From the author of the latest official James Bond novel 'Charlie Higson's thrillers are major events' Mark Billingham 'Very funny and utterly unstoppable' The Times 'A sizzlingly paced modern thriller' NME A man kills a prospective buyer for his car. On the verge of becoming a name in the interior design world, he can't afford a scandal and must discreetly dispose of the body - not an easy job when the whole of London seems to be conspiring against him. Action, consequence, retribution: Getting Rid of Mister Kitchen is a sustained nightmare of thwarted ambition, a Dante-esque tour of a world at home with Tarantino and temazepam, where motive is meaningless and justice is just another victim.
From the author of the latest official James Bond novel 'Charlie Higson's thrillers are major events' Mark Billingham 'An off-beat, atmospheric novel' Mirror 'Written with chilling perception' Time Out 'I do not believe that a man can be truly happy unless he fully understands what he is and can act accordingly... how can it be wrong to be happy?' These lines are taken from Will's diary, a seemingly innocuous exercise book which details his house-breaking activities. Will carefully selects houses - forty-seven so far - ensuring their owners will be in. As they cook their supper or watch television, Will (wearing surgical gloves and leaving no trace behind) enters not only their houses, but their secret lives. A secret museum, housed in his loft, is 'held together by sex'. All his trophies are carefully catalogued and he keeps a very precise diary of his activities and his thoughts. All his life Tom Kendall had lived as quietly and normally as possible ... but he gave people the creeps ... 'kids didn't like him, or the cat'. When Tom discovers Will's diary he decides to adopt the same quest for happiness. Tom has problems of his own - a difficult temper, problems with his girlfriend, Maddie, and an overwhelming sense of powerlessness. Perhaps Will's diary holds the key?
In Screen Traffic, Charles R. Acland examines how, since the mid-1980s, the U.S. commercial movie business has altered conceptions of moviegoing both within the industry and among audiences. He shows how studios, in their increasing reliance on revenues from international audiences and from the ancillary markets of television, videotape, DVD, and pay-per-view, have cultivated an understanding of their commodities as mutating global products. Consequently, the cultural practice of moviegoing has changed significantly, as has the place of the cinema in relation to other sites of leisure. Integrating film and cultural theory with close analysis of promotional materials, entertainment news, trade publications, and economic reports, Acland presents an array of evidence for the new understanding of movies and moviegoing that has developed within popular culture and the entertainment industry. In particular, he dissects a key development: the rise of the megaplex, characterized by large auditoriums, plentiful screens, and consumer activities other than film viewing. He traces its genesis from the re-entry of studios into the movie exhibition business in 1986 through 1998, when reports of the economic destabilization of exhibition began to surface, just as the rise of so-called e-cinema signaled another wave of change. Documenting the current tendency toward an accelerated cinema culture, one that appears to arrive simultaneously for everyone, everywhere, Screen Traffic unearths and critiques the corporate and cultural forces contributing to the “felt internationalism” of our global era.
Hugely entertaining' Sunday Times 'A perfect read' The Guardian 'Terrific' The i Most people travel to Corfu to escape the real world for a couple of weeks and embrace the fantasy of olive trees, sandy beaches, and little fishing boats bobbing on sparkling blue water under a warm sun. But not McIntyre. McIntyre's a fixer, specialising in getting people out of places they don't want to be with the minimum of fuss, publicity and violence. The job in Corfu should be easy - spring, Lauren, a 15-year-old schoolgirl, from the luxury compound of the tech billionaire, Julian Hepworth. Hepworth's young, handsome and charismatic - he's also a suspected paedophile, who, under the guise of training a girls' tennis team, has set up an abusive cult. But as McIntyre sets up his operation in the exclusive north eastern corner of the island, things quickly start to slip out of his control. First, Lauren's father turns up, threatening to give the game away, and soon, McIntyre's having to contend with Albanian gangsters, Greek drug dealers, psychotic bodyguards, flat earthers and spoilt, wealthy teenagers looking for dangerous kicks. To further complicate things, Lauren's planning her own 'jailbreak'. It looks like things are going to be a lot harder than McIntyre's used to. Luckily, he has his team around him, a motley and colourful bunch, each with their own speciality. The intertwined stories come together as the various characters all converge on a glamorous summer party at Hepworth's spectacular villa. Can McIntyre play the different factions off against each other and get Lauren to safety without things going horribly wrong? Whatever Gets You Through The Night is a crime novel with a thrillingly dark heart about the truths that lurk beneath the picture post card surface of a sunny Mediterranean idyll. Praise for Whatever Gets You Through the Night: 'Charlie Higson coming back to the world of adult thrillers is a major event. And what a comeback. Higson's new thriller will certainly get you through the night, though you may not get a lot of sleep...' Mark Billingham 'A hugely enjoyable sun-soaked thriller: hard-edged but warm, tense but funny, vividly ultra-modern and yet deliciously old-fashioned' Christopher Brookmyre
Charlie Higson's thrillers are major events' Mark Billingham 'Funny, very tough and full of action' Patricia Highsmith 'Uncoils with wit and imagination' Time Out It seemed straightforward enough. Sean had now consumed so much alcohol that everything seemed perfectly reasonable. He'd started planning the job already. The first problem was how to do it. Thirteen thousand pounds in an envelope seems a fair price for a man's life. Particularly if you don't know the man, he seems a nonentity, and you quite fancy his wife. And there's no chance of being caught. Sean is a drifter, working as a building labourer and waiting for something to happen. When Sean is offered easy money to tail someone and even more easy money to dispose of him, it's all more tempting than you might think. Except when you realize that you've been led up the garden path the whole way... King of the Ants is dark, disturbing and violently comic. In the tradition of both Joe Orton and Iain Banks, Charlie Higson pinpoints the casual vagaries of evil and its attendant powers. Unnerving, horribly accurate and wickedly enjoyable, it remains Higson's finest book.
From the author of the latest official James Bond novel 'Charlie Higson's thrillers are major events' Mark Billingham 'Piercing wit and accelerated action in finely paced style' Time Out 'Lively narration, a superabundance of action... gruesome and hilarious' Evening Standard Dennis 'The Menace' Pike, former wild man of Tottenham, is going grey and going straight. Anyway, it was hard work being a yob- the birds, the brawls, the endless beers- and he hasn't really got the energy any more for life on the edge. Then two old faces turn up from the past- the Bishop brothers, Chas and Noel. Famously inept, they were bad news then, and they haven't aged well. What's worse, they need Pike's expertise on a scheme wealth distribution really- offloading one of the old gang's ill-gotten millions. Robbing the robbers- now what's criminal about that? Pike, still haunted by what happened one wreckless night all those years ago, refuses to get involved. But old habits die hard, and when he suddenly finds his bank account tampered with, Pike is drawn back into a world he spent ten years escaping. Thug or mug, he is nevertheless forced to confront a man so psychotically unhinged that his own youth seems like mere kids' stuff... A slick, razor-sharp novel, FULL WHACK is packed full of searing wit, scurrilous characters and nefarious knock-about.
Hugely entertaining' Sunday Times 'A perfect read' The Guardian 'Terrific' The i Most people travel to Corfu to escape the real world for a couple of weeks and embrace the fantasy of olive trees, sandy beaches, and little fishing boats bobbing on sparkling blue water under a warm sun. But not McIntyre. McIntyre's a fixer, specialising in getting people out of places they don't want to be with the minimum of fuss, publicity and violence. The job in Corfu should be easy - spring, Lauren, a 15-year-old schoolgirl, from the luxury compound of the tech billionaire, Julian Hepworth. Hepworth's young, handsome and charismatic - he's also a suspected paedophile, who, under the guise of training a girls' tennis team, has set up an abusive cult. But as McIntyre sets up his operation in the exclusive north eastern corner of the island, things quickly start to slip out of his control. First, Lauren's father turns up, threatening to give the game away, and soon, McIntyre's having to contend with Albanian gangsters, Greek drug dealers, psychotic bodyguards, flat earthers and spoilt, wealthy teenagers looking for dangerous kicks. To further complicate things, Lauren's planning her own 'jailbreak'. It looks like things are going to be a lot harder than McIntyre's used to. Luckily, he has his team around him, a motley and colourful bunch, each with their own speciality. The intertwined stories come together as the various characters all converge on a glamorous summer party at Hepworth's spectacular villa. Can McIntyre play the different factions off against each other and get Lauren to safety without things going horribly wrong? Whatever Gets You Through The Night is a crime novel with a thrillingly dark heart about the truths that lurk beneath the picture post card surface of a sunny Mediterranean idyll. Praise for Whatever Gets You Through the Night: 'Charlie Higson coming back to the world of adult thrillers is a major event. And what a comeback. Higson's new thriller will certainly get you through the night, though you may not get a lot of sleep...' Mark Billingham 'A hugely enjoyable sun-soaked thriller: hard-edged but warm, tense but funny, vividly ultra-modern and yet deliciously old-fashioned' Christopher Brookmyre
How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.
[A]n impressive achievement: a boot-level take on the conflict that is fresh without being cynically revisionist." --The New Republic A groundbreaking history of ordinary soldiers struggling on the front lines, The Deserters offers a completely new perspective on the Second World War. Charles Glass—renowned journalist and author of the critically acclaimed Americans in Paris: Life and Death Under Nazi Occupation—delves deep into army archives, personal diaries, court-martial records, and self-published memoirs to produce this dramatic and heartbreaking portrait of men overlooked by their commanders and ignored by history. Surveying the 150,000 American and British soldiers known to have deserted in the European Theater, The Deserters: A Hidden History of World War II tells the life stories of three soldiers who abandoned their posts in France, Italy, and Africa. Their deeds form the backbone of Glass’s arresting portrait of soldiers pushed to the breaking point, a sweeping reexamination of the conditions for ordinary soldiers. With the grace and pace of a novel, The Deserters moves beyond the false extremes of courage and cowardice to reveal the true experience of the frontline soldier. Glass shares the story of men like Private Alfred Whitehead, a Tennessee farm boy who earned Silver and Bronze Stars for bravery in Normandy—yet became a gangster in liberated Paris, robbing Allied supply depots along with ordinary citizens. Here also is the story of British men like Private John Bain, who deserted three times but never fled from combat—and who endured battles in North Africa and northern France before German machine guns cut his legs from under him. The heart of The Deserters resides with men like Private Steve Weiss, an idealistic teenage volunteer from Brooklyn who forced his father—a disillusioned First World War veteran—to sign his enlistment papers because he was not yet eighteen. On the Anzio beachhead and in the Ardennes forest, as an infantryman with the 36th Division and as an accidental partisan in the French Resistance, Weiss lost his illusions about the nobility of conflict and the infallibility of American commanders. Far from the bright picture found in propaganda and nostalgia, the Second World War was a grim and brutal affair, a long and lonely effort that has never been fully reported—to the detriment of those who served and the danger of those nurtured on false tales today. Revealing the true costs of conflict on those forced to fight, The Deserters is an elegant and unforgettable story of ordinary men desperately struggling in extraordinary times.
“It seems there is still plenty to discover and to say about Alfred Hitchcock . . . a host of impressive new research.” —Journal of Film Preservation Audiences worldwide know him for Psycho, The Birds, Vertigo, and other classics—but in Hitchcock Lost and Found, fans and film students alike can explore forgotten, incomplete, lost, and recovered productions from all stages of Alfred Hitchcock’s career, including his early years in Britain. Alain Kerzoncuf and Charles Barr highlight Hitchcock’s neglected works, including various films and television productions that supplement the critical attention already conferred on his feature films. They also explore the director’s career during World War II, when he continued making high-profile features while also committing himself to a number of short war-effort projects on both sides of the Atlantic. Focusing on a range of forgotten but fascinating projects spanning five decades, Hitchcock Lost and Found offers a new, fuller perspective on the incomparable filmmaker’s career and achievements. “For the Hitchcock completist, Hitchcock Lost and Found is an essential resource.” —Philadelphia Inquirer Includes photos and illustrations
Charles Pope a well know expert on Non-destructive radiation expels a few myths surrounding the fears associated with the use of radiation. Charles is what you would discribe, a Nuclear Greenie. He has written a layman’s guide in plain English to ionising radiation over the last 4 billion years via prehistoric Gabon, Einstein, Hiroshima, Chernobyl and Fukushima. We really do stress ourselves too much about nuclear radiation simply because we don’t understand it. In the process we forfeit our best get-out-of-jail card for base load carbon-free energy until the hoped-for renewables can fill the gap. Charles Pope is a nuclear environmentalist and has used radioactive materials and X-ray equipment for his working life and trained others in their safe use. He is more convinced by arithmetic than emotion. It’s time to stop shouting slogans and start understanding the manageable risks of nuclear energy.
Originally published in 1940, this book assesses the contributions made by Charles Simeon to the Evangelical Revival in Cambridge in the eighteenth century.
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