The last place that Chief of Police Susan Wren expects to find herself is in the middle of a real-life soap opera. But when a Hollywood film crew comes to the small town of Hampstead, Kansas, there seems to be more drama off the stage than on it. On a film shoot one day, a fatal accident befalls stunt-double Kay Bender. A dead-ringer for the stunning screen star Laura Edwards, Kay may have been the unfortunate victim of a murderous plot to get rid of the much-disliked actress. As Susan investigates, she finds that almost everyone has a motive for wanting to sabotage the film or to kill Laura. The film is running far over budget, and the temperamental director appears to be a likely suspect. Susan also uncovers a steamy affair between Laura's boyfriend, narcissistic actor Nick Logan, and Laura's rival for the part, actress Sheri Lloyd, who makes no effort to conceal her dislike for the beautiful and talented star. To top it all off, Susan discovers that Parkhurst, her deputy, was once married to the now-famous actress. Susan must battle both her jealousy of Parkhurst and Laura's past relationship and her attraction to this darkly mysterious officer whose feelings she is unable to guess.
A heat wave has struck Hampstead, Kansas, and Susan Wren, police chief of the sweltering town, has a vile flu. She struggles to keep up with work piling on her desk, while also dealing with a troubled teenage girl, a delusional World War II veteran, and a rookie cop who needs to be fired before her enthusiasm and inexperience get someone killed. If this weren't enough to contend with, trouble from the outside world enters the small town. Cary Black is new in Hampstead, hiding out from her abusive policeman husband, Mitch. The woman she was to stay with has disappeared, and Cary, not wanting to alert the police, assumes the woman's identity. Mitch will stop at nothing to recover his wife, but when he tries, he'll be on Police Chief Susan Wren's turf. This seventh entry in the highly praised series is the most thrilling and suspenseful yet. Charlene Weir weaves an intricate tale and Susan Wren encounters every obstacle she meets with courage and resourcefulness.
The book presents a critical edition and translation of a newly discovered early Irish legal text on lost and stolen property, Aidbred, and also includes editions of two other texts concerning property found on land, Heptad 64, and at sea, Muirbretha.
Southern plantations are an endless source of fascination. That’s no surprise since these palatial homes are rich in history, representing a pivotal time in U.S. history that truly is “gone with the wind.” With the Civil War literally exploding all around, many of these homes were occupied either by Confederate or Union troops. Nowhere else in the south were plantations so affected by the nation’s bloodiest war than in Virginia. At times, families fled, leaving behind slaves to manage the property. There are still more than 60 plantations in Virginia today, most of them open to the public. Some have been restored, others undergoing that process. If only the walls could talk, the stories we might hear! That’s what we hope to bring into this book on The Plantations of Virginia. We’ll take the tours and talk to the guides and dig even further if there is more to discover. We hope that travelers will be enlightened before they travel to Virginia, their visits will thus be enriched, and that residents will equally love exploring this deep history of Virginia. Accompanying the text will be photographs, taken by one of the authors, showing, in all their splendor, the exteriors of these plantations, as well as areas of interest inside the buildings.
Fleeing her abusive police officer husband, Mitch, Cary Black seeks refuge in the tiny town of Hampstead, Kansas, but she is terrified to discover that the woman who is supposed to shelter her has vanished.
History of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neoclassical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences.
In Hampstead, Kansas, the joy of the holiday season is shattered with the discovery of a mutilated body, in Charlene Weir's A Cold Christmas. Police Chief Susan Wren has her hands full. It is the coldest December the town has seen in years, a number of her officers are sick, and the body of a furnace repairman is found in Caley James' basement. His face and hands have been badly burned in an effort to keep his identity a secret. As Susan looks for answers, she learns that the victim had a dark past he was trying to hide. Were his secrets worth killing him over? And how does Caley fit in?
The popular image of the Klondike is of a rush of white, male adventurers who overcame great physical and geographical obstacles in their quest for gold. Young, white, single American men carried forward the ideals and structures of the western frontier. It was a man's world made respectable only after the turn of the century with the arrival of white, middle class women who miraculously swept out the corners of dirt and vice and 'civilized' the society. These impressions endure despite recent attempts to correct them. Gamblers and Dreamers tackles some of the myths about the history of the North in the era of the gold rush. Though many inhabitants came and went, Charlene Porsild focuses on the concept of community commitment to show that many put down roots. This in-depth study of Dawson City at the turn of the century reveals that the city had a cosmopolitan character, a stratified society, and a definite permanence. It examines the lives of First Nations peoples, miners and other labourers, professionals, merchants, dance hall performers and sex trade workers, providing fascinating detail about those who left homes and jobs to strike it rich in the last great gold rush of the nineteenth century. In the process, Gamblers and Dreamers puts a human face on this compelling period of history.
For Chief of Police Susan Wren, investigating a homicide comes with the territory, but when a young friend gets caught in the crossfire, the former big-city cop's routine work becomes a personal mission. When Dr. Dorothy, the dictatorial eldest sister of the five Barringtons (four of whom are doctors practicing together), is shot in her office, the greater part of the tragedy is the critical wounding of the most vulnerable innocent bystander--eleven-year-old Jen Bryan. To make it worse for Susan Wren, Jen was in her care that weekend, while her mother was out of town. As with any homicide investigation, Susan begins her search for the killer with the victim's family, and finds that looks can be deceiving when it comes to the successful, respected Barringtons. Once the facade of a proud and unified family is shattered by Dr. Dorothy's murder, a Pandora's box is opened, and the little Kansas community is plunged into fear and danger. At the center is Susan Wren, never quite accepted in her police job as a woman and an outsider; now with double reason to find and stop the killer.
The factions debating health care reform in the United States have gravitated toward one of two positions: that just health care is an individual responsibility or that it must be regarded as a national concern. Both arguments overlook a third possibility: that justice in health care is multilayered and requires the participation of multiple and diverse communities. Communities of Health Care Justice makes a powerful ethical argument for treating communities as critical moral actors that play key roles in defining and upholding just health policy. Drawing together the key community dimensions of health care, and demonstrating their neglect in most prominent theories of health care justice, Charlene Galarneau postulates the ethical norms of community justice. In the process, she proposes that while the subnational communities of health care justice are defined by shared place, including those bound by culture, religion, gender, and race that together they define justice. As she constructs her innovative theorization of health care justice, Galarneau also reveals its firm grounding in the work of real-world health policy and community advocates. Communities of Health Care Justice not only strives to imagine a new framework of just health care, but also to show how elements of this framework exist in current health policy, and to outline the systemic, conceptual, and structural changes required to put these justice norms into fuller practice.
Charlene Zornes Perry, author of three volumes of Haunted Henry County folklore, passed away April 30, 2013, while researching a fourth book. Haunted Henry County IV, ghostwritten by Perry's daughter, Lisa Perry Martin, is Perry's true legacy. Always fascinated by the mysterious 1913 disappearance of Catherine Winters from New Castle, Indiana, Perry devoted more than three decades to searching for clues about what happened to the little lost girl. Did the 9-year-old run away with her favorite aunt? Was she kidnapped for ransom by a limping degenerate? ...or was she murdered, her body hidden so well that it took a hundred years and the tenacity of a justice-driven retired nurse to find her? Entwined through the pages of Perry's final goodbye lies the answer.
As the practice of yoga continues to flourish within Western Black and Brown communities, this transformative, Black culturally centered toolkit highlights the barriers that hinder access to yoga. It takes core aspects of yoga philosophy and contextualizes it within Black cultural norms, religious taboos, and historical healing practices, and teaches readers how to foster a safe haven for their clients and communities. Based on decades' worth of experience and expertise, this dynamic author duo discusses important topics such as health disparities, complementary healthcare, and the rich heritage and resilience of Black communities. This is an invaluable and practical resource that offers practices and actionable guidance and supports practitioners to explore a Black culturally centered approach to yoga whilst facilitating better health and wellbeing for Black people.
We're opposites, even though we came from the same, she's nuttin like me, an that shames me. Teenagers Muna and Iqra catch the same school bus. They were both born in Somalia but their backgrounds are very different. What they share is a painful secret. Tracking the urgent issue of FGM in Britain, this devastating play reveals the price some girls pay to become women. Cuttin' It premieres at the Young Vic, London, in May 2016. Charlene James is the winner of the George Devine Award for Most Promising Playwright and the Alfred Fagon Award for Best New Play.
The bitter chill of December in Hampstead, Kansas, is joined by a flu epidemic that's taken out half of police chief Susan Wren's force. Her hopes for a crime freeze are dashed when the body of a repairman is found stuffed in the basement furnace in the home of a single mom. His identification leads to a few dark surprises and Susan must harness all of her street smarts to pull off her own Christmas miracle. Martin's Press.
Chief of Police Susan Wren investigates when Dr. Dorothy Barrington is murdered in her office and an innocent bystander, eleven-year-old Jen Bryant, is also wounded.
Practical, specific advice and strategies to help women develop an entrepreneurial mindset Entrepreneurship has always skewed male—from availability of funding to how-to books that assume a primarily male audience. And yet, 36% of all small business or franchise owners are women, and there are 13 million female-owned businesses contributing to more than $1.8 trillion in revenue. Now, with a fast-changing economy making traditional employment unsteady, there’s never been a better time for becoming a “fempreneur.” In Launch Your Inner Entrepreneur, Charlene Walters provides the tools you need to successfully launch and grow your side hustle, start up, or small business. As a mentor on Entrepreneur magazine’s “Ask an Expert” forum and developer of a digital entrepreneurship MBA program, Walters knows what you’re facing—and can help you avoid common mistakes, find your niche, build up your personal brand and reach your entrepreneurial goals. You’ll find the practical, real-world advice necessary to create the opportunities you want by embracing ten Mindset Shifts, including: Embracing an Entrepreneurial Attitude Cultivating Financial Confidence Branding and Building Presence Leveraging Social Media Options Leading Your Startup Going into Growth Mode Rebooting, Repeating, and Avoiding Burnout Along the Way Packed with smart tips and hard-won wisdom, Launch Your Inner Entrepreneur concludes with a special bonus section, the Fempreneur Action Plan—which includes a business concept and planning worksheet, visual brand style guide, resilience and setback survival exercise, and more—to help you put the Mindset Shifts into action, now.
A phone call announcing murder rudely interrupts a quiet Sunday morning for chief of police Susan Wren. The body of Lynelle Hames, a quiet young woman newly arrived in Hampstead, Kansas, has been found near the isolated old house where she was living. Susan herself is a recent arrival in the small town. A former San Francisco cop, she chose to stay on as chief after solving the murder of her new husband one year before (The Winter Widow, SMP, 1992). With cold determination, Susan begins her investigation, but matters are soon complicated by the disappearance of a prominent citizen. As the vice-chancellor of Emerson College, Hilary Kalazar knew Lynnelle, who worked as a clerk-typist at the local school. Is Hilary's failure to arrive at the Dallas convention where she was scheduled to speak a coincidence, or is it somehow connected to Lynnelle's murder? The town begins to panic, with the mayor dogging Susan's every step and the townspeople arming themselves against a faceless danger. Hampered by treacherous weather, tangled lies, and small-town secrets, Susan investigates with street-smart persistence, knowing that unless she moves fast, the killer will strike again. Both poignant and wry, Consider the Crows is also a thoroughly entertaining puzzler of a mystery novel.
Susan Donovan, one of San Francisco's finest, was a semi-hard-bitten cynic about men--until she went to a police convention and Daniel Wren "happened to her." Quickly and somewhat to her amazement, she became Susan Wren, wife of the poice chief in the tiny Kansas town of Hampstead. Then, on a cold winter morning shortly after the wedding, she finds herself Susan Wren, widow: Daniel has been murdered. So begins Charlene Weir's The Winter Widow, winner of the St. Martin's Press/Macmillan London "Malice Domestic" contest for Best First Traditional Mystery, an absorbing mystery about a woman out of her element. Although she has no ties to Hampstead, and there is no reason for her not to return to California, as her father urges, Susan has other ideas. She is determined to find Daniel's killer. It takes all her powers of persuasion to win over a reluctant mayor, but in the end he grudgingly agrees. As acting police chief, Susan begins the hunt. Soon she finds she needs those powers to persuade herself that she knows what she is doing. She can deal with the town's almost unanimous hostility toward a woman police chief, an outsider from the big city. She can cope--because she must--with further killings. But nine years as a cop on San Francisco's streets haven't equipped her to handle the escape of a truckload of pigs on Hampstead's main drag, a rampaging prize bull, or the agricultural intrigue she encounters. And all the while, the killer is closing in on Susan herself, determined to keep her from learning the truth about her beloved Daniel's tragic death.
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