long as their great military power and religious fanaticism could be made available for the support of the Eastern church and the retention of the Holy Land, but when the crescent had ultimately triumphed over the cross, and the religio-military enthusiasm of Christendom had died away, they encountered the basest ingratitude in return for the services they had rendered to the christian faith, and were plundered, persecuted, and condemned to a cruel death, by those who ought in justice to have been their defenders and supporters. The memory of these holy warriors is embalmed in all our recollections of the wars of the cross; they were the bulwarks of the Latin kingdom of Jerusalem during the short period of its existence, and were the last band of Europe's host that contended for the possession of Palestine.
Examination of the work of scientific icons-Newton, Descartes, and others-reveals the metaphors and analogies that directed their research and explain their discoveries. Today, scientists tend to balk at the idea of their writing as rhetorical, much less metaphorical. How did this schism over metaphor occur in the scientific community? To establish that scientists should use metaphors to explain science to the public and need to be conscious of how metaphor can be useful to their research, this book examines the controversy over cloning and the lack of a metaphor to explain it to a public fearful of science's power.The disjunction between metaphor and science is traced to the dispensation of the Solar System Analogy in favor of a mathematical model. Arguing that mathematics is metaphorical, the author supports the idea of all language as metaphorical-unlike many rhetoricians and philosophers of science who have proclaimed all language as metaphorical but have allowed a distinction between a metaphorical use of language and a literal use.For technical communication pedagogy, the implications of this study suggest foregrounding metaphor in textbooks and in the classroom. Though many technical communication textbooks recommend metaphor as a rhetorical strategy, some advise avoiding it, and those that recommend it usually do so in a paragraph or two, with little direction for students on how to recognize metaphors or to how use them. This book provides the impetus for a change in the pedagogical approach to metaphor as a rhetorical tool with epistemological significance.
This unique and comprehensive study reviews the practice of leading American directors of Shakespeare from the late nineteenth to the end of the twentieth century. Charles Ney examines rehearsal and production records, as well as evidence from diaries, letters, autobiographies, reviews and photographs to consider each director's point of view when approaching Shakespeare and the differing directorial tools and techniques employed in significant productions in their careers. Directors covered include Augustin Daly, David Belasco, Arthur Hopkins, Orson Welles, Margaret Webster, B. Iden Payne, Angus Bowmer, Craig Noel, Jack O'Brien, Tyronne Guthrie, John Houseman, Allen Fletcher, Michael Kahn, Gerald Freedman, Joseph Papp, Stuart Vaughan, A. J. Antoon, JoAnne Akalaitis, Paul Barry, Tina Packer, Barbara Gaines, William Ball, Liviu Ciulei, Garland Wright, Mark Lamos, Ellis Rabb and Julie Taymor. Directing Shakespeare in America: Historical Perspectives offers readers an understanding of the context from which contemporary practitioners operate, the aesthetic philosophies to which they subscribe and a description of their rehearsal methods.
Charles Williams was a British poet, novelist, playwright, theologian and literary critic, chiefly remembered today for his innovative fantasy novels. Along with Tolkien and C. S. Lewis, Williams was a member of the Inklings, a literary discussion group based in Oxford University, who were enthusiasts that praised the value of narrative in fiction and encouraged the writing of fantasy. Williams produced notable works in all literary formats, including compelling dramas, erudite non-fiction and sublime poetry. This eBook presents Williams’ complete fictional works, with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Williams’ life and works * Concise introductions to the novels and other texts * All the novels, with individual contents tables * The rare unfinished novel, ‘The Noises That Weren’t There’, digitised here for the first time * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The rare short story ‘Et in Sempiternum Pereant’ * The complete poems and plays for the first time in publishing history * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes a wide selection of Williams’ non-fiction– spend hours exploring the author’s varied works * Ordering of texts into chronological order and genres CONTENTS: The Novels War in Heaven (1930) Many Dimensions (1931) The Place of the Lion (1931) The Greater Trumps (1932) Shadows of Ecstasy (1933) Descent into Hell (1937) All Hallows’ Eve (1945) The Noises That Weren’t There (1970) The Short Story Et in Sempiternum Pereant (1935) The Plays The Chapel of the Thorn (1912) The Masque of the Manuscript (1927) The Masque of Perusal (1929) The Masque of the Termination of Copyright (1930) A Myth of Shakespeare (1930) Three Plays (1929) Thomas Cranmer of Canterbury (1936) Seed of Adam (1937) Judgement at Chelmsford (1939) The Death of Good Fortune (1939) The House by the Stable (1939) Terror of Light (1940) Grab and Grace (1941) The Three Temptations (1942) House of the Octopus (1945) The Poetry Collections The Silver Stair (1912) Poems of Conformity (1917) Divorce (1920) Windows of Night (1924) Heroes and Kings (1930) Taliessin through Logres (1938) The Region of the Summer Stars (1944) Uncollected Poems The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Non-Fiction Victorian Narrative Verse (1927) The English Poetic Mind (1932) Bacon (1933) Reason and Beauty in the Poetic Mind (1933) James I (1934) Rochester (1935) Queen Elizabeth (1936) Henry VII (1937) He Came Down from Heaven (1938) The Descent of the Dove (1939) Witchcraft (1941) The Figure of Beatrice (1943) The Figure of Arthur (1948)
A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC
The Devil has been represented in many film genres, including horror, comedy, the musical, fantasy, satire, drama, and the religious epic, and in these works has assumed many shapes and forms. This book begins with a discussion of how the devil has been portrayed on stage, how that portrayal carried over to the big screen, and what are the standard elements of a satanic plot. Each entry in the filmography includes year of production, running time, writer, editor, cinematographer, producer, and director, evaluative rating, annotated cast list, plot synopsis, overall appraisal, and a spotlight on the actor playing Satan.
From the middle of the fifteenth century a distinctively Roman Renaissance occurred. A shared outlook, a persistent set of intellectual concerns, similar cultural assumptions and a commitment to common ideological aims bound Roman humanists and artists to a uniquely Roman world, different from Florence, Venice, and other Italian and European centers.This book provides the first comprehensive portrait of the Roman Renaissance world. Charles Stinger probes the basic attitudes, the underlying values and the core convictions that Rome's intellectuals and artists experienced, lived for, and believed in from Pope Eugenius IV's reign to the Eternal City in 1443 to the sacking of 1527. He demonstrates that the Roman Renaissance was not the creation of one towering intellectual leader, or of a single identifiable group; rather, it embodied the aspirations of dozens of figures, active over an eighty-year period.Stinger illuminates the general aims and character of the Roman Renaissance. Remaining mindful of the economic, social, and political context--Rome's retarded economic growth, the papacy's increasing entanglement in Italian politics, papal preoccupation with the crusade against the Ottomans, and the effects of papal fiscal and administrative practices--Stinger nevertheless maintains that these developments recede in importance before the cultural history of the period. Only in the context of the ideological and cultural commitments of Roman humanists, artists, and architects can one fully understand the motivation for papal policies. Reality for Renaissance Romans was intricately bound up with the notion of Rome's mythic destiny.The Renaissance in Rome is cultural history at its best. It evokes the moods, myths, images, and symbols of the Eternal City, as they are manifested in the Liturgy, ceremony, festivals, oratory, art, and architecture of Renaissance Rome. Throughout, Stinger focuses on a persistent constellation of fundamental themes: the image of the city of Rome, the restoration of the Roman Church, the renewal of the Roman Empire, and the fullness of time. He describes and analyzes the content, meaning, origin, and implications of these central ideas of Roman Renaissance.This book will prove interesting to both Renaissance and Reformation scholars, as well as to general readers, who may have visited (or plan to visit) Rome and have become fascinated and affected by this extraordinary city. "There is no other book like it in any language," says Renaissance historian John O'Malley. "It presents a coherent view of Roman culture....collects and presents a vast amount of information never before housed under one roof. Anyone who teaches the Italian Renaissance," O'Malley stresses, "will have to know this book.
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