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Law and Society in England 1750–1950 is an indispensable text for those wishing to study English legal history and to understand the foundations of the modern British state. In this new updated edition the authors explore the complex relationship between legal and social change. They consider the ways in which those in power themselves imagined and initiated reform and the ways in which they were obliged to respond to demands for change from outside the legal and political classes. What emerges is a lively and critical account of the evolution of modern rights and expectations, and an engaging study of the formation of contemporary social, administrative and legal institutions and ideas, and the road that was travelled to create them. The book is divided into eight chapters: Institutions and Ideas; Land; Commerce and Industry; Labour Relations; The Family; Poverty and Education; Accidents; and Crime. This extensively referenced analysis of modern social and legal history will be invaluable to students and teachers of English law, political science, and social history.
This examination and comprehensive assessment of apocalyptic film studies fifty films that illustrate the variety, range and different categories of the genre. Apocalyptic films are those that depict, on screen as part of the story, an event threatening the extinction of mankind. A brief overview identifies seven major categories of apocalyptic films: the religious or supernatural, celestial collision, solar or orbital disruption, nuclear war and radioactive fallout, germ warfare or pestilence, alien device or invasion, and scientific miscalculation. Alphabetically arranged entries rate the films and provide production information, an annotated cast listing, a synopsis of the film, a critique, and representative quotes. Film scholars and those with a special interest in apocalyptic cinema will appreciate the overview and detailed analysis of the films. Appendices provide additional examples of apocalyptic movies excluded from the main text, a sampling of post-apocalyptic cinema which is distinct from the apocalyptic genre and examples of apocalyptic television. Illustrations are included.
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