This book provides an archaeological and historical study of six millstone quarries in Powell County, Kentucky. The quarries located there are uniquely well-preserved and documented. This book combines a study of the archaeological remains found at the q
Since prehistoric times, the process of cutting rock to make millstones has been one of the most important industries in the world. The first part of this book compiles information on the millstone industry in the United States, which dates between the mid-1600s and the mid-1900s. Primarily based on archival research and brief accounts published in geological and historical volumes, it focuses on conglomerate, granite, flint, quartzite, gneiss, and sandstone quarries in different regions and states. The second part focuses on the millstone quarrying industry in Europe and other areas.
In the early nineteenth century, mills were ubiquitous, making possible dozens of indispensable items--from the bread served at every meal to the boards used to construct houses and other buildings. Because millstones went through so much daily wear and tear, only certain types of rock formations were suitable for millstone quarries, though they were often difficult to locate and access. This book provides an archaeological and historical study of six millstone quarries in Powell County, Kentucky. While the best-known conglomerate millstone quarries were in New York, Virginia, and Pennsylvania, Powell County was an important millstone producer for Kentucky, and the quarries there are well-preserved and documented. It features dozens of photographs and tables, two maps, and seven appendices.
An adventure tale of archaeological research, discovery, and preservation in the South Carolina upcountry. For years Tommy Charles searched South Carolina's upcountry for examples of ancient rock art carvings and paintings, efforts conducted on behalf of the South Carolina Institute of Archaeology and Anthropology (SCIAA). As SCIAA's collections coordinator, Charles amassed considerable field experience in both prehistoric and historic archaeology and had firsthand involvement in cataloging sixty-four sites of South Carolina rock art. Charles chronicles his adventures in exploration and preservation in Discovering South Carolina's Rock Art. Although Native American rock art is common in the western United States and even at many sites east of the Mississippi, it was believed to be almost nonexistent in South Carolina until the 1980s, when several randomly discovered petroglyphs were reported in the upstate. These discoveries set in motion the first organized endeavor to identify and document these ancient examples of human expression in South Carolina. Over the ensuing years, and assisted by a host of volunteers and avocational collectors, Charles scoured the Piedmont and mountains of South Carolina in search of additional rock art. Frustrated by the inability to find these elusive artifacts, many of which are eroded almost beyond visibility, Charles began employing methods still considered unorthodox by current scientific standards for archaeological research to assist with his search and documentation. Survey efforts led to the discovery of rock art created by Native Americans and Europeans. Of particular interest are the many circle-and-line petroglyphs the survey found in South Carolina. Seeking a reason for this repetitive symbol, Charles's investigation into these finds led to the discovery that similar motifs had been identified along the Appalachian Mountains from Alabama to New York, as well as in the American Southwest and Western Europe. This engrossing account of the search for South Carolina's rock art brings awareness to the precarious state of these artifacts, threatened not only by natural attrition but also by human activities. Charles argues that, if left unprotected, rock art is ultimately doomed to exist only in our historical records.
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