An April Song" is a collection of poetry by American poet Charles Hanson Towne. This fantastic collection will appeal to all lovers of the form, and it is not to be missed by fans and collectors of Towne's wonderful work. The poems include: "The Ballad of Brother Anselm," "Long Silent," "Easter," "Parting at a Station," "Lilacs," "Cities," "Snow on her Hair," "The Old Miracle," "We Have Turned Again Home," "Genius," "'If Life Were Only Love'," "The Terrorists," "In Autumn," "Ballade of Return," "Suddenly Old," "Autumn Going," and more. Charles Hanson Towne (1877 - 1926) was an American author, poet, editor, and popular celebrity who became famous for being the 'quintessential New Yorker'. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of poetry.
First published in 1939, this vintage book contains a charming travelogue of the author's experiences jogging around New England, north-eastern United States. An authentic glimpse into American life in the early twentieth century, “Jogging Around New England” is not to be missed by fans and collectors of vintage travel writing. Contents include: “On the Hurry of Americans”, “A Dig at Dare-devils”, “In Praise of Suburban Architecture”, “A Little Fling at Gas-stations and Outdoor Advertising”, “Getting into Connecticut”, “Lunch at Silvermine”, “Guildford and its Old Houses”, “A Chance Meeting”, “Pine Orchard”, “Summer Theatres”, “Old Lyme and Round About”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction.
“An April Song” is a collection of poetry by American poet Charles Hanson Towne. This fantastic collection will appeal to all lovers of the form, and it is not to be missed by fans and collectors of Towne's wonderful work. The poems include: “The Ballad of Brother Anselm”, “Long Silent”, “Easter”, “Parting at a Station”, “Lilacs”, “Cities”, “Snow on her Hair”, “The Old Miracle”, “We Have Turned Again Home”, “Genius”, “'If Life Were Only Love'”, “The Terrorists”, “In Autumn”, “Ballade of Return”, “Suddenly Old”, “Autumn Going”, and more. Charles Hanson Towne (1877 – 1926) was an American author, poet, editor, and popular celebrity who became famous for being the 'quintessential New Yorker'. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of poetry.
First published in 1939, this vintage book contains a charming travelogue of the author's experiences jogging around New England, north-eastern United States. An authentic glimpse into American life in the early twentieth century, “Jogging Around New England” is not to be missed by fans and collectors of vintage travel writing. Contents include: “On the Hurry of Americans”, “A Dig at Dare-devils”, “In Praise of Suburban Architecture”, “A Little Fling at Gas-stations and Outdoor Advertising”, “Getting into Connecticut”, “Lunch at Silvermine”, “Guildford and its Old Houses”, “A Chance Meeting”, “Pine Orchard”, “Summer Theatres”, “Old Lyme and Round About”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction.
In The Tale of The Tardy Oxcart, Charles Swindoll shares from his lifelong collection of his and others' personal stories, sermons, and anecdotes. 1501 various illustrations are arranged by subjects alphabetically for quick-and-easy access. A perfect resource for all pastors and speakers. Publisher's Note: This book is now available as Swindoll's Ultimate Book of Illustrations & Quotes (ISBN 0785250255)
It was once my good fortune to assist in a discovery of some importance to lovers of literature, and to searchers after the new and wonderful. As nearly a quarter of a century has since elapsed, and as two others shared in the discovery, it may seem to the reader strange that the general public has been kept in ignorance of an event apparently so full of interest. Yet this silence is quite explicable; for of the three participants none has heretofore written for publication; and of my two associates, one is a quiet, retiring man, the other is erratic and forgetful. It is also possible that the discovery did not at the time impress either my companions or myself as having that importance and widespread interest which I have at last come to believe it really possesses. In any view of the case, there are reasons, personal to myself, why it was less my duty than that of either of the others to place on record the facts of the discovery. Had either of them, in all these years, in ever so brief a manner, done so, I should have remained forever silent.
Richard Harding Davis used to complain because-when speaking of Stanford White-he found it necessary to ex plain what White was not before telling what he was: the greatest designer, and probably the greatest architect, this country has ever produced. Had White died in bed, with his family and his friends about him, there would have been no word of dispraise. He stood at the head of his profession; he was not yet fifty-three; great things were expected of him. But he allowed himself to be murdered, on a roof garden, by a Pittsburgh ne'er-do-well. Now "murder," as every newsboy knows, is the greatest word that can be put into a headline. Even in small type it sells. And shouted from every street corner ... The newspapers made the most of White's murder. Thaw, the murderer, stayed on the front pages from June 25 to July 13, 1906, returning on January 23, 1907, the first day of his first trial. He was pictured as in some sort a hero, the defender of his home. White was the villain of the piece. Davis, speaking as one who had been for fifteen years in the newspaper business, said: ttl have never known an attack to be made upon anyone as undeserved, as unfair, as false, as the attack upon White." In their search for motives, in their eagerness for circu lation, in their shameless greed, the newspapers despatched detectives and reporters to interview valets and chorus girls, bell boys and waiters.
There is a story of two "smart" Yankees, one named Hosea and the other Hezekiah, who met in an oyster shop in Boston. Said Hosea, "As to opening oysters, why nothing's easier if you only know how." "And how's how?" asked Hezekiah. "Scotch snuff," replied Hosea, very gravely-"Scotch snuff. Bring a little of it ever so near their noses, and they'll sneeze their lids off." "I know a man who knows a better plan," observed Hezekiah. "He spreads the bivalves in a circle, seats himself in the centre, reads a chapter of Artemus Ward to them, and goes on until they get interested. One by one they gape with astonishment at A. Ward's whoppers, and as they gape my friend whips 'em out, peppers away, and swallows 'em.
“Brackett’s diaries read like a funnier, better-paced version of Barton Fink.” —Newsweek Screenwriter Charles Brackett is best remembered as the writing partner of director Billy Wilder, who once referred to the pair as “the happiest couple in Hollywood,” collaborating on such classics as The Lost Weekend and Sunset Boulevard. He was also a perceptive chronicler of the entertainment industry, and in this annotated collection of writings from dozens of Brackett’s unpublished diaries, film historian Anthony Slide clarifies Brackett's critical contribution to Wilder’s films and enriches our knowledge of Wilder’s achievements in writing, direction, and style. Brackett’s diaries re-create the initial meetings of the talent responsible for Ninotchka, Hold Back the Dawn, Ball of Fire, The Major and the Minor, Five Graves to Cairo, The Lost Weekend, and Sunset Boulevard, recounting the breakthroughs and the breakdowns that ultimately forced these collaborators to part ways. In addition to a portrait of Wilder, this is rare view of a producer who was a president of the Academy of Motion Picture Arts and Sciences and the Screen Writers Guild, a New Yorker drama critic, and a member of the Algonquin Round Table. With insight into the dealings of Paramount, Universal, MGM, and RKO, and legendary figures such as Alfred Lunt, Lynn Fontanne, Edna Ferber, and Dorothy Parker, this book reveals the political and creative intrigue at the heart of Hollywood’s most significant films. “A fascinating look at Hollywood in its classic period, and a unique and indispensable must-have for any movie buff.” —Chicago Tribune “This feels as close as we can get to being in the presence of Wilder’s genius, and he emerges as the cruelest as well as the wittiest of men.” —The Guardian “Not only rare insight into their often-stormy partnership but also an insider’s view of Hollywood during that era.” —Los Angeles Times “Very entertaining.” —Library Journal
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