The 11th and 12th centuries witnessed a transformation of European culture, from architecture and the visual arts to history, philosophy, theology and even law.
This body of work and accompanying publication was coordinated in association with the Mongerson-Wunderlich Gallery, and is a testament to Russell's considerable versatility as a painter, sculptor, and storyteller.
He was a master painter and sculptor whose works have permeated the American scene like no other Western artist before or since. For the first time, C.M. Russell, Legacy tells the amazing story of the rise of Montana's cowboy artist to national prominence by presenting over a thousand illustrations of his published works, collectibles, and photographs.
Twenty-seven authors approach the diverse areas of the cultural, religious, and social life of the twelfth century. These essays form a basic resource for all interested in this pivotal century. A reprint of the first edition first published in 1982.
Using documents, glosses, legal commentaries, and the first paleographical study of manuscripts since the mid-nineteenth century, the authors of this book trace the circulation of the Corpus Iuris Civilis from late antiquity until the early twelfth century. They demonstrate that only the Novels found any significant readership in the early Middle Ages, and that Justinian’s Institutes, Code, and Digest emerged from obscurity only in the mid-eleventh century, when they were taken up by northern-Italian specialists in Lombard law. Separate chapters then consider the evidence for the textual history and reception of the Institutes, Code, and Digest. Included in the volume are plates of all of the most important early manuscripts of Justinian’s works, most of which have never been published before.
In the concluding stages of the eleventh-century Eucharistic Controversy, which turned on whether, and how, sacramental consecration changed the nature of bread and wine at the altar, Alberic of Monte Cassino composed a small but important treatise. Alberic was the most renowned teacher of rhetoric in his time, and his treatise, buttressed by appeal to the authority of the Church Fathers, was said by contemporaries to have "utterly destroyed" the argument of his opponent, Berengar of Tours, that the bread and wine survived its consecration. Modern scholars had long believed Alberic's treatise to be lost. This book demonstrates that this crucial document, far from being lost, is an existing identifiable text. By showing conclusively that this work was written by Alberic, Radding and Newton transform our understanding not only of the particulars of the controversy and papal politics but also of the intellectual process by which theological doctrines took shape in mediaeval Church councils. The book includes the full Latin text and the first translation of Alberic's treatise.
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