There is little doubt that we are quick in Western culture to follow after idols. Why are we so easily led astray? Could it be because postmodern thinking has masked idols so that we do not recognize them? What if you really are an idolater at heart? What can you do to remedy this cultural disease? Do you want answers? If so, then Hollow Gods offers a glimpse into the connections between postmodern culture and its rapid decline into idolatry, providing the biblical reasons and solutions to this problem for both your Christian life and church health.
This book introduces students to the chief disciplines, methods and sources employed in 'doing' ancient history, as opposed to 'reading' it. The book: Encourages readers to engage with historical sources, rather than to be passive recipients of historical tales Gives readers a sense of the nature of evidence and its use in the reconstruction of the past Helps them to read a historical narrative with more critical appreciation Encourages them to consider the differences between their own experience of ancient sources, and the use of these objects within the everyday life of ancient society A concise bibliographical essay at the end of each chapter refers to introductions, indices, research tools and interpretations, and explains scholarly jargon Written clearly, concisely and concretely, invoking ancient illustrations and modern parallels as appropriate.
The First Chapters uncovers the origins of the first paragraph or chapter divisions in copies of the Christian Scriptures. Its focal point is the magnificent, fourth-century Codex Vaticanus (Vat.gr. 1209; B 03), perhaps the single most significant ancient manuscript of the Bible, and the oldest material witness to what may be the earliest set of numbered chapter divisions of the Bible. The First Chapters tells the history of textual division, starting from when copies of Greek literary works used virtually no spaces, marks, or other graphic techniques to assist the reader. It explores the origins of other numbering systems, like the better-known Eusebian Canons, but its theme is the first set of numbered chapters in Codex Vaticanus, what nineteenth-century textual critic Samuel P. Tregelles labelled the Capitulatio Vaticana. It demonstrates that these numbers were not, as most have claimed, late additions to the codex but belonged integrally to its original production. The First Chapters then breaks new ground by showing that the Capitulatio Vaticana has real precursors in some much earlier manuscripts. It thus casts light on a long, continuous tradition of scribally-placed, visual guides to the reading and interpreting of Scriptural books. Finally, The First Chapters exposes abundant new evidence that this early system for marking the sense-divisions of Scripture has played a much greater role in the history of exegesis than has previously been imaginable.
In this book, Charles Cosgrove undertakes a comprehensive examination of Papyrus Oxyrhynchus 1786, an ancient Greek Christian hymn dating to the late third century that offers the most ancient surviving example of a notated Christian melody. The author analyzes the text and music of the hymn, situating it in the context of the Greek literary and hymnic tradition, ancient Greek music, early Christian liturgy and devotion, and the social setting of Oxyrhynchus circa 300 C.E. The broad sweep of the commentary touches the interests of classical philologists, specialists in ancient Greek music, church historians, and students of church music history.
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