A standard work on royal genealogy, this collection contains nearly 200 pedigrees showing the lineal descent of hundreds of American families from the kings of England, Scotland, Ireland, Wales, and France. The data derives from authoritative reference works, from family histories, and from manuscript pedigrees held in both public and private repositories. The indexes contain references to upwards of 3,000 surnames, many with multiple entries. One need only trace a surname through a lineage to connect with the Blood Royal. (Earlier editions of this work are not necessarily superseded by the seventh edition, but the seventh is held to be the most authoritative, and is therefore the most popular.)
“Brilliant . . . really gives one a sense of what it took to both lead and run an army in the Civil War. . . . Superb.” —Chris Kolakowski, author of The Virginia Campaigns: March–August 1862 In From Arlington to Appomattox, Charles Knight does for Robert E. Lee and students of the Civil War what E. B. Long’s Civil War Day by Day did for our understanding of the conflict as a whole. This is not another Lee biography, but it is every bit as valuable as one. We know Lee rode out to meet the survivors of Pickett’s Charge and accept blame for the defeat, that he tried to lead the Texas Brigade in a counterattack to save the day at the Wilderness, and took a tearful ride from Wilmer McLean’s house at Appomattox. But where was Lee and what was he doing when the spotlight of history failed to illuminate him? Focusing on what he was doing day by day offers an entirely different appreciation for Lee. Readers will come away with a fresh sense of his struggles, both personal and professional, and discover many things about Lee for the first time through his own correspondence and papers. From Arlington to Appomattox is a tremendous contribution to the literature of the Civil War. “Knight’s study will become the standard reference work on Lee’s daily wartime experiences.” —R. E. L. Krick, author of Staff Officers in Gray “A staggering work of scholarship.” —Jeffry D. Wert, author of A Glorious Army: Robert E. Lee’s Triumph, 1862–1863 "A pleasure to read.” —Michael C. Hardy, author of General Lee’s Immortals “Keeps the reader engaged.” —Journal of America's Military Past
The author writes in the tradition of C.H. Turner, G.D. Kilpatrick and J.K. Elliott, and attempts a reconstruction of the Greek text of Jude according to the rationale of thoroughgoing eclecticism. The aims of his study are to apply an eclectic approach to the resolution of textual problems in Jude, and to determine the extent to which the text of Jude published in the United Bible Societies' Greek New Testament (GNT4) is a product of the eclectic ideal. In this work, eclecticism is defined in detail, distinctions being made between eclectic generalism, rational criticism, and thoroughgoing eclecticism. Each of 95 variation units is analysed individually and the apparatus provided for each unit shows as much variation as possible in a compact form.
Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state.
Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen. Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on theliving "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition. Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, László Somfai, Leo Treitler, James Webster, and Robert Winter. Robert Curry is principalof the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.
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