Copleston, an Oxford Jesuit and specialist in the history of philosophy, first created his history as an introduction for Catholic ecclesiastical seminaries. However, since its first publication (the last volume appearing in the mid-1970s) the series has become the classic account for all philosophy scholars and students. The 11-volume series gives an accessible account of each philosopher's work, but also explains their relationship to the work of other philosophers.
How the science of urban planning can make our cities healthier, safer, and more livable The design of every aspect of the urban landscape—from streets and sidewalks to green spaces, mass transit, and housing—fundamentally influences the health and safety of the communities who live there. It can affect people's stress levels and determine whether they walk or drive, the quality of the air they breathe, and how free they are from crime. Changing Places provides a compelling look at the new science and art of urban planning, showing how scientists, planners, and citizens can work together to reshape city life in measurably positive ways. Drawing on the latest research in city planning, economics, criminology, public health, and other fields, Changing Places demonstrates how well-designed changes to place can significantly improve the well-being of large groups of people. The book argues that there is a disconnect between those who implement place-based changes, such as planners and developers, and the urban scientists who are now able to rigorously evaluate these changes through testing and experimentation. This compelling book covers a broad range of structural interventions, such as building and housing, land and open space, transportation and street environments, and entertainment and recreation centers. Science shows we can enhance people's health and safety by changing neighborhoods block-by-block. Changing Places explains why planners and developers need to recognize the value of scientific testing, and why scientists need to embrace the indispensable know-how of planners and developers. This book reveals how these professionals, working together and with urban residents, can create place-based interventions that are simple, affordable, and scalable to entire cities.
In The World as Idea Charles P. Webel presents an intellectual history of one of the most influential concepts known to humanity—that of "the world." Webel traces the development of "the world" through the past, depicting the history of the world as an intellectual construct from its roots in ancient creation myths of the cosmos, to contemporary speculations about multiverses. He simultaneously offers probing analyses and critiques of "the world as idea" from thinkers ranging from Plato, Aristotle, and St. Augustine in the Greco-Roman period to Kant, Schopenhauer, Nietzsche, Wittgenstein, Merleau-Ponty, and Derrida in modern times. While Webel mainly focuses on Occidental philosophical, theological, and cosmological notions of worldhood and worldliness, he also highlights important non-Western equivalents prominent in Islamic and Asian spiritual traditions. This ensures the book is a unique overview of what we all take for granted in our daily existence, but seldom if ever contemplate—the world as the uniquely meaningful environment for our lives in particular and for life on Earth in general. The World as Idea will be of great interest to those interested in the "world as idea," scholars in fields ranging from philosophy and intellectual history to political and social theory, and students studying philosophy, the history of ideas, and humanities courses, both general and specialized.
Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen. Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on theliving "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition. Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, László Somfai, Leo Treitler, James Webster, and Robert Winter. Robert Curry is principalof the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.
This study is the first monograph to attempt a synthetic treatment of the career of Thomas Erastus (1524-1583). Erastus was a central player in the conversion of the Electoral Palatinate to Reformed Christianity in the early 1560s and a co-author of the Heidelberg Catechism. In the church discipline controversy of the 1560s and 1570s, Erastus opposed the Calvinist effort to institute a consistory of elders with independent authority over excommunication. Erastus’s defeat in this controversy, and the ensuing Antitrinitarian affair, proved the watershed of his career. He turned to the refutation of Paracelsus and a debate with Johann Weyer on the punishment of witches. The epilogue tracks Erastus’s later career and the reception of his works into the seventeenth century.
Choosing the name of your child is one of the most important early decisions you can make as a parent. Some parents want to choose a more traditional name, while others want a popular contemporary name. Others wish for a more unusual name that no other child in the classroom has, while an ever-increasing number are looking for a name with particular meaning - be it a Biblical name, a name from Roman or Greek mythology, or even one associated with a particular place, colour or plant. The list of requirements can be endless. Thankfully the choices are limitless too, as you will discover from the two comprehensive A-Z sections of boys' and girls' names in this easy-to-use guide. Whatever name you are looking for, The Big Book of Baby Names is the perfect companion to help you in your task.
A compelling analysis of how World War I spurred the rise of atheism and the subsequent effect on Western theology, philosophy, literature, and art. The catastrophic Great War left humanity in a world no longer trustworthy and reassuring but seemingly meaningless and indifferent. Instead of redressing humanity’s cosmic alienation, postwar Western culture abandoned its concern for cosmic meaning, lost its confidence in human reason, and enabled the scientific worldview of neo-Darwinian materialism to emerge and eventually dominate the Western mind. According to the proponents of that worldview, science is the only source of genuine truth, nature is the product of a blind evolutionary process, and reality at bottom is just physics and chemistry. Thus, God is dead and continued belief in a transcendently purposeful universe is intellectually indefensible and either disingenuous or delusional. By turning away from the eternal questions about the nature of reality, Western culture effectively ceded unwarranted credibility and prominence to neo-Darwinian materialism, including its recently strident New Atheism. “O’Connor revisits the 20th century’s journey from Nietzsche’s declaration of the ‘death of God’ to the rise of materialism as the dominant worldview of western intelligentsia. We live in a world that has largely expelled both mind and meaning from the citadels of serious intellectual pursuit, and O’Connor’s book is a fascinating and scholarly expedition into the ‘how’ and ‘why’ of that troubling development.” —Carter Phipps, author of Evolutionaries “I found this topic to be top-rate. The book is well researched and conceived, nicely narrated and analyzed, and an original body of inquiry into a challenging, fascinating intellectual tradition.” —Ronald M. Johnson, Professor Emeritus of American History, Georgetown University
Karl/Charles Follen has not only been described as a dangerous revolutionary, but he has also been praised as the emblematic representative of German philosophical idealism and theological liberalism. This edition introduces, for the first time, a broad selection of Follen's controversial writings, emphasizing the multilingual dimension of his oeuvre in Germany, Switzerland, and the United States. His essays, lectures, sermons, speeches, and poems concern the challenges of democracy in the socio-political climate of the political Vormärz in Germany and the Jacksonian era in the United States. Follen's writings emerge as a unique storehouse of ideas on topics such as resistance against an aristocratic government, intellectual self-culture, German-American cultural transfer, challenges of American democracy, the reception of German literature, and philosophy during the crucial years of the American Renaissance.
In the first comprehensive proposal for revisionist theology's deployment of historical Jesus research, Inventing Christic Jesuses rejects positions that insulate theology from Jesus research. By setting out theological methods, warrants, and rules, in dialogue with an analysis of the Jesus historians of the Third Quest (c. 1980-2010), the study charts a path toward a quested christology positioned between categorical rejection and uncritical acceptance of historical results on Jesus. Volume 1, Method, analyzes the methods and values of historical research on Jesus and identifies the retrojective activity of value production when historians, in conversation with historical sources, invent images of Jesus. Volume 2, Christological Recommendations, gathers potential contributions of Jesus research for revisionist theology according to the cataphatic, apophatic, and eminent pattern of classical theology. By attending to the limits and opportunities afforded by historical research, both negative and positive, the argument retrieves for theology the complex way that historians shape same and different, association and dissociation in the production of their Jesuses. Then it analyzes how values shape Jesuses in a pervasive Narcissus project to invent a self (and a community) through imaging Jesus. Proposing that the disciplined invention of Jesuses is highly useful for theology, the book ends with recommendations for a quested christology.
In this two act, dream play comedy, The Butcher's Apron, Charles Tidler presents an alchemical and absurdist portrait of the visionary Swedish playwright August Stringberg. Stringberg has his heart chopped out by a doppleganger and pursues the trail of his most vital organ to the birthplace of Expressionism, 1890s Berlin.
Welcome to Black Cat Weekly #14. Over the next few issues, you will note a number of changes coming to Black Cat Weekly. We have been expanding our staff of editors, and this issue Michael Brachen brings us his first selection, “A Ship Called Pandora,” by Melodie Campbell—which fits neatly in both the science fiction and mystery genres! Barb Goffman has an off week, since we’re using one of her own stories—“Whose Wine Is It Anyway?” which was a nominee for the Agatha, Anthony, and Macavity Awards. Of course, we also have several mystery novels—a Mr. Pinkerton puzzler by Zenith Brown and a classic Nick Carter detective story. And don’t miss this issue’s Solve-It-Yourself mystery by Hal Charles. On the science fiction and fantasy side, Michael Brachen brings us his first selection, “A Ship Called Pandora,” by Melodie Campbell—which fits neatly in both the science fiction and mystery genres! (No, you’re not suffering from deja vu. I’m just repeating myself.) New acquiring editor Darrell Schweitzer makes his first selection for BCW with Tom Purdom’s “Madame Pompadour’s Blade,” which combines French history and magic. (Next issue we hope to have a selection from Cynthia M. Ward, another new acquiring editor who is joining th staff.) Plus we have a classic short by Henry Kutttner, a modern short storoy by the late Larry Tritten, a short novel Edmond Hamilton, and I’ve snuck in a fantasy of my own, “Dreamtime in Adjaphon.” Here’s the complete lineup: Mysteries / Suspense “Saving Downtown Abbey,” by Hal Charles [Solve-It-Yourself Mystery] Two Against Scotland Yard, by Zenith Brown [novel] “Whose Wine Is It Anyway?” by Barb Goffman [short story] A Cigarette Clue, by Nicholas Carter [novel] “A Ship Called Pandora,” by Melodie Campbell [short story] Science Fiction & Fantasy “A Ship Called Pandora,” by Melodie Campbell [short story] “Dreamtime In Adjaphon,” by John Gregory Betancourt [short story] “Hydra,” by Henry Kuttner [short story] “Madame Pompadour’s Blade,” by Tom Purdom [short story] “The Dead Woods,” by Larry Tritten [short story] Battle For The Stars, by Edmond Hamilton [short novel]
Law school classroom lectures can leave you with a lot of questions. Glannon Guides can help you better understand your classroom lecture with straightforward explanations of tough concepts with hypos that help you understand their application. The Glannon Guide is your proven partner throughout the semester when you need a supplement to (or substitute for) classroom lecture. Here’s why you need to use Glannon Guides to help you better understand what is being taught in the classroom: It mirrors the classroom experience by teaching through explanation, interspersed with hypotheticals to illustrate application. Both correct and incorrect answers are explained; you learn why a solution does or does not work. Glannon Guides provide straightforward explanations of complex legal concepts, often in a humorous style that makes material stick.
This work examines key aspects of the development of the Heidelberg Catechism, including historical background, socio-political origins, purpose, authorship, sources, and theology. The book includes the first ever English translations of two major sources of the Heidelberg Catechism--Ursinus's Smaller and Larger Catechisms--and a bibliography of research on the document since 1900. Students of the Reformed tradition and the Protestant Reformation will value this resource.
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 37 include: . the poetry of Celia Thaxter . the writings of Theocritus . the histories of Augustin Thierry . the verse of James Thomson . the philosophy of Henry D. Thoreau . the work of Alexis de Tocqueville . excerpts from Lyof Tolstoy's Anna Karenina and War and Peace . the fiction of Anthony Trollope . and much, much more.
A definitive intellectual history of landscape urbanism It has become conventional to think of urbanism and landscape as opposing one another—or to think of landscape as merely providing temporary relief from urban life as shaped by buildings and infrastructure. But, driven in part by environmental concerns, landscape has recently emerged as a model and medium for the city, with some theorists arguing that landscape architects are the urbanists of our age. In Landscape as Urbanism, one of the field's pioneers presents a powerful case for rethinking the city through landscape. Charles Waldheim traces the roots of landscape as a form of urbanism from its origins in the Renaissance through the twentieth century. Growing out of progressive architectural culture and populist environmentalism, the concept was further informed by the nineteenth-century invention of landscape architecture as a "new art" charged with reconciling the design of the industrial city with its ecological and social conditions. In the late twentieth and early twenty-first centuries, as urban planning shifted from design to social science, and as urban design committed to neotraditional models of town planning, landscape urbanism emerged to fill a void at the heart of the contemporary urban project. Generously illustrated, Landscape as Urbanism examines works from around the world by designers ranging from Ludwig Hilberseimer, Andrea Branzi, and Frank Lloyd Wright to James Corner, Adriaan Geuze, and Michael Van Valkenburgh. The result is the definitive account of an emerging field that is likely to influence the design of cities for decades to come.
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