Charles E. Carlston and Craig A. Evans show how the Evangelist took over a variety of traditions from Judaism and early Christianity and worked them into a theological portrait that would be accessible to both Jews and Gentiles as they became followers of Jesus--Back cover.
Inventing Christic Jesuses is the first comprehensive proposal for how revisionist theology can deploy historical Jesus research in a methodologically sophisticated way. Rejecting positions that insulate theology from Jesus research, the proposal sets out warrants and rules for a quested Christology in dialogue with an analysis of the conduct of historians of Jesus from the period of the Third Quest (c. 1980–2010). The volume Method analyzes for theology the methods and values of historical research on Jesus. It argues that the methodic construction of historical images of Jesus in conversation with sources is simultaneously a retrojective activity of value production. First, in defining the terms of the inquiry, Wilson locates a middle ground between hostility to questing and a too-ready application of historical results to Christology. He then identifies rules and warrants for the deployment of Jesus research in theology and reconstructs the notion of the retrojection of value in the production of a historical Jesus. The volume ends with a case study of retrojective Jesus production, an analysis and assessment of the new notion that Jesus is a sage in the tradition of wisdom.
In Paul's epistles the crucifixion story reveals a God who is free and in no way bound by human categories or expectations. Yet God in Christ chooses to be engaged in the very depths of the human predicament. The message of the crucifixion is that God's power is manifested in weakness, not in strength. The author believes that this "weakness as strength" should be the focal point of the church's identity. However, a celebration of weakness is in complete opposition to traditional American beliefs in personal strength and a powerful church.
In this splendid introduction to the elusive rhetorical device central to the New Testament picture of Jesus, Charles Hedrick explores the nature of the parable and its history of use. He asks basic questions such as, what is a parable? is Jesus really the author of the parables? and what does a parable mean? and then reviews a range of sources--from Aesop's fables to modern New Testament scholarship--to answer them. He also surveys the various ways the parables have been approached in literary criticism throughout history, giving specific examples of each method and delineating their strengths and weaknesses.
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