Based on new interviews and research, this ground-breaking biography explores the secret selves behind Marilyn Monroe’s public facades. Marilyn Monroe: her beauty still captivates, her love life still fascinates, and her story still dominates popular culture. Now, drawing on years of research and dozens of new interviews, this biography cuts through decades of lies and secrets and introduces you to the Marilyn Monroe you always wanted to know: a living, breathing, complex woman, bewitching and maddening, brilliant yet flawed. Explored through the lens of new interviews and meticulous research, Marilyn Monroe unveils Marilyn's story against the backdrop of pre-feminist times. Experience her journey from a distressing childhood to the pedestal of stardom, eloquently explaining her pursuit of ambition in face of a continuous struggle with bipolar disorder. Each phase of her life, marked by celebrated love affairs and heartrending tragedies, is a stepping stone towards immortality. The tell-all narrative includes eye-opening revelations, from the concealed compassionate act of Elizabeth Taylor towards Marilyn to her lost semi-nude love scene with Clark Gable, chronicling the few nights before her death with Warren Beatty, where she divulges her despair during their fateful encounter. This biography also provides a comprehensive account of her final days, meticulously examining the series of miscommunications and misjudgments contributing to her calamitous end. Embark on this enlightening journey of the life and legacy of Marilyn Monroe.
Based on new interviews and research, this ground-breaking biography explores the secret selves behind Marilyn Monroe’s public facades. Marilyn Monroe: her beauty still captivates, her love life still fascinates, and her story still dominates popular culture. Now, drawing on years of research and dozens of new interviews, this biography cuts through decades of lies and secrets and introduces you to the Marilyn Monroe you always wanted to know: a living, breathing, complex woman, bewitching and maddening, brilliant yet flawed. Explored through the lens of new interviews and meticulous research, Marilyn Monroe unveils Marilyn's story against the backdrop of pre-feminist times. Experience her journey from a distressing childhood to the pedestal of stardom, eloquently explaining her pursuit of ambition in face of a continuous struggle with bipolar disorder. Each phase of her life, marked by celebrated love affairs and heartrending tragedies, is a stepping stone towards immortality. The tell-all narrative includes eye-opening revelations, from the concealed compassionate act of Elizabeth Taylor towards Marilyn to her lost semi-nude love scene with Clark Gable, chronicling the few nights before her death with Warren Beatty, where she divulges her despair during their fateful encounter. This biography also provides a comprehensive account of her final days, meticulously examining the series of miscommunications and misjudgments contributing to her calamitous end. Embark on this enlightening journey of the life and legacy of Marilyn Monroe.
This story of the decades-long relationship between Elizabeth Taylor and Montgomery Clift chronicles her devotion to the troubled star through a near fatal car crash and the descent into alcoholism and addiction that effectively ended his Hollywood career.
In a wild variety of topics, polemic, and styles, Bernstein surveys the poetry scene and addresses hot issues of poststructuralist literary theory. What role should poetics play in contemporary culture? Bernstein finds the answer in dissent, in both argument and form--a poetic language that resists being absorbed into the conventions of our culture.
Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E, the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet—essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song—Charles Bernstein's My Way illuminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."—Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."—Publishers Weekly "Bernstein has emerged as postmodern poetry's sous-chef of insouciance. My Way is another of his rich concoctions, fortified with intellect and seasoned with laughter."—Timothy Gray, American Literature
This story of the decades-long relationship between Elizabeth Taylor and Montgomery Clift chronicles her devotion to the troubled star through a near fatal car crash and the descent into alcoholism and addiction that effectively ended his Hollywood career.
Over the past few decades, research on metaphor has focused almost exclusively on its verbal and cognitive dimensions. In Pictorial Metaphor in Advertising, Charles Forceville argues that metaphor can also occur in pictures and draws on relevant studies from various disciplines to propose a model for the identification, classification, and analysis of 'pictorial metaphors'. By using insights taken from a range of linguistic, artistic and cognitive perspectives for example, interaction and relevance theory, Forceville shows not only how metaphor can occur in pictures, but also provides a framework within which these pictorial metaphors can be analyzed. The theoretical insights are applied to thirty advertisements and billboards of British, French, German and Dutch origin. Apart from substantiating the claim that it makes sense to talk about `pictorial metaphors', the detailed analyses of the advertisements suggest how metaphor theory can be employed as a tool in media studies. Context in its various manifestations plays a key role in the analyses. Furthermore, the results of a small-scale experiment shed light on where general agreement about the meaning of a pictorial metaphor can shade over into other more idiosyncratic but equally valid interpretations. The final chapter sketches the ways in which the insights gained can be used for further research.
This two-volume book provides a comprehensive analysis of the lawfulness of the use of nuclear weapons, based on existing international law, established facts as to nuclear weapons and their effects, and nuclear weapons policies and plans of the United States. Based on detailed analysis of the facts and law, Professor Moxley shows that the United States’ arguments that uses of nuclear weapons, including low-yield nuclear weapons, could be lawful do not withstand analysis. Moxley opens by examining established rules of international law governing the use of nuclear weapons, first analyzing this body of law based on the United States’ own statements of the matter and then extending the analysis to include requirements of international law that the United States overlooks in its assessment of the lawfulness of potential nuclear weapons uses. He then develops in detail the known facts as to nuclear weapons and their consequences and U.S. policies and plans concerning such matters. He describes the risks of deterrence and the existential nature of the effects of nuclear war on human life and civilization. He proceeds to pull it all together, applying the law to the facts and demonstrating that known nuclear weapons effects cannot comply with such legal requirements as those of distinction, proportionality, necessity, precaution, the corollary requirement of controllability, and the law of reprisal. Moxley shows that, when the United States goes to apply international law to potential nuclear weapons uses, it distorts the law as it has itself articulated it, overlooks law in such areas as causation, risk analysis, mens rea, and per se rules, and disregards known risks as to nuclear weapons effects, including radioactive fallout, nuclear winter, electromagnetic pulses, and potential escalation. He then shows that the policy of deterrence is unlawful because the use of such weapons would be unlawful. Moxley urges that the United States and other nuclear weapons States take heed of the requirements of international law as to nuclear weapons threat and use. He argues that law can be a positive force in society’s addressing existential risks posed by nuclear weapons and the policy of nuclear deterrence.
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