In 1846, a band of California-bound pioneers took a fatefulshortcut that left them stranded in the frigid Sierras— horrifyingly, some resorted to cannibalism to survive.Newspaperman Charles F. McGlashan, who interviewed survivorsand studied the party members’ journals, declaredtheir story “more thrilling than romance, more terrible thanfiction.” His gripping account reveals not only a stark tale ofdesperation but also many inspiring acts of heroism.Reprint of the A. L. Bancroft, San Francisco, 1880 edition.
When Charles Lindbergh landed at LeBourget Airfield on May 21, 1927, his transatlantic flight symbolized the new era-not only in aviation but also in American culture. The 1920s proved to be a transitional decade for the United States, shifting the nation from a production-driven economy to a consumption-based one, with adventurous citizens breaking new ground even as many others continued clinging to an outmoded status quo. In his new book, Charles Shindo reveals how one year in particular encapsulated the complexity of this transformation in American culture. Shindo's absorbing look at 1927 shatters the stereotypes of the Roaring '20s as a time of frivolity and excess, revealing instead a society torn between holding on to its glorious past while trying to navigate a brave new world. His book is a compelling and entertaining dissection of the year that has come to represent the apex of 1920s culture, combining references from popular films, music, literature, sports, and politics in a captivating look back at change in the making. As Shindo notes, while Lindbergh's flight was a defining event, there were others: The Jazz Singer, for example, brought sound to the movies, and the 15 millionth Model T rolled off of Ford's assembly line. Meanwhile, the era's supposed live-for-today frivolity was clouded by Prohibition, the revival of the Ku Klux Klan, and the execution of Sacco and Vanzetti. Such events, Shindo explains, reflected a fundamental disquiet running beneath the surface of a nation seeking to accommodate and understand a broad array of changes—from new technology to natural disasters, from women's forays into the electorate to African-Americans' migration to the urban north. Shindo, however, also notes that this was an era of celebrity. He not only examines why Lindbergh and Ford were celebrated but also considers the rise and growing popularity of the infamous, like convicted murderers Ruth Snyder and Judd Gray, and he illuminates the explosive growth of professional sports and stars like baseball's Babe Ruth. In addition, he takes a close look at cinematic heroines like Mary Pickford and the "It" girl Clara Bow to demonstrate the conflicting images of women in popular culture. Distinctive and insightful, Shindo's richly detailed analysis of 1927's key events and personalities reveals the multifaceted ways in which people actually came to grips with change and learned to embrace an increasingly modern America.
In Luminous Passage a well-known Buddhologist and longtime observer of Buddhism in the United States presents the first comprehensive scholarly study of American Buddhism in nearly two decades. Charles S. Prebish revisits the expanding frontier of the fastest growing religion in North America and describes its historical development, its diversity, and the significance of this ancient tradition at century's end. More than anything else, this is a book about American Buddhist communities (sanghas) and about life within those communities. Prebish considers various Buddhist practices, rituals, and liturgies, as well as the ways these communities have confronted the changing American spiritual landscape. In profiling several different sanghas Prebish reveals the ways that Buddhism is being both reinvented and Westernized. He includes the first exploration of the American Buddhist "cybersangha," a community that has emerged from recent developments in information-exchange technology, and discusses the growing community of "scholar-practitioners." The interactions of Buddhist identities that are related to ethnicity, gender, sexual orientation, social engagement, and the healing professions are also examined. This book fully captures the vibrancy and importance of Buddhism in American religious life today. Finally, Prebish appraises the state of Buddhism at the millennium. Placing the development of American Buddhism squarely in the midst of the religion's general globalization, he argues for an ecumenical movement which will embrace Buddhist communities worldwide.
This is an engrossing account of Greek Americans--their history, strengths, conflicts, aspirations, and contributions. This is the story of immigrants, their children and grandchildren, most of whom maintain an attachment to Greek ethnic identity even as they have become one of this country's most successful ethnic groups.
Universities once believed themselves to be sacred enclaves, where students and professors could debate the issues of the day and arrive at a better understanding of the human condition. Today, sadly, this ideal of the university is being quietly betrayed from within. Universities still set themselves apart from American society, but now they do so by enforcing their own politically correct worldview through censorship, double standards, and a judicial system without due process. Faculty and students who threaten the prevailing norms may be forced to undergo "thought reform." In a surreptitious aboutface, universities have become the enemy of a free society, and the time has come to hold these institutions to account. The Shadow University is a stinging indictment of the covert system of justice on college campuses, exposing the widespread reliance on kangaroo courts and arbitrary punishment to coerce students and faculty into conformity. Alan Charles Kors and Harvey A. Silverglate, staunch civil libertarians and active defenders of free inquiry on campus, lay bare the totalitarian mindset that undergirds speech codes, conduct codes, and "campus life" bureaucracies, through which a cadre of deans and counselors indoctrinate students and faculty in an ideology that favors group rights over individual rights, sacrificing free speech and academic freedom to spare the sensitivities of currently favored groups. From Maine to California, at public and private universities alike, liberty and fairness are the first casualties as teachers and students find themselves in the dock, presumed guilty until proven innocent and often forbidden to cross-examine their accusers. Kors and Silverglate introduce us to many of those who have firsthand experience of the shadow university, including: The student at the center of the 1993 "Water Buffalo" case at the University of Pennsylvania, who was brought up on charges of racial harassment after calling a group of rowdy students "water buffalo" -- even though the term has no racial connotations. The Catholic residence adviser who was fired for refusing, on grounds of religious conscience, to wear a symbol of gay and lesbian causes. The professor who was investigated for sexual harassment when he disagreed with campus feminists about curriculum issues. The student who was punished for laughing at a statement deemed offensive to others and who was ordered to undergo "sensitivity training" as a result. The Shadow University unmasks a chilling reality for parents who entrust their sons and daughters to the authority of such institutions, for thinking people who recognize that vigorous debate is the only sure path to truth, and for all Americans who realize that when even one citizen is deprived of liberty, we are all diminished.
Positive psychology is about fostering strength and living well—about how to do a good job at being human. Charles Hackney connects this still-new movement to foundational concepts in philosophy and Christian theology. He then explores topics such as subjective states, cognitive processes, and the roles of personality, relationships, and environment.
Season of Terror is the first book-length treatment of the little-known true story of the Espinosas—serial murderers with a mission to kill every Anglo in Civil War–era Colorado Territory—and the men who brought them down. For eight months during the spring and fall of 1863, brothers Felipe Nerio and José Vivián Espinosa and their young nephew, José Vincente, New Mexico–born Hispanos, killed and mutilated an estimated thirty-two victims before their rampage came to a bloody end. Their motives were obscure, although they were members of the Penitentes, a lay Catholic brotherhood devoted to self-torture in emulation of the sufferings of Christ, and some suppose they believed themselves inspired by the Virgin Mary to commit their slaughters. Until now, the story of their rampage has been recounted as lurid melodrama or ignored by academic historians. Featuring a fascinating array of frontier characters, Season of Terror exposes this neglected truth about Colorado’s past and examines the ethnic, religious, political, military, and moral complexity of the controversy that began as a regional incident but eventually demanded the attention of President Lincoln.
The atom contains energy beyond all imagination and President Eisenhower’s plan was to benefit all of mankind. Once America discovered the use of atomic energy for peaceful purposes, some rather extraordinary people leaped at the opportunity capitalize from this new technology; this is their story. White Elephants is about these people and the hardships they encountered; the story of how an amazing technology became such a burden on our nation through the trials of these not so ordinary men and women who built the White Elephants we call our nuclear power plants.
Irving Berlin remains a central figure in American music, a lyricist/composer whose songs are loved all over the world. His first piece, "Marie from Sunny Italy," was written in 1907, and his "Alexander's Ragtime Band" attracted more public and media attention than any other song of its decade. In later years Berlin wrote such classics as "God Bless America," "Blue Skies," "Always," "Cheek to Cheek," and the holiday favorites "White Christmas" and "Easter Parade." Jerome Kern, his fellow songwriter, commented that "Irving Berlin is American music." In Irving Berlin: The Formative Years, Charles Hamm traces the early years of this most famous and distinctive American songwriter. Beginning with Berlin's immigrant roots--he came to New York in 1893 from Russia--Hamm shows how the young Berlin quickly revealed the talent for music and lyrics that was to mark his entire career. Berlin first wrote for the vaudeville stage, turning out songs that drew on the various ethnic cultures of the city. These pieces, with their Jewish, Italian, German, Irish, and Black protagonists singing in appropriate dialects, reflected the urban mix of New York's melting pot. Berlin drew on various musical styles, especially ragtime, for such songs as "Alexander's Ragtime Band," and Hamm devotes an entire chapter to the song and its success. The book also details Berlin's early efforts to write for the Broadway musical stage, culminating in 1914 with his first musical comedy, Watch Your Step, featuring the popular dance team, Vernon and Irene Castle. A great hit on Broadway and in London, the show was a key piece in the Americanization of the musical comedy. Blessed with prodigious ambition and energy, Berlin wrote at least 4 or 5 new songs a week, many of which were discarded. He nevertheless published 190 songs between 1907 and 1914, an astonishing number considering that when Berlin arrived in America, he knew not a single word of English. As one writer reported, "there is scarcely a waking moment when Berlin is not engaged either in teaching his songs to a vaudeville player, or composing new ones." Early in his career, Irving Berlin brilliantly exploited the musical trends and influences of the day. Hamm shows how Berlin emerged from the vital and complex social and cultural scene of New York to begin his rise as America's foremost songwriter.
Can religious individuals and communities learn from each other in ways that will lead them to collaborate in addressing the great ethical challenges of our time, including climate change and endless warfare? This is the central question underlying The Prophet and the Bodhisattva. It juxtaposes two figures emblematic of an ideal moral life: the prophet as it evolved in ancient Israel and the bodhisattva as it flowered in Mahayana Buddhism. In particular, The Prophet and the Bodhisattva focuses on Daniel Berrigan and Thich Nhat Hanh, who in their lives embody and in their writings reflect upon their respective moral type. Berrigan, a Jesuit priest, pacifist, and poet, is best known for burning draft files in 1968 and for hammering and pouring blood on a nuclear warhead in 1980. His extensive writings on the Hebrew prophets reflect his life of nonviolent activism. Thich Nhat Hanh, Buddhist monk, Vietnamese exile, and poet struggled to end the conflict during the Vietnam War. Since then he has led the global movement that he named Engaged Buddhism and has written many commentaries on Mahayana scriptures. For fifty years both have been teaching us how to pursue peace and justice, a legacy we can draw upon to build a social ethics for our time.
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