Henry I, son of William the Conqueror, ruled from 1100 to 1135, a time of fundamental change in the Anglo-Norman world. This long-awaited biography, written by one of the most distinguished medievalists of his generation, offers a major reassessment of Henry’s character and reign. Challenging the dark and dated portrait of the king as brutal, greedy, and repressive, it argues instead that Henry’s rule was based on reason and order. C. Warren Hollister points out that Henry laid the foundations for judicial and financial institutions usually attributed to his grandson, Henry II. Royal government was centralized and systematized, leading to firm, stable, and peaceful rule for his subjects in both England and Normandy. By mid-reign Henry I was the most powerful king in Western Europe, and with astute diplomacy, an intelligence network, and strategic marriages of his children (legitimate and illegitimate), he was able to undermine the various coalitions mounted against him. Henry strove throughout his reign to solidify the Anglo-Norman dynasty, and his marriage linked the Normans to the Old English line. Hollister vividly describes Henry’s life and reign, places them against the political background of the time, and provides analytical studies of the king and his magnates, the royal administration, and relations between king and church. The resulting volume is one that will be welcomed by students and general readers alike.
The most detailed history of the Welsh from Late-Roman Britain to the eve of the Norman Conquest. Integrates the history of religion, language, and literature with the history of events.
Charles Wright identifies the characteristic features of Irish Christian literature which influenced Anglo-Saxon vernacular authors. As a full-length study of Irish influence on Old English religious literature, the book will appeal to scholars in Old English literature, Anglo-Saxon studies, and Old and Middle Irish literature.
Regarded by many as the most comprehensive anthology of all time, ‘The Harvard Classics’ was first published in 1909 under the supervision of the Harvard president Charles W. Eliot. An esteemed academic, Eliot had argued that the elements of a liberal education could be gained by spending 15 minutes a day reading from a collection of books that could fit on a five-foot shelf. The publisher P. F. Collier challenged Eliot to make good on this statement and ‘Dr. Eliot's Five Foot Shelf’ was the result. Eight years later Eliot added a further 20 volumes as a sub-collection titled ‘The Harvard Classics Shelf of Fiction’, offering some of the greatest novels and short stories of world literature. The exhaustive anthology of the ‘The Harvard Classics’ comprises every major literary figure, philosopher, religion, folklore and historical subject up to the twentieth century. This comprehensive eBook presents the complete anthology, with Eliot’s original introductions, numerous illustrations, rare texts and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to life and works of the authors featured in the anthology * All 51 volumes of ‘The Harvard Classics’ * Eliot’s original concise introductions * Eliot’s general introduction to the anthology (Volume 50) * The complete 20 volume edition of ‘The Harvard Classics Shelf of Fiction’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Major works include the original illustrations that accompanied the text * Easily locate the chapters and sections you want to read with individual contents tables * Precise arrangement of texts into the original anthology order * A veritable digital library comprised in a single eBook! Please visit www.delphiclassics.com to see the full contents - too many titles to list fully here. CONTENTS: Vol. 1: FRANKLIN, WOOLMAN, PENN Vol. 2. PLATO, EPICTETUS, MARCUS AURELIUS Vol. 3. BACON, MILTON’S PROSE, THOS. BROWNE Vol. 4. COMPLETE POEMS IN ENGLISH, MILTON Vol. 5. ESSAYS AND ENGLISH TRAITS, EMERSON Vol. 6. POEMS AND SONGS, BURNS Vol. 7. CONFESSIONS OF ST. AUGUSTINE, IMITATION OF CHRIST Vol. 8. NINE GREEK DRAMAS Vol. 9. LETTERS AND TREATISES OF CICERO AND PLINY Vol. 10. WEALTH OF NATIONS, ADAM SMITH Vol. 11. ORIGIN OF SPECIES, DARWIN Vol. 12. PLUTARCH’S LIVES Vol. 13. AENEID, VIRGIL Vol. 14. DON QUIXOTE, PART 1, CERVANTES Vol. 15. PILGRIM’S PROGRESS, DONNE & HERBERT, BUNYAN, WALTON Vol. 16. THE THOUSAND AND ONE NIGHTS Vol. 17. FOLKLORE AND FABLE, AESOP, GRIMM, ANDERSON Vol. 18. MODERN ENGLISH DRAMA Vol. 19. FAUST, EGMONT, ETC. DOCTOR FAUSTUS, GOETHE, MARLOWE Vol. 20. THE DIVINE COMEDY, DANTE Vol. 21. I PROMESSI SPOSI, MANZONI Vol. 22. THE ODYSSEY, HOMER Vol. 23. TWO YEARS BEFORE THE MAST, DANA Vol. 24. ON THE SUBLIME, FRENCH REVOLUTION, ETC., BURKE Vol. 25. AUTOBIOGRAPHY, ETC., ESSAYS AND ADDRESSES, J.S. MILL, T. CARLYLE Vol. 26. CONTINENTAL DRAMA Vol. 27. ENGLISH ESSAYS: SIDNEY TO MACAULAY Vol. 28. ESSAYS: ENGLISH AND AMERICAN Vol. 29. VOYAGE OF THE BEAGLE, DARWIN Vol. 30. FARADAY, HELMHOLTZ, KELVIN, NEWCOMB, ETC Vol. 31. AUTOBIOGRAPHY, BENVENUTO CELLINI Vol. 32. LITERARY AND PHILOSOPHICAL ESSAYS Vol. 33. VOYAGES AND TRAVELS Vol. 34. FRENCH AND ENGLISH PHILOSOPHERS Vol. 35. CHRONICLE AND ROMANCE Vol. 36. MACHIAVELLI, MORE, LUTHER Vol. 37. LOCKE, BERKELEY, HUME Vol. 38. HARVEY, JENNER, LISTER, PASTEUR Vol. 39. PREFACES AND PROLOGUES Vol. 40. ENGLISH POETRY 1 Vol. 41. ENGLISH POETRY 2 Vol. 42. ENGLISH POETRY 3 Vol. 43. AMERICAN HISTORICAL DOCUMENTS Vol. 44. SACRED WRITINGS 1 Vol. 45. SACRED WRITINGS 2 Vol. 46. ELIZABETHAN DRAMA 1 Vol. 47. ELIZABETHAN DRAMA 2 Vol. 48. THOUGHTS AND MINOR WORKS, PASCAL Vol. 49. EPIC AND SAGA Vol. 50. INTRODUCTION AND READER’S GUIDE Vol. 51. LECTURES The Harvard Classics Shelf of Fiction 20 Volumes: FIELDING to TURGENEV
JONATHAN SWIFT WILLIAM MAKEPEACE THACKERAY THE IDEA OF A UNIVERSITY I. WHAT IS A UNIVERSITY? II. SITE OF A UNIVERSITY III. UNIVERSITY LIFE AT ATHENS JOHN HENRY NEWMAN THE STUDY OF POETRY MATTHEW ARNOLD SESAME AND LILIES LECTURE I—SESAME: OF KINGS' TREASURIES LECTURE II—LILIES: OF QUEENS' GARDENS JOHN RUSKIN JOHN MILTON WALTER BAGEHOT SCIENCE AND CULTURE THOMAS HENRY HUXLEY RACE AND LANGUAGE EDWARD AUGUSTUS FREEMAN TRUTH OF INTERCOURSE SAMUEL PEPYS ROBERT LOUIS STEVENSON ON THE ELEVATION OF THE LABORING CLASSES WILLIAM ELLERY CHANNING THE POETIC PRINCIPLE EDGAR ALLAN POE WALKING HENRY DAVID THOREAU ABRAHAM LINCOLN DEMOCRACY JAMES RUSSELL LOWELL
This study covers the history of the underage male kings of England, examining their historical relationship to one another and assessing their collective impact on the political and constitutional development of England.
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
Drawing on over a quarter of a century of the author's research and experience, this book focuses on the man and his life for scholars, students, and those interested in Roman imperial, early Christian, and Byzantine imperial history. It is illustrated with ninety-two photographs and eight maps.
This sweeping history of maritime warfare through the Middle Ages ranges from the 8th century to the 14th, covering the Mediterranean and Northern Europe. After the fall of Rome, the sea becomes the center of conflict for Western Civilization. In a world of few roads and great disorder, it is where power is projected and wealth is sought. Yet, since this turbulent period in the history of maritime warfare has rarely been studied, it is little known and even less understood. In Medieval Maritime Warfare, Charles Stanton depicts the development of maritime warfare from the end of the Roman Empire to the dawn of the Renaissance, recounting the wars waged in the Mediterranean by the Byzantines, Ottomans, Normans, Crusaders, and the Italian maritime republics, as well as those fought in northern waters by the Vikings, English, French and the Hanseatic League. Weaving together details of medieval ship design and naval strategy with vivid depictions of seafaring culture, this pioneering study makes a significant contribution to maritime history.
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 28 include: . excerpts from Ovid . the philosophy of Thomas Paine . the history writings of Francis Parkman . the philosophy of Parmenides . the writings of Pascal . the poetry of Coventry Patmore . excerpts from the diary of Samuel Pepys . and much, much more.
Cigar Box Lithographs Vol. 5 is a collection of stories from Canada’s past, which the author tells past using century-old cigar box lithographs as his guideposts. His collection of books, of which this is fifth in a series, pay homage to the heritage and culture of this country that have been largely neglected in today’s fast-paced, technology-driven society. Similar to its precursors, in Volume V readers are once again treated to Humber’s chatty, erudite writing style; reading it no doubt makes Cigar Box Lithographs fans feel like they’re sitting down with a treasured friend enjoying a long and fascinating conversation.
The medieval reception of Alexander the Great inspired a complicated literary corpus not simply because it involved so many source-texts and languages, but because it incorporated such diverse perspectives on the conqueror. Beginning with a discussion of the evolution of this corpus, this book examines the manuscripts, readership, and historical contexts of the earliest surviving Alexander romance in England, Thomas de Kent's Anglo-Norman Roman de toute chevalerie. To shed light on the origins and treatment of this romance, Charles Russell Stone reads each manuscript within the contexts of its production, scribal interpolations, and patronage and readership in the thirteenth and fourteenth centuries. While Thomas recalls a range of attitudes towards his protagonist in the late twelfth century, when the recovery of classical histories and composition of vernacular romance informed conflicting attitudes towards Alexander's legacy, scribes and readers of his poem appropriated it as a continuing commentary on power, politics, and the relevance of the Alexander legend in their own time. Each of the three major manuscripts of Thomas's poem thus offers a unique text informed by unique literary and political contexts, which this book situates within the ongoing debate over Alexander's reception as a paradigm of imperial authority or failure in late medieval England.
A comprehensive study of the manes, their worship, and their place in Roman conceptions of their society. In ancient Rome, it was believed some humans were transformed into special, empowered beings after death. These deified dead, known as the manes, watched over and protected their surviving family members, possibly even extending those relatives’ lives. But unlike the Greek hero-cult, the worship of dead emperors, or the Christian saints, the manes were incredibly inclusive—enrolling even those without social clout, such as women and the poor, among Rome’s deities. The Roman afterlife promised posthumous power in the world of the living. While the manes have often been glossed over in studies of Roman religion, this book brings their compelling story to the forefront, exploring their myriad forms and how their worship played out in the context of Roman religion’s daily practice. Exploring the place of the manes in Roman society, Charles King delves into Roman beliefs about their powers to sustain life and bring death to individuals or armies, examines the rituals the Romans performed to honor them, and reclaims the vital role the manes played in the ancient Roman afterlife. “King ranges widely across literary genres, law, epigraphy, and archaeology. He provides a thorough, rigorous, and well-documented study of an aspect of Roman religion and culture that, despite its importance, has so far not received due attention.” —James B. Rives, author of Religion in the Roman Empire “Groundbreaking . . . An invaluable resource for scholars of religion, funerary practice and afterlife in ancient Rome and more generally . . . King aims to use his model of variability in Roman belief to show the cult of the dead as inclusive of all Romans, living and deceased. Through extensive literary evidence and select cross-cultural comparisons, he largely succeeds. This stands to become a foundational text.” —Antiquity “King presents many attractive impressions of Roman society in his study . . . King’s major thesis—that Romans regarded their dead as gods, thought about them, communicated with them, attended to them, and intended to join them—is conclusively presented.” —Bryn Mawr Classical Review
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.