This book is the first devoted to the important innovations in architecture that took place in western Europe between the death of emperor Justinian in A.D. 565 and the tenth century. During this period of transition from Late Antiquity to the Middle Ages, the Early Christian basilica was transformed in both form and function.Charles B. McClendon draws on rich documentary evidence and archaeological data to show that the buildings of these three centuries, studied in isolation but rarely together, set substantial precedents for the future of medieval architecture. He looks at buildings of the so-called Dark Ages—monuments that reflected a new assimilation of seemingly antithetical “barbarian” and “classical” attitudes toward architecture and its decoration—and at the grand and innovative architecture of the Carolingian Empire. The great Romanesque and Gothic churches of subsequent centuries owe far more to the architectural achievements of the Early Middle Ages than has generally been recognized, the author argues.
The Benedictine abbey of Farfa was one of the most important monastic centers of medieval Europe. As an imperial establishment, patronize and protected by Charlemagne and his successors yet situated only thirty miles northeast of Rome, Farfa was often found at the center of events involving the papacy and the Empire. While its historical importance has long been recognized, the physical remains of the abbey have received little attention until now. This book by Charles B. McClendon is unique in combining an assessment of Farfa's place in the overall development of medieval architecture with an analysis of the abbey's historical role. McClendon has based his study on a detailed architectural survey of the medieval abbey church and on the extensive excavations of the site carried out under his co-direction between 1978 and 1983. By examining archaeological, architectural, and historical sources, McClendon reconstructs the various phases in the growth of the monastic layout from late antiquity to the early Renaissance, analyzes the circumstances under which they were built, and relates his findings to the architectural currents of the day. He shows, for example, that the ninth-century additions to the abbey church by Abbot Sichardus reflect the Carolingian revival of the plan of Old St. Peter's in Rome; that the design of other features points to influence from north of the Alps; that the east end of the abbey church, extensively rebuilt in the mid-eleventh century, should be considered a major monument of the early Romanesque period. Demonstrating that each phase of the architectural history of Farfa reflects the latest developments not only in Italy but also in the north, McClendon makes clear that Farfa provides a valuable understanding of the dynamic forces that helped shape the architecture of the early Middle Ages. "Scholarship at its best. . . . This volume will be the standard reference for many years to come."--Richard Krautheimer, New York University
This book is the first devoted to the important innovations in architecture that took place in western Europe between the death of emperor Justinian in A.D. 565 and the tenth century. During this period of transition from Late Antiquity to the Middle Ages, the Early Christian basilica was transformed in both form and function.Charles B. McClendon draws on rich documentary evidence and archaeological data to show that the buildings of these three centuries, studied in isolation but rarely together, set substantial precedents for the future of medieval architecture. He looks at buildings of the so-called Dark Ages—monuments that reflected a new assimilation of seemingly antithetical “barbarian” and “classical” attitudes toward architecture and its decoration—and at the grand and innovative architecture of the Carolingian Empire. The great Romanesque and Gothic churches of subsequent centuries owe far more to the architectural achievements of the Early Middle Ages than has generally been recognized, the author argues.
The Benedictine abbey of Farfa was one of the most important monastic centers of medieval Europe. As an imperial establishment, patronize and protected by Charlemagne and his successors yet situated only thirty miles northeast of Rome, Farfa was often found at the center of events involving the papacy and the Empire. While its historical importance has long been recognized, the physical remains of the abbey have received little attention until now. This book by Charles B. McClendon is unique in combining an assessment of Farfa's place in the overall development of medieval architecture with an analysis of the abbey's historical role. McClendon has based his study on a detailed architectural survey of the medieval abbey church and on the extensive excavations of the site carried out under his co-direction between 1978 and 1983. By examining archaeological, architectural, and historical sources, McClendon reconstructs the various phases in the growth of the monastic layout from late antiquity to the early Renaissance, analyzes the circumstances under which they were built, and relates his findings to the architectural currents of the day. He shows, for example, that the ninth-century additions to the abbey church by Abbot Sichardus reflect the Carolingian revival of the plan of Old St. Peter's in Rome; that the design of other features points to influence from north of the Alps; that the east end of the abbey church, extensively rebuilt in the mid-eleventh century, should be considered a major monument of the early Romanesque period. Demonstrating that each phase of the architectural history of Farfa reflects the latest developments not only in Italy but also in the north, McClendon makes clear that Farfa provides a valuable understanding of the dynamic forces that helped shape the architecture of the early Middle Ages. "Scholarship at its best. . . . This volume will be the standard reference for many years to come."--Richard Krautheimer, New York University
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