Together with the National Library of Ireland, Architectural Press presents seventy previously unpublished drawings by Charles Rennie Mackintosh. The identification in the National Library of Ireland of three sketchbooks, from which these drawings have been selected, represents a significant addition to the body of early drawings by Mackintosh. The sketches date from a crucial period in the young man's development, spanning his highly successful student years and the beginnings of his professional career. Each of the three sketchbooks covers an area central to his growth as an artist: the architecture of his native Scotland, an important scholarship journey in Italy and, Mackintosh's first love and greatest influence, the study of plants and growing things. Essentially private, these little known and unique works provide privileged access to significant moments in the artist's intellectual and emotional life. In this book Elaine Grogan attempts to take them out of the library display-case and bring them to life in the hands of the reader. She invites us to look over Mackintosh's shoulder on his early tentative steps towards fulfilment as a creative genius. Connections are traced, both backwards in time to his training and forwards to his great successes and eventual bitter eclipse. * Gain a new understanding of a crucial period in Charles Rennie Mackintosh's development through these unpublished sketches * Connect his sketch books of Scotland, Italy and botany to later great works * Be inspired by these private, yet significant sketches
The work of Charles Rennie Mackintosh still influences and inspires much of the art world today. This bo ok captures the vitality of his art, presenting an insight i nto the life of one of the world''s most celebrated designer- architects.
Charles Rennie Mackintosh's finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous; a world of heightened aesthetic sensibility inside the Willow Tea Rooms or The Hill House. And his inventive imagination, which played constantly with the shape of curves and squares, produced designs for furniture which transformed ordinary chairs into pieces of abstract sculpture. Finally, in the 1920s he painted a series of watercolours which are as original as anything he had done before.
The great Scottish architect Charles Rennie Mackintosh (1868-1928) has come to be seen as one of the most influential early modern designers. Like Frank Lloyd Wright, whom he rivals in popularity today, Mackintosh viewed the design of furniture and interiors as a vital part of his architectural work. Today, reproductions and objects based on his design ideas are wildly popular. This is the fourth edition of the primary reference work on Mackintosh furniture and the first time it has been in print in more than twenty years. Completely revised and redesigned, with new information and many new color illustrations, the book documents every surviving piece of Mackintosh furniture and every drawing, as well as his interior designs (including reconstructions of interiors that have been destroyed).
Of the many practitioners of art nouveau in Great Britain, Charles Rennie Mackintosh (1868-1928) has outlasted them all. His work bridged the more ornate style of the later nineteenth century and the forms of international modernism that followed. Like Frank Lloyd Wright, with whom he is frequently compared, he is known for so thoroughly integrating art and decoration that the two became inseparable. His work has been honored by a major exhibition at the Metropolitan Museum of Art, and his designs have proliferated to such an extent that they can be found reproduced in posters, prints, jewelry, and even new buildings. His most important project was the Glasgow School of Art, which still functions as a highly prestigious art school. This glorious building is visited each year by thousands of tourists from around the world. Built over a dozen years, beginning in 1897, the Glasgow School of Art is Mackintosh's greatest and most influential legacy. This completely redesigned and heavily illustrated edition of Mackintosh's Masterwork has been greatly expanded and contains newly discovered material about both the early life of the architect and the formative years in which his plans for the School of Art were executed.
Of the many practitioners of art nouveau in Great Britain, Charles Rennie Mackintosh (1868-1928) has outlasted them all. His work bridged the more ornate style of the later nineteenth century and the forms of international modernism that followed. Like Frank Lloyd Wright, with whom he is frequently compared, he is known for so thoroughly integrating art and decoration that the two became inseparable. His work has been honored by a major exhibition at the Metropolitan Museum of Art, and his designs have proliferated to such an extent that they can be found reproduced in posters, prints, jewelry, and even new buildings. His most important project was the Glasgow School of Art, which still functions as a highly prestigious art school. This glorious building is visited each year by thousands of tourists from around the world. Built over a dozen years, beginning in 1897, the Glasgow School of Art is Mackintosh's greatest and most influential legacy. This completely redesigned and heavily illustrated edition of Mackintosh's Masterwork has been greatly expanded and contains newly discovered material about both the early life of the architect and the formative years in which his plans for the School of Art were executed.
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