The Goliath Stone is an action/adventure thriller set in the First World War & based on factual occurrences. The protagonist, Lieutenant Miles Armstrong, is a Canadian who enlisted in the Canadian cavalry & later transferred to the Royal Flying Corps. The story starts with Armstrong, who is multi-lingual, being recalled from front line service & seconded to the Foreign Office. He is told that he will fly to Rumania to rescue their queen from the Germans. Queen Marie, wife of the ineffectual Ferdinand of Rumania, is a one-time sweetheart of George V of England. Marie was a noted beauty who created as much interest in the society pages as the late Diana does in our time. The second motive of the assignment is to assist the Rumanians to recover their national treasures that had been sent to Russia for safekeeping when the Germans took Bucharest. But now the Tsar has been deposed, Russia is in revolutionary turmoil & Marie wants her country's treasures saved. Armstrong's third & secret assignment is to separate to the others. He is told that in 1907 the Irish crown jewels (the property of the English crown) had been stolen from Dublin castle. The German Kaiser, Wilhelm II, acquired them & gave them as a gift to Ferdinand, king of Rumania. Armstrong is told that he is to attempt to remove the Irish jewels & get them back to England. While being briefed in London he meets the lovely Anna-Marie DeCourville & has an affair with her, unaware that she is trying to steal one of the Irish jewels known as the Goliath Stone. With his mechanic, Sergeant O'Reilly, he flies to Jassy in Rumania, the new capital, now that Bucharest has fallen. There he meets Marie & her Canadian lover, Klondike Joe Boyle, now a Colonel in the Canadian army. Armstrong, Boyle & other go to Moscow but arrive as the Bolshevik revolution boils over, forcing them to break into the Kremlin during the fighting & recover the jewels. Armstrong again meets Anna-Marie & promises to give her the Goliath Stone.
Identifying music as a vital site of cultural debate, Struggling to Define a Nation captures the dynamic, contested nature of musical life in the United States. In an engaging blend of music analysis and cultural critique, Charles Hiroshi Garrett examines a dazzling array of genres—including art music, jazz, popular song, ragtime, and Hawaiian music—and numerous well-known musicians, such as Charles Ives, Jelly Roll Morton, Louis Armstrong, and Irving Berlin. Garrett argues that rather than a single, unified vision, an exploration of the past century reveals a contested array of musical perspectives on the nation, each one advancing a different facet of American identity through sound.
Operation Northwind was the little-known second Battle of the Bulge, which cost the Americans and their French comrades-in-arms nearly as many casualties and almost detroyed the Alliance. It was planned by the Fuhrer himself, which hurled eight German divisions, three of them SS, against the thinly-held American line in the Alsace-Lorraine region. Although the US High Command was forewarned by 'Ultra' from Bletchley, the German pressure was just too much. The Americans were forced to retreat. For the first time during the campaign in the West, Eisenhower ordered his troops to give up ground paid for by so many lives and commanding that Stratbourg, which held a special place in both French and German hearts, should be evacuated. This sparked off a row which threatened to destroy the Franco-American Alliance and throw France into a dramatic revolution. Quick moving and action-packed, this book sees the events through the eyes of the soldiers who were 'at the sharp end', and fills a major gap in the history of World War II.
First published in 1984 and reissued to coincide withthe publication of the second volume, this selection of the 250 best jazz records traces the earliest roots of the music to the beginnings of the modern jazz era. Volume One's focus is on LP collections of 78 rpm originals and nearly every significant musician--both familiar and obscure--of early 20th-century jazz is listed. For each record listed, full details of personnel, recording dates and locations are provided.
In 1869, the Cincinnati Red Stockings became the first all-professional baseball club. The history, geography, demography and economy of the area made Cincinnati a baseball town par excellence. During pro ball's early years, the city was almost always represented by a club called the Reds. In 1903 Reds owner Garry Hermann helped broker peace between the National and American leagues and became known as the "Father of the World Series." The Reds won the Series in 1919, 1940, 1975, 1976 and 1990. Under the ownership of the controversial Marge Schott and managed by the mercurial Lou Piniella, the 1990 Reds led the National League West, defeated the Pittsburgh Pirates in the NL Championship Series and swept the Oakland Athletics in the World Series. Stars such as Barry Larkin and Eric Davis--along with pitcher Jose Rijo and the trio of relievers known as the Nasty Boys--deserve much of the credit that year but lesser knowns like Billy Hatcher and Glenn Braggs made significant contributions. They have come close but the Reds have not won another pennant since.
Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. “More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune
When Charles Lindbergh landed at LeBourget Airfield on May 21, 1927, his transatlantic flight symbolized the new era-not only in aviation but also in American culture. The 1920s proved to be a transitional decade for the United States, shifting the nation from a production-driven economy to a consumption-based one, with adventurous citizens breaking new ground even as many others continued clinging to an outmoded status quo. In his new book, Charles Shindo reveals how one year in particular encapsulated the complexity of this transformation in American culture. Shindo's absorbing look at 1927 shatters the stereotypes of the Roaring '20s as a time of frivolity and excess, revealing instead a society torn between holding on to its glorious past while trying to navigate a brave new world. His book is a compelling and entertaining dissection of the year that has come to represent the apex of 1920s culture, combining references from popular films, music, literature, sports, and politics in a captivating look back at change in the making. As Shindo notes, while Lindbergh's flight was a defining event, there were others: The Jazz Singer, for example, brought sound to the movies, and the 15 millionth Model T rolled off of Ford's assembly line. Meanwhile, the era's supposed live-for-today frivolity was clouded by Prohibition, the revival of the Ku Klux Klan, and the execution of Sacco and Vanzetti. Such events, Shindo explains, reflected a fundamental disquiet running beneath the surface of a nation seeking to accommodate and understand a broad array of changes—from new technology to natural disasters, from women's forays into the electorate to African-Americans' migration to the urban north. Shindo, however, also notes that this was an era of celebrity. He not only examines why Lindbergh and Ford were celebrated but also considers the rise and growing popularity of the infamous, like convicted murderers Ruth Snyder and Judd Gray, and he illuminates the explosive growth of professional sports and stars like baseball's Babe Ruth. In addition, he takes a close look at cinematic heroines like Mary Pickford and the "It" girl Clara Bow to demonstrate the conflicting images of women in popular culture. Distinctive and insightful, Shindo's richly detailed analysis of 1927's key events and personalities reveals the multifaceted ways in which people actually came to grips with change and learned to embrace an increasingly modern America.
TRANQUILLITY...A ruthless motorcycle gang overruns the quiet, secluded town of Tranquillity. While placing their injured own in the care of an unsuspecting citizen, they soon discover the eerie origins of the tight-knit community, and the sinister divinity that lies within the sacred chapel. DEATH TIDE...A tide of apocalyptic proportions bears down on the village of Westow. While near the shore, a research team is busy testing a brutal cross-species virus on an involuntary human subject. When the deluge hits full force and the manufactured infection becomes uncontained, the water poses an even deadlier threat. Before long the locals are battling a death tide of bloodthirsty animals and humans alike.
Jazz in New Orleans provides accurate information about, and an insightful interpretation of, jazz in New Orleans from the end of World War II through 1970. Suhor, relying on his experiences as a listener, a working jazz drummer, and writer in New Orleans during this period, has done a great service to lovers of New Orleans music by filling in some gaping holes in postwar jazz history and cutting through many of the myths and misconceptions that have taken hold over the years. Skillfully combining his personal experiences and historical research, the author writes with both authority and immediacy. The text, rich in previously unpublished anecdotes and New Orleans lore, is divided into three sections, each with an overview essay followed by pertinent articles Suhor wrote for national and local journals—including Down Beat and New Orleans Magazine. Section One, "Jazz and the Establishment," focuses on cultural and institutional settings in which jazz was first battered, then nurtured. It deals with the reluctance of power brokers and the custodians of culture in New Orleans to accept jazz as art until the music proved itself elsewhere and was easily recognizable as a marketable commodity. Section Two, "Traditional and Dixieland Jazz," highlights the music and the musicians who were central to early jazz styles in New Orleans between 1947 and 1953. Section Three, "An Invisible Generation," will help dispel the stubborn myth that almost no one was playing be-bop or other modern jazz styles in New Orleans before the current generation of young artists appeared in the 1980s.
The Sac River flowed gently through the valley, circling Aldrich on the west. The author accompanied by his father, came from the city to make his home with Sara Dickerson. Charles, being ten-years old upon his arrival in Aldrich, would live with his grandmother until 1939, when he graduated from high school. The last frontier had passed in 1890. The population was about 120 million people. The stock market had crashed in 1929, and the U.S. was facing a major depression. The Aldrich Saga is set in a Bible-belt village of varied people; religious zealots, political pundits, town drunks, and all of the other kind that inhabit, including the church-going folk. It wsa the author's eight years with Sara that he was privy to so many pleasant stories, events and happenings. Halloween was celebrated with gusto in Aldrich, and the different personalities made news. There were the visiting Gypsies, the politikin of the town loafers, and the certain pseudo-intellaectuals who would trash Franklin Roosevelt, and make dire predicitons about Hitler being the Anti-Christ. Two misers in Polk County engendered much conversation. Medicine shows, drumming their wares in bottles that were suspect, brought laughs. There were the old gentlemen telling of their exploits in the Civil War, followed by WWI veterans who also got out their message. Clarence Alden was a superb ventriloquist that nearly scared a man to death by throwing his voice into a coffin that was being unloaded by men at the Springfield Frisco Station. The words of Solomon are interesting for people unfamiliar with him. The author being an ex-teacher presents his views on politics. Then, there is the snow bound train in 1918 that foundered on the way to Kansas City, as told by Ralph Dickerson. The story of the Aldrich Bank being robbed is told by the infamous Henry Star in 1908. The author remembers Granny's copper wire, the only dishonesty I can remember her committing, to keep the light bill to the one dollar minimum. Ralph Dickerson caught the Spanish Flu, which killed twenty three million people. Sara, with her mysterious medicines, cured him. There is also the story of Bill Akard, a world champion shooter, who had put on shooting exhibitions for the King of England and the Russian Czar, and who persuaded Henry Starr not to rob the bank. For many years the Aldrich village has been gone with the winds.
Here is a guide to printed British genealogies, containing over 16,000 references to pedigrees in county histories, compendia, record and society publications, heralds' visitations, etc., down to the time the work was originally published (1867). The arrangement is by counties for England and thereunder alphabetically by family name for each title analyzed, with special sections devoted to General Works, Visitations, etc. The compiler has facilitated research still further by means of a complete index to all families, which occupies nearly 100 pages and contains about 8,000 entries.
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