There are those who claim that LeBrun is the greatest of the French painters. The main purpose of this book is to view LeBrun through the eyes of the time in which he lived in order to better appreciate him.
In 1688, Charles Le Brun, a French academician, delivered a lecture on expression that was so popular it was published in sixty-three separate editions and influenced all discussion of the subject throughout Europe for over a century. This book reconstructs and translates the text of the lecture (badly garbled in all previous versions), explores the context in which it was conceived, delivered, received, and finally rejected, and reproduces the images that accompanied the lecture.
In 1891, retired Union General Theophilus Francis Rodenbough published a genealogy about his extended family which he called "Autumn Leaves From Family Trees." About six generations have passed and the access to broader ranges of research, particularly using the computer, have made possible this update of the General's work For the author it has been the accumulated work of about 60 years. He has expanded the sources and has investigated families who, particularly at the time of emigration, were associated with the Rodenbach/Rodenbough family. This expands the story to a study of a particular category of German immigration to America and its roots in Europe. The Rodenbach/Rodenbough family is covered in 4 generations in Germany and 10 in America. Eleven allied families including: Rockefeller, Hockenberry, Brown, Shatwell, Teel, Letsch, Cline, Silverthorne, Major, Okeson, and Albertson are covered in multiple generations and there are 20 Genealogical charts, mostly German in origin and over 55 illustrations.
From the early Renaissance through Baroque and Romanticism to Cubism, Surrealism, and Pop, these canonical works of Western Art span eight centuries and a vast range of subjects. Here are the sacred and the scandalous, the minimalist and the opulent, the groundbreaking and the conventional. There are paintings that captured the feeling of an era and those that signaled the beginning of a new one. Works of art that were immediately recognised for their genius, and others that were at first met with resistance. All have stood the test of time and in their own ways contribute to the dialectic on what makes a painting great, how notions of art have changed, to what degree art reflects reality, and to what degree it alters it. Brought together, these great works illuminate the changing preoccupations and insights of our ancestors, and give us pause to consider which paintings from our own era will ultimately join the canon.
Late in 1664, the musketeer D'Artagnan rode beside a carriage as it left Paris, carrying his friend Nicolas Fouquet to life imprisonment in a cell next door to the Man in the Iron Mask. From a glorious zenith as Louis XIV's first minister and Cardinal Mazarin's proté and eventual protector; builder of the stunningly opulent chateau of Vaux-le-Vicomte; and patron of the arts and lover of beautiful women, Fouquet had suffered a wretched decline. The story of the rise and fall of Nicolas Fouquet is both compelling and unforgettable. Charles Drazin's beautifully written and vivid account brings to life Fouquet's remarkable gains in fortune, influence, and power, as well as the lavish and hazardous world of the royal court in seventeenth-century France.
According to the defined canons of art technique, a portrait should be, above all, a faithful representation of its model. However, this gallery of 1000 portraits illustrates how the genre has been transformed throughout history, and has proven itself to be much more complex than a simple imitation of reality. Beyond exhibiting the skill of the artist, the portrait must surpass the task of imitation, as just and precise as it may be, to translate both the intention of the artist as well as that of its patron, without betraying eitherÊs wishes. Therefore, these silent witnesses, carefully selected in these pages, reveal more than faces of historic figures or anonymous subjects: they reveal a psychology more than an identity, illustrate an allegory, serve as political and religious propaganda, and embody the customs of their epochs. With its impressive number of masterpieces, biographies, and commentaries on works, this book presents and analyses different portraits, consequently exposing to the reader, and to any art lover, a reflection of the evolution of society, and above all the upheavals of a genre that, over 300 centuries of painting, has shaped the history of art.
In a comprehensive listing of entries from "Aalto, Hugo Alvar Henrik" to "Zui Weng Yi," Boyce illuminates readers about furniture styles, construction details, terminology, furniture designers, and design movements throughout history and throughout the world. Styles covered include European-inspired classical, baroque, pop, rococo, and modernist. This extensive guide will be helpful for furniture enthusiasts, historians, and those interested in redecorating their homes.
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