Any talk of the advancement of international law presupposes that two objections are met. The first is the 'realist' objection which, observing the state of international relations today, claims that when it comes down to the important things in international life-war and peace, and more generally power politics among states-no real advancement has been made: international society remains a society of sovereign states deciding matters with regard solely to their own best interests and with international law all too often being no more than a thin cloak cast over the precept that 'might is right'. Against this excessive scepticism stands excessive optimism: international law is supposedly making giant strides forward thanks especially to the tremendous mass of soft law generated by international organisations over the past sixty years and more. By incautiously mixing all manner of customs, treaties, resolutions and recommendations, a picture of international law is painted that has little to do with the 'real world'. This book is arranged into three sections. The first purports to show from the specific example of international investment law that the past half-century has seen the invention of two genuinely new techniques in positive law: state contracts and transnational arbitration without privity. This is 'advancement' in international law not because the techniques are 'good' in themselves (one may well think them 'bad') but because they have introduced legal possibilities into international law that did not exist heretofore. The second section examines the theoretical consequences of those new legal techniques and especially the way they affect the theory of the state. The third widens the field of view and asks whether European law has surpassed international law in a move towards federalism or whether it represents a step forward for international law. These reflections make for a clearer theoretical understanding of what constitutes true advancement in international law. Such an understanding should give pause both to those who argue that hardly any progress has been made, and to those who are overly fanciful about progress.
Although his brief but productive career as a cabinetmaker in New York lasted a mere sixteen years, the French-born maitre ebeniste Charles-Honore Lannuier (1779-1819) was a leading figure in the development of a distinctive and highly refined style of furniture in the Late Federal period. A contemporary of the renowned master Duncan Phyfe, Lannuier, like him, made fashionable gilded card tables, marble-topped pier tables, bedsteads, and seating furniture for wealthy clients numbering among the mercantile and social elite of New York, Philadelphia, Baltimore, Richmond, and Savannah. This volume, which complements the exhibition "Honore Lannuier, Parisian Cabinetmaker in Federal New York" held at The Metropolitan Museum of Art, New York, in spring 1998, represents the most complete study of Lannuier's life and work published to date.
Frisch und frech erzählt Paula Charles ihr turbulentes Leben, das für viele schwarze Frauen in der Fremde gezwungenermaßen typisch ist. Paula - das ist zunächst ein schwarzes, schüchternes Mädchen, das zur Großmutter auf die Karibikinsel St. Lucia zurückgebracht wird; zu ungewiß ist für die Mutter das Leben in London. Fünfzehn Jahre später steht Paula vor der gleichen Situation. Nachdem sie ihre Tochter einer fremden Obhut im fernen Afrika anvertraut hat, entschließt sie sich, in Deutschland einen Neuanfang zu wagen - und landet als Gogogirl namens Josephine in der Schweiz. Mit unbestechlichem Blick, manchmal wütend und verletzt, manchmal ironisch und mit Witz, beschreibt sie ihre zermürbenden Tingeltouren durch die allgegenwärtige männliche Vergnügungswelt, die Zürcher Bars und die Lokale auf dem Land, die Launen der Bosse und Kunden, die Konkurrenzkämpfe unter den "Mädchen". Sie weiß, daß ihr Körper ihr einziges Kapital ist, und begehrt dagegen auf, kämpft um Anerkennung und Liebe, um Respekt für ihre Persönlichkeit. Doch im Gogobusiness ist das ebenso illusorisch wie die Hoffung auf Karriere; der Ausstieg wird zum Neubeginn.
Martin Chuzzlewit Charles Dickens - Das Leben und die Abenteuer des Martin Chuzzlewit ist ein Roman von Charles Dickens, der als der letzte seiner Schelmenromane gilt. Es wurde ursprünglich zwischen 1842 und 1844 veröffentlicht. Während er es schrieb, sagte Dickens einem Freund, dass es seiner Meinung nach sein bestes Werk sei, aber es sei einer seiner am wenigsten populären Romane
Was wäre, wenn sich Europa von einem Tag auf den anderen in eine gigantische Dschungelwelt verwandeln würde? Und wenn sich amerikanische Forscher aufmachen würden, diesen neuen Kontinent namens Darwinia zu erkunden? Und wenn sie dort eine Entdeckung machen würden, die unser Verständnis des Universums für immer verändert? Richtig: Es wäre eines der größten Abenteuer aller Zeiten ...
Although his brief but productive career as a cabinetmaker in New York lasted a mere sixteen years, the French-born maitre ebeniste Charles-Honore Lannuier (1779-1819) was a leading figure in the development of a distinctive and highly refined style of furniture in the Late Federal period. A contemporary of the renowned master Duncan Phyfe, Lannuier, like him, made fashionable gilded card tables, marble-topped pier tables, bedsteads, and seating furniture for wealthy clients numbering among the mercantile and social elite of New York, Philadelphia, Baltimore, Richmond, and Savannah. This volume, which complements the exhibition "Honore Lannuier, Parisian Cabinetmaker in Federal New York" held at The Metropolitan Museum of Art, New York, in spring 1998, represents the most complete study of Lannuier's life and work published to date.
Karl/Charles Follen has not only been described as a dangerous revolutionary, but he has also been praised as the emblematic representative of German philosophical idealism and theological liberalism. This edition introduces, for the first time, a broad selection of Follen's controversial writings, emphasizing the multilingual dimension of his oeuvre in Germany, Switzerland, and the United States. His essays, lectures, sermons, speeches, and poems concern the challenges of democracy in the socio-political climate of the political Vormärz in Germany and the Jacksonian era in the United States. Follen's writings emerge as a unique storehouse of ideas on topics such as resistance against an aristocratic government, intellectual self-culture, German-American cultural transfer, challenges of American democracy, the reception of German literature, and philosophy during the crucial years of the American Renaissance.
J. Daryl Charles argues that a traditional metaphysics of natural law lies at the heart of the present reconstructive project, and that a revival in natural-law thinking is of the highest priority for the Christian community as we contend in, rather than abdicate, the public square. Nowhere is this more on display than in the realm of bioethics, where the most basic moral questions--human personhood, human rights versus responsibilities, the reality of moral evil, the basis of civil society--are being debated. -- from publisher description.
Charles Dickens erzählt seine Lieblingsgeschichte. Sie handelt von David Copperfield. David kommt zur Welt, wächst heran und trifft im Laufe seines Lebens viel, zwischenzeitlich berühmt gewordene Menschen. Dabei erzählt der Autor auch ein wenig aus seinem eigenen Leben
Ein großer Gesellschaftsroman des 19. Jahrhunderts: Das Waisen- und Findelkind Oliver Twist flieht aus einem kleinstädtischen Armenhaus nach London und gerät in die Klauen einer Diebesbande. Als bei einem Diebstahl der unschuldige Oliver von der Polizei erwischt wird, hat er zunächst großes Glück und wird von dem Opfer herzlich aufgenommen. Doch bis zum ersehnten Happy End muss er noch Einiges durchleben...-
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