Coena Mystica contains the never-before-reprinted text of John Williamson Nevin's response to Charles Hodge's devastating critiques of his 1846 magnum opus, The Mystical Presence. Initially appearing in twelve issues of the little-known Weekly Messenger of the German Reformed Church and almost entirely neglected by historians since, Nevin's response included the full text of Hodge's article, with his rejoinders interspersed every few pages. These articles, in addition to providing a lively and illuminating debate on the roots of Reformed eucharistic theology, take the disputants into such fields as the nature of the church, the development of doctrine, the person and work of Christ, and the merits of German idealism. The quality of the historical argument and theological acumen here displayed makes this exchange one of the landmark theological controversies of the nineteenth century, a gift to historians of the period, students of Reformed theology, and anyone seeking to better understand the contentious legacy of the Protestant Reformation. The present critical edition carefully preserves the original text, while providing extensive introductions, annotations, and bibliography to orient the modern reader and facilitate further scholarship. The Mercersburg Theology Study Series is an attempt to make available for the first time, in attractive, readable, and scholarly modern editions, the key writings of the nineteenth-century movement known as the Mercersburg Theology. An ambitious multi-year project, this aims to make an important contribution to the scholarly community and to the broader reading public, who can at last be properly introduced to this unique blend of American and European, Reformed and Catholic theology.
Configurational Comparative Methods paves the way for an innovative approach to empirical scientific work through a strategy that integrates key strengths of both qualitative (case-oriented) and quantitative (variable-oriented) approaches. This first-of-its-kind text is ideally suited for "small-N" or "intermediate-N" research situations, which both mainstream qualitative and quantitative methods find difficult to address. Benoît Rihoux and Charles C. Ragin, along with their contributing authors, offer both a basic, comparative research design overview and a technical and hands-on review of Crisp-Set QCA (csQCA), Multi-Value QCA (mvQCA), and Fuzzy-Set QCA (fsQCA). Key Features Discusses existing applications in many different fields and disciplines along with state-of-the-art coverage of the strengths and limitations of these techniques Demonstrates further inventive ways of using QCA techniques Provides advice on how to develop a comparative research design (case and variable selection) as well as a specific technique called MSDO/MDSO (most similar, different outcome/most different, same outcome). Shows how to perform the technical operations linked to three specific QCA techniques: csQCA, mvQCA, and fsQCA Includes a glossary, an extensive bibliography, and a detailed list of good practices at every stage of the research process Intended Audience A must for any student or researcher who wants to engage in systematic cross-case comparison in the social and behavioral sciences, the book is ideal for use in upper-level undergraduate and graduate-level social science research methods courses.
W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.
In this lucid, revealing book, award-winning pianist and scholar Charles Rosen sheds light on the elusive music of Arnold Schoenberg and his challenge to conventional musical forms. Rosen argues that Schoenberg's music, with its atonality and dissonance, possesses a rare balance of form and emotion, making it, according to Rosen, "the most expressive music ever written." Concise and accessible, this book will appeal to fans, non-fans, and scholars of Schoenberg, and to those who have yet to be introduced to the works of one of the greatest composers of the twentieth century. "Arnold Schoenberg is one of the most brilliant monographs ever to be published on any composer, let alone the most difficult master of the present age. . . . Indispensable to anyone seeking to understand the crucial musical ideas of the first three decades."—Robert Craft, New York Review of Books "What Mr. Rosen does far better than one could reasonably expect in so concise a book is not only elucidate Schoenberg's composing techniques and artistic philosophy but to place them in history."—Donal Henahan, New York Times Book Review "For the novice and the knowledgeable, Mr. Rosen's book is very important reading, either as an introduction to the master or as a stimulus to rethinking our opinions of him. Mr. Rosen's accomplishment is enviable."—Joel Sachs, Musical Quarterly
Hemiptera - Heteroptera encompasses the three well-defined suborders of the true bugs which are adapted to an aquatic or littoral habitat. The book begins with a section on the biology these insects and provides illustrations of the basic features of their morphology and outlines the larval development. Brief outlines of the ecological and zoogeographical peculiarities of the three aquatic suborders are presented individually, and various methods for observing, collecting, preserving, rearing, and examining specimens are discussed. Most of the book is devoted to keys for the identification of adults to species, and notes are provided that will help recognize the known larvae. Unlike most other aquatic insects, the larval instars of the heteropteran species closely resemble the adults in their morphology, preferred habitats, and feeding habits. Therefore, distinguishing features of those relatively few larvae which have been described in detail are usually mentioned in the keys to the adults rather than being included in separate keys. In addition to the most important features for determining the individual species, many keys include additional notes on the morphology, which is intended to give the user a better chance of recognizing specimens of species not yet known to science. After the currently recognized name of each species, the known range is provided. Regions of the world outside of South America, South American countries, and the states of Brazil from which the species has been reported are listed. Following the range information, major synonyms previously used for the species in the literature are provided. If subspecies have been described and are still recognized as such, they are also discussed. Finally, if the status of the species is regarded as uncertain because of a poor description, strong resemblance to another species, or any other reason, a note is added that a detailed study will be necessary to clarify the status of the taxon. Taxonomic revisions in the book itself are strictly avoided. To provide the user of the keys with maximum assistance in making reliable identifications, the book is richly illustrated with pen and ink drawings of thousands of individual morphological structures arranged in 820 figures. The book is intended to make a significant impact toward popularizing the study of South American water bugs by assembling and condensing the information in hundreds of individual publications on the group, which appeared in many books and journals published in many different countries over the past 200 years. Some of these works are very difficult to obtain in South America, and their lack creates serious impediments to systematic, ecological, and zoogeographical research. In the more than 730 titles appearing in the bibliography, the original descriptions and revisions of almost all South American species can be found.
This text analyzes the social side of technological risk. It argues that the conventional engineering approach to ensuring safety fails because systems complexity makes failures inevitable. It provides a framework for analyzing risks and the complex systems which often engender them.
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