I'm not relentless. "Relentless" makes it sound like there's something called "relent" and that I'm lacking it. In that sense, I'm not relentless, but perhaps I'm unrelenting. I could relent if I wanted to. But he always has to die. I mean "always" in two senses: at all times and all of the time. I can't kill him all of the time. That would take too long. But all of the times I did, I did. I'd do it again. I could relent if I wanted to, but instead I'd do it again. If he's different, then he's the same and if he's the same, he's got to go. If he were different and not the same, then there would be two things and I'd only have to kill one of them. If only I only had to kill one of him. What a life I would live, if only I only had to kill him the one time. But death doesn't always do him in.
Have you ever met a person who actually seems larger than life? I did, once, just where you’d least expect him to be (standing around), in an environment you wouldn’t be able to fit him into (the courtyard outside the Philosophy building), if the concept meant what it implies. Such a being makes us question whether we are, in fact, so limited, with the one life and the one death, and nothing else to reasonably look forward to, whether the whole system is flawed, whether it’s not the case that they’ve cheated the system and come out on the other side of it still living, living more, doing something more than living. That was Logan for me. Affect is the story of a hyper-rational and unapologetically cerebral philosophy graduate student, obsessed with both death and Logan. Their relationship develops through a series of surreal events (in which corpses appear with disturbing frequence), where Logan comes to infiltrate the narrator’s psyche and occasions the collision of her interior and exterior worlds. Affect examines and interprets, in prose that is spare, poetic, and philosophical, how we think about life and death, time and distance, and the deeply affecting effects of an intense entanglement of a ‘one’ with an ‘other’.
Have you ever met a person who actually seems larger than life? I did, once, just where you’d least expect him to be (standing around), in an environment you wouldn’t be able to fit him into (the courtyard outside the Philosophy building), if the concept meant what it implies. Such a being makes us question whether we are, in fact, so limited, with the one life and the one death, and nothing else to reasonably look forward to, whether the whole system is flawed, whether it’s not the case that they’ve cheated the system and come out on the other side of it still living, living more, doing something more than living. That was Logan for me. Affect is the story of a hyper-rational and unapologetically cerebral philosophy graduate student, obsessed with both death and Logan. Their relationship develops through a series of surreal events (in which corpses appear with disturbing frequence), where Logan comes to infiltrate the narrator’s psyche and occasions the collision of her interior and exterior worlds. Affect examines and interprets, in prose that is spare, poetic, and philosophical, how we think about life and death, time and distance, and the deeply affecting effects of an intense entanglement of a ‘one’ with an ‘other’.
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