In this study, Charles Fanning has written the first general account of the origins and development of a literary tradition among American writers of Irish birth or background who have explored the Irish immigrant or ethnic experience in works of fiction. The result is a portrait of the evolving fictional self-consciousness of an immigrant group over a span of 250 years. Fanning traces the roots of Irish-American writing back to the eighteenth century and carries it forward through the traumatic years of the Famine to the present time with an intensely productive period in the twentieth century beginning with James T. Farrell. Later writers treated in depth include Edwin O'Connor, Elizabeth Cullinan, Maureen Howard, and William Kennedy. Along the way he places in the historical record many all but forgotten writers, including the prolific Mary Ann Sadlier. The Irish Voice in America is not only a highly readable contribution to American literary history but also a valuable reference to many writers and their works. For this second edition, Fanning has added a chapter that covers the fiction of the past decade. He argues that contemporary writers continue to draw on Ireland as a source and are important chroniclers of the modern American experience.
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Volume 40 is a comprehensive selection of songs and hymns including works by: . Richard Lovelace . Nora Hopper . James Montgomery . Sarah Williams . Charles Godfrey Leland . Andrew Marvell . King Henry IV of France . Gerald Massey . Eliza Calvert Hall . Sir Walter Raleigh . and many others
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
There is a story of two "smart" Yankees, one named Hosea and the other Hezekiah, who met in an oyster shop in Boston. Said Hosea, "As to opening oysters, why nothing's easier if you only know how." "And how's how?" asked Hezekiah. "Scotch snuff," replied Hosea, very gravely-"Scotch snuff. Bring a little of it ever so near their noses, and they'll sneeze their lids off." "I know a man who knows a better plan," observed Hezekiah. "He spreads the bivalves in a circle, seats himself in the centre, reads a chapter of Artemus Ward to them, and goes on until they get interested. One by one they gape with astonishment at A. Ward's whoppers, and as they gape my friend whips 'em out, peppers away, and swallows 'em.
General George Crook was one of the most prominent soldiers in the frontier West. General William T. Sherman called him the greatest Indian fighter and manager the army ever had. General Crook and the Western Frontier, the first full-scale biography of Crook, uses contemporary manuscripts and primary sources to illuminate the general's personal life and military career.
An “exciting and informative” account of the Civil War battle that opened the 1864 Shenandoah Valley Campaign, with illustrations included (Lone Star Book Review). Charles Knight’s Valley Thunder is the first full-length account in decades to examine the combat at New Market on May 15, 1864 that opened the pivotal Shenandoah Valley Campaign. Lt. Gen. Ulysses S. Grant, who set in motion the wide-ranging operation to subjugate the South in 1864, intended to attack on multiple fronts so the Confederacy could no longer “take advantage of interior lines.” A key to success in the Eastern Theater was control of the Shenandoah Valley, an agriculturally abundant region that helped feed Gen. Robert E. Lee’s Army of Northern Virginia. Grant tasked Maj. Gen. Franz Sigel, a German immigrant with a mixed fighting record, and a motley collection of units numbering some 10,000 men to clear the Valley and threaten Lee’s left flank. Opposing Sigel was Maj. Gen. (and former US Vice President) John C. Breckinridge, who assembled a scratch command to repulse the Federals. Included in his 4,500-man army were Virginia Military Institute cadets under the direction of Lt. Col. Scott Ship, who’d marched eighty miles in four days to fight Sigel. When the armies faced off at New Market, Breckinridge told the cadets, “Gentlemen, I trust I will not need your services today; but if I do, I know you will do your duty.” The sharp fighting seesawed back and forth during a drenching rainstorm, and wasn’t concluded until the cadets were inserted into the battle line to repulse a Federal attack and launch one of their own. The Union forces were driven from the Valley, but would return, reinforced and under new leadership, within a month. Before being repulsed, they would march over the field at New Market and capture Staunton, burn VMI in Lexington (partly in retaliation for the cadets’ participation at New Market), and very nearly capture Lynchburg. Operations in the Valley on a much larger scale that summer would permanently sweep the Confederates from the “Bread Basket of the Confederacy.” Valley Thunder is based on years of primary research and a firsthand appreciation of the battlefield terrain. Knight’s objective approach includes a detailed examination of the complex prelude leading up to the battle, and his entertaining prose introduces soldiers, civilians, and politicians who found themselves swept up in one of the war’s most gripping engagements.
Finley Peter Dunne, American journalist and humorist, is justly famous for his creation of Mr. Dooley, the Chicago Irish barkeep whose weekly commentary on national politics, war, and human nature kept Americans chuckling over their newspapers for nearly two decades at the beginning of this century. Largely forgotten in the files of Chicago newspapers, however, are over 300 Mr. Dooley columns written in the 1890s before national syndication made his name a household word. Charles Fanning offers here the first critical examination of these early Dooley pieces, which, far better than the later ones, reveal the depth and development of the character and his creator. Dunne created in Mr. Dooley a vehicle for expressing his criticism of Chicago's corruption despite the conservatism of most of his publishers. Dishonest officials who could not be safely attacked in plain English could be roasted with impunity in the "pure Roscommon brogue" of a fictional comic Irishman. In addition, Dunne painted, through the observations of his comic persona, a vivid and often poignant portrait of the daily life of Chicago's working-class Irish community and the impact of assimilation into American life. He also offered cogent views of American urban political life, already dominated by the Irish as firmly in Chicago as in other large American cities, and of the tragicomic phenomenon of Irish nationalism. Mr. Fanning's penetrating examination of these early Dooley pieces clearly establishes Dunne as far more than a mere humorist. Behind Mr. Dooley's marvelously comic pose and ironic tone lies a wealth of material germane to the social and literary history of turn-of-the century America.
One of the most colorful breed of men in 19th-century circusdom was the press agent, whose duty was to act as "an umpire between the show and the newspapers," and promote his company's greatness in order to generate public interest in advance of the performances. Charles H. Day, one of the leading "puffers" of his time, was particularly active between 1872-87, but unlike many of his colleagues, was also published widely in the entertainment newspapers and magazines. William L. Slout has collected together the best of Day's colorful and evocative essays of 19th-century circus life, and has also added a helpful Circus Personnel Reference Roster, notes, and detailed index.
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