Historical Dictionary of Lesotho, Third Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on important personalities as well as aspects of the country's politics, economy, foreign relations, religion, and culture.
As someone who worked with and knew Lillian Gish for years, I found Charles Affron’s portrait revealing and moving. He rekindles the life of this intuitive and generous artist beautifully."—Eva Marie Saint
Long before the Red Sox "Impossible Dream" season, Boston’s now nearly forgotten “other” team, the 1914 Boston Braves, performed a baseball “miracle” that resounds to this very day. The "Miracle Braves" were Boston's first "worst-to-first" winners of the World Series. Shortly after the turn of the previous century, the once mighty Braves had become a perennial member of the National League’s second division. Preseason pundits didn't believe the 1914 team posed a meaningful threat to John McGraw’s powerful New York Giants. During the first half of that campaign, Boston lived down to such expectations, taking up residence in the league’s basement. Refusing to throw in the towel at the midseason mark, their leader, the pugnacious George Stallings, deftly manipulated his daily lineup and pitching staff to engineer a remarkable second-half climb in the standings all the way to first place. The team’s winning momentum carried into the postseason, where the Braves swept Connie Mack's heralded Athletics and claimed the only World Championship ever won by Boston’s National League entry. And for 100 years, the management, players, and fans of underperforming ball clubs have turned to the Miracle Braves to catch a glimmer of hope that such a midseason turnaround could be repeated. Through the collaborative efforts of a band of dedicated members of the Society for American Baseball Research, this benchmark accomplishment is richly revealed to the reader in The Miracle Braves of 1914: Boston's Original Worst-to-First World Series Champions. The essence of the “miracle” is captured through a comprehensive compendium of incisive biographies of the players and other figures associated with the team, with additional relevant research pieces on the season. After a journey through the pages of this book, the die-hard baseball fan will better understand why the call to “Wait Until Next Year” should never be voiced prematurely. Includes: FOREWORD by Bob Brady THE BRAVES Ted Cather by Jack V. Morris Gene Cocreham by Thomas Ayers Wilson Collins by Charlie Weatherby Joe Connolly by Dennis Auger Ensign Cottrell by Peter Cottrell Dick Crutcher by Jerrod Cotosman George Davis by Rory Costello Charlie Deal by Charles F. Faber Josh Devore by Peter Gordon Oscar Dugey by Charlie Weatherby Johnny Evers by David Shiner The 1914 Evers-Zimmerman Incident and How the Tale Grew Taller Over the Years by Bob Brady The Evers Ejection Record by Mark Sternman Larry Gilbert by Jack V. Morris Hank Gowdy by Carol McMains and Frank Ceresi Tommy Griffith by Chip Greene Otto Hess by Gary Hess Tom Hughes by Greg Erion Bill James by David Jones Clarence Kraft by Jon Dunkle Dolf Luque by Peter Bjarkman Les Mann by Maurice Bouchard Rabbit Maranville by Dick Leyden Billy Martin by Bob Joel Jack Martin by Charles F. Faber Herbie Moran by Charles F. Faber Jim Murray by Jim Elfers Hub Perdue by John Simpson Dick Rudolph by Dick Leyden Butch Schmidt by Chip Greene Red Smith by Charles F. Faber Paul Strand by Jack V. Morris Fred Tyler by John Shannahan Lefty Tyler by Wayne McElreavy Bert Whaling by Charles F. Faber George “Possum” Whitted by Craig Hardee MANAGER George Stallings by Martin Kohout COACH Fred Mitchell by Bill Nowlin OWNER Jim Gaffney by Rory Costello The Braves’ A.B.C. by Ring Lardner 1914 Boston Braves Timeline by Mike Lynch A Stallings Anecdote 1914 World Series by Mark Sternman “I Told You So” by O.R.C. The Rest of 1914 by Mike Lynch How An Exhibition Game Contributed To A Miracle by Bob Brady The National League Pennant Race of 1914 by Frank Vaccaro The Press, The Fans, and the 1914 Boston Braves by Donna L. Halper Return of the Miracle Braves by Bob Brady Miracle Teams by A Comparison of the 1914 Miracle Braves and 1969 Miracle Mets by Tom Nahigian An Unexpected Farewell by The South End Grounds, August 1914 by Bob Ruzzo The Time(s) the Braves Played Home Games at Fenway Park by Bill Nowlin The Kisselkar Sign The Trail Blazers in Indian File by R. E. M. - poems for 1914 Braves, collected by Joanne Hulbert The Story of the 1914 Braves by George Stallings “Mr. Warmth” and “Very Superstitious” – two George Stallings anecdotes by Bob Brady By the Numbers by Dan Fields Creature Feature by Dan Fields
You'll like Louis Mayer," Mary Pickford told Charles Foster in 1943. "He is from Canada, too." As Foster was soon to discover, Mayer was not alone: a great many of those who helped shape Hollywood into the movie capital of the world were Canadian. Stardust and Shadows brings together the stories of 18 Canadians who were celebrities during Hollywood's formative years. Most of those profiled were known to Foster, and stories they told him about Hollywood's early days, enhanced by many years of research and interviews with other living performers and directors from the silent movie era, reveal a never-before-seen look at what the movie industry was really like in those early days. This is Canadian history that has never been told, and many of the startling stories and secrets of Hollywood's past are revealed here for the first time. Celebrities profiled: May Irwin, Al and Charles Christie, Joe and Sam De Grasse, Marie Dressler, Allan Dwan, Florence La Badie, Florence Lawrence, Del Lord, Louis B. Mayer, Sidney Olcott, Jack Pickford, Mary Pickford, Marie Prevost, Mack Sennett, Douglas Shearer, Norma Shearer.
This special bundle contains seven books that detail Canada’s long and storied history in the performing arts. We learn about Canada’s early Hollywood celebrity movie stars; Canadians’ vast contributions to successful international stage musicals; the story of The Grand, a famous theatre in London, Ontario; reminiscences from the early days of radio; the history of the renowned Stratford Festival; and a lavish history of the famous National Ballet of Canada. Canada’s performing artists blossomed in the twentieth century, and you can learn all about it here. Includes Broadway North Let’s Go to The Grand! Once Upon a Time in Paradise Passion to Dance Sky Train Romancing the Bard Stardust and Shadows
Los Angeles may have a reputation as a concrete jungle, but in reality, it’s incredibly biodiverse, teeming with an amazing array of animals and plants. You just need to know where to find them. Wild LA—from the experts at the Natural History Museum of Los Angeles County—is the guidebook you’ve been waiting for. Equal parts natural history book, field guide, and trip planner, Wild LA has something for everyone. You’ll learn about the factors shaping LA nature—including flood, fire, and climate change—and find profiles of over one hundred local species, from sea turtles to rare plants to Hollywood's famous mountain lion, P-22. Also included are day trips that detail which natural wonders you can experience on hiking trails, in public parks, and in your own backyard.
This book offers a fresh appraisal of Muhammad that considers the widest possible history of the ways in which Christians have assessed his prophethood. To medieval Christian communities, Muhammad-the leader of a religious and political community that grew quickly and with relative success-was an enigma. Did God really send him as a prophet with a revelation? Was the political success of the community he founded a divine validation? Or were he and his followers inspired by something evil? Despite their attempts, modern Christians continued to be puzzled by Muhammad. The Qur'an provided a framework for understanding and honouring Jesus; was it possible for Christians to reciprocate with regard to Muhammad? This book applies the same analysis to both medieval and modern assessments of Muhammad, in order to demonstrate the continuities and disparities present in literature from the two eras.
One of the most common religious practices among medieval Eastern Christian communities was their devotion to venerating crosses and crucifixes. Yet many of these communities existed in predominantly Islamic contexts, where the practice was subject to much criticism and often resulted in accusations of idolatry. How did Christians respond to these allegations? Why did they advocate the preservation of a practice that was often met with confusion or even contempt? To shed light onto these questions, Charles Tieszen looks at every known apologetic or polemical text written between the eighth and fourteenth centuries to include a relevant discussion. With sources taken from across the Mediterranean basin, Egypt, Syria and Palestine, the result is the first in-depth look at a key theological debate which lay at the heart of these communities' religious identities. By considering the perspectives of both Muslim and Christian authors, Cross Veneration in the Medieval Islamic World also raises important questions concerning cross-cultural debate and exchange, and the development of Christianity and Islam in the medieval period. This is an important book that will shine much needed light onto Christian-Muslim relations, the nature of inter-faith debates and the wider issues facing the communities living across the Middle East during the medieval period.
Reveals a fascinating history of aesthetic debate concerning the emotional and moral functions of artWhen did the sentimental start to mean aawful? Why are so many popular mainstream films dismissed for their sentimentality, and are there any meaningful differences between the sentimental and the melodramatic? These are some of the questions addressed in Charles Burnetts illuminating genealogy of the concept as both a literary genre and an aesthetic philosophy, a tradition that prefigures the advent of film yet serves as a vital framework for understanding its emotional and ethical appeal. Examining eighteenth century amoral sense philosophy as a neglected but still important intellectual area for film theory, and drawing on case studies of film sentimentality during the early, classical and post-classical eras of US cinema, Improving Passions is an innovative exploration of the sentimental tradition as both theatrical genre and cultural logic.Key featuresExamines eighteenth century amoral sense philosophy and asensibility as neglected, but important, intellectual areas for film theoryProvides case studies of film sentimentality during early, classical and post-classical eras of US cinema, focusing specifically on issues of critical receptionEngages with speculation by classical and contemporary film theorists about the ethical and affective possibilities of filmExamines new approaches to aaffect in film and media philosophy that draw directly on, and reconfigure, a sentimental aesthetics
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.