Cesare Zavattini: Selected Writings offers, for the first time in English, a substantive selection of the Italian screenwriter's writings across two volumes. Through translation and detailed cultural and contextual commentary, translator and editor David Brancaleone traces not only Zavattini's theory of the screen, but also his experimentation in new film practices, including the flash-film (film lampo), the inquiry film (film inchiesta), cinema as encounter (cinema d'incontro), the diary film (film diario), the confessional film (film-confessione), and the grass-roots community film (cinema insieme or cinema di tanti per tanti).
Volume two brings to the fore Zavattini's ever evolving internal dialogue between diary writer, screenwriter, narrative writer, and political activist since 1944. Bringing together both letters previously published in Italian and hitherto uncollected ones, this volume reveals Zavattini's relationship to producers (Guarini and Ponti), filmmakers (Rossellini, De Santis, Antonioni, De Sica, Pasolini, Blasetti, Grifi, and Paul Strand) to writers (including Vittorini, Attilio Bertolucci, Umberto Saba, Salvatore Quasimodo), film critics, and international filmmakers. Also documented is Bazin's relationship with Zavattini, with the inclusion of an exchange of sixteen letters between the two. The critical and contextual study which introduces this volume explicates underlying logic of Zavattini's many interventions in disparate fields, documented by the translation of primary sources."--
Cesare Zavattini: Selected Writings offers, for the first time in English, a substantive selection of the Italian screenwriter's writings across two volumes. Through translation and detailed cultural and contextual commentary, translator and editor David Brancaleone traces not only Zavattini's theory of the screen, but also his experimentation in new film practices, including the flash-film (film lampo), the inquiry film (film inchiesta), cinema as encounter (cinema d'incontro), the diary film (film diario), the confessional film (film-confessione), and the grass-roots community film (cinema insieme or cinema di tanti per tanti)"--
In recent years commentators have speculated on the "collapse" of the couple and the family, highlighting the increasing fragility of couple relationships making them vulnerable to crises and break ups. Now, more than ever, and prompted by changes that have shaken our assumptions about socio/cultural context, the reasons that make couple relationships unstable are sought in the negotiations and redefinitions required by the changes themselves. New types of families are emerging and consequently new issues are being raised about the dynamics of family relationships. This book underlines the role of attachment as a central motivational system in couple relationships, and focuses on the relationship between past and present experiences in determining choices, perceptions, and feelings in couple relationships. It considers what other motivational systems interact with attachment in constituting a couple's dynamics, and looks at aspects more directly experienced by couples: in particular, how they feel about their relationship, especially in terms of the degree of intimacy between them (something that attachment theorists might look at in evaluating how "good" a relationship is).
In this compact and illuminating study of the evolving theoretical framework informing psychoanalytic work with couples, the authors highlight concepts that have been most drawn upon in developing dynamic couple therapy. They chart the shifting emphasis away from interpreting and reconstructing the past towards approaches that engage partners and therapists in constructing and reflecting on their encounters with each other in the present. The triangular space that is created through this process contains therapists as well as the couples with whom they talk, and invites us to revisit the essential nature of the therapeutic conversation in this light. A thoughtful and fascinating book that will interest everyone who is keen to understand the interior world of couple psychotherapy.
In this compact and illuminating study of the evolving theoretical framework informing psychoanalytic work with couples, the authors highlight concepts that have been most drawn upon in developing dynamic couple therapy. They chart the shifting emphasis away from interpreting and reconstructing the past towards approaches that engage partners and therapists in constructing and reflecting on their encounters with each other in the present. The triangular space that is created through this process contains therapists as well as the couples with whom they talk, and invites us to revisit the essential nature of the therapeutic conversation in this light. A thoughtful and fascinating book that will interest everyone who is keen to understand the interior world of couple psychotherapy.
In recent years commentators have speculated on the "collapse" of the couple and the family, highlighting the increasing fragility of couple relationships making them vulnerable to crises and break ups. Now, more than ever, and prompted by changes that have shaken our assumptions about socio/cultural context, the reasons that make couple relationships unstable are sought in the negotiations and redefinitions required by the changes themselves. New types of families are emerging and consequently new issues are being raised about the dynamics of family relationships. This book underlines the role of attachment as a central motivational system in couple relationships, and focuses on the relationship between past and present experiences in determining choices, perceptions, and feelings in couple relationships. It considers what other motivational systems interact with attachment in constituting a couple's dynamics, and looks at aspects more directly experienced by couples: in particular, how they feel about their relationship, especially in terms of the degree of intimacy between them (something that attachment theorists might look at in evaluating how "good" a relationship is).
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