This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book was a finalist in the USA Book Awards anthology category. Thanks to Edgar Allan Poe, Honore de Balzac, Nathaniel Hawthorne and others, the half century from 1800-1849 is the cradle of all modern horror short stories. Andrew Barger, the editor of this book as well as "Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems," read over 300 horror short stories to compile the 12 best. At the back of the book he includes a list of all horror short stories he considered along with their dates of publication and author, when available. He even includes background for each of the stories, author photos and annotations for difficult terminology. A number of the stories were published in leading periodicals of the day such as Blackwood's and Atkinson's Casket. Read The Best Horror Short Stories 1800-1849 today!
Filled with dramatic, ironic, and sometimes tragic turns, this superb biography captures the story of one of America's most extraordinary figures, producing at once the best life of Fuller ever written, and one of the great biographies in American history. In Volume II, Charles Capper illuminates Fuller's "public years," focusing on her struggles to establish her identity as an influential intellectual woman in the Romantic Age. He brings to life Fuller's dramatic mixture of inward struggles, intimate social life, and deep engagements with the movements of her time. He describes how Fuller struggled to reconcile high avant-garde cultural ideals and Romantic critical methods with democratic social and political commitments, and how she strove to articulate a cosmopolitan vision for her nation's culture and politics. Capper also offers fresh and often startlingly new treatments of Fuller's friendships with Ralph Waldo Emerson, Thomas Carlyle, and Giuseppe Mazzini, in addition to many others.
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Volume 40 is a comprehensive selection of songs and hymns including works by: . Richard Lovelace . Nora Hopper . James Montgomery . Sarah Williams . Charles Godfrey Leland . Andrew Marvell . King Henry IV of France . Gerald Massey . Eliza Calvert Hall . Sir Walter Raleigh . and many others
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Call her majestic. The most popular woman poet of America’s 19th Century literary Renaissance. Her works were prodigious, inclusive, democratic. She published more than four-hundred poems, novels, and essays during her lifetime. She contributed poems to The Knickerbocker Magazine, The Lady’s Companion, Columbian, Godey’s Lady’s Book, Graham’s Magazine, and Religious Souvenir. Her story, Pictures of Early Life, was applauded as "highly interesting and instructive; and of a character which should place it in the hands of youth.” In 1845 Edgar Allan Poe published her “Thoughts of a Silent Man” essays in his periodical Broadway Journal. Later. In “The Literati of New York City,” a scholarly article he wrote for the August 1846 issue of Godey’s Lady’s Book, he classed Emma as one of the principal writers of the time. A precursor of feminism, she wrote, “If I were a man, as, thank God, I am not, for among my many blessings I rank first that of being a woman,” and gave “An Address on Female Education” championing higher education for women that was reprinted in Woman and Higher Education, a collection essays by founders of the first women’s colleges. Her “Essay on American Literature,” was the first to propose that America should support a literary class in society and a national literature. Her skills extended beyond excellence as a writer. She played the piano and other musical instruments, sang in a lovely mezzo-soprano voice, and painted exquisite watercolors for her book Nature’s Gems, the first book on American wildflowers.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.