U.S. welfare rights activists have long envied women in Sweden, who benefited from social policies that made the incidence of poverty among children and solo mothers among the lowest in the world. This situation has begun to change with the rise of neoliberalism in Sweden from the late 1970s to the middle of the 1990s; social policy that had once dramatically improved the lives of solo mothers began to give way to policies that privatized their problems. Solo mothers in the United States were worse off, as conservative policymakers launched a clamorous campaign to restore the "traditional nuclear family" as the only guarantor of women's and children's well-being, blaming solo mothers for everything from juvenile crime to their own poverty. In this revealing and timely book, sociologist and former legal services attorney, Celia Winkler, charts the policies in Sweden and the United States that transformed the social and economic situation of solo mothers, who are an early warning of more general danger: the canary in the coal mine.
Placed between and around the temporal and spatial context of the midnineteenth and mid-twentieth century revolutions in Central Europe, fi ve generations of two families spun their interwoven lives while gallantly fi ghting against the dark undercurrents of history.
In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries. Rather than focus on familiar stories of composers and their work Applegate illuminates the myriad ways in which music is integral to German social life. Musical life reflected the polycentric nature of German social and political life, even while it provided many opportunities to experience what was common among Germans. Musical activities also allowed Germans, whether professional musicians, dedicated amateurs, or simply listeners, to participate in European culture. Applegate’s original and fascinating analysis of Mendelssohn, Schumann, Brahms, Wagner, and military music enables the reader to understand music through the experiences of listeners, performers, and institutions. The Necessity of Music demonstrates that playing, experiencing, and interpreting music was a powerful factor that shaped German collective life.
From the author of the bestselling classics We're Just Like You, Only Prettier, and Bless Your Heart, Tramp, comes a collection of essays so funny, you'll shoot co'cola out of your nose. Topics include such gems as: • Why Miss North Carolina is too nice to hate • How Gwyneth Paltrow wants to improve your pathetic life • Strapped for cash? Try cat whispering • Sex every night for a year? How do you wrap that? • Get yer Wassail on: It's carolin' time • Airlines serving up one hot mess • Action figure Jesus • Why Clay Aiken ain't marrying your glandular daughter • And much more! Complete with a treasure trove of Celia's genuine southern recipes, You Can't Drink All Day if You Don't Start in the Morning is sure to appeal to anyone who lives south of something.
Bach's St. Matthew Passion is universally acknowledged to be one of the world's supreme musical masterpieces, yet in the years after Bach's death it was forgotten by all but a small number of his pupils and admirers. The public rediscovered it in 1829, when Felix Mendelssohn conducted the work before a glittering audience of Berlin artists and intellectuals, Prussian royals, and civic notables. The concert soon became the stuff of legend, sparking a revival of interest in and performance of Bach that has continued to this day. Mendelssohn's performance gave rise to the notion that recovering and performing Bach's music was somehow "national work." In 1865 Wagner would claim that Bach embodied "the history of the German spirit's inmost life." That the man most responsible for the revival of a masterwork of German Protestant culture was himself a converted Jew struck contemporaries as less remarkable than it does us today—a statement that embraces both the great achievements and the disasters of 150 years of German history. In this book, Celia Applegate asks why this particular performance crystallized the hitherto inchoate notion that music was central to Germans' collective identity. She begins with a wonderfully readable reconstruction of the performance itself and then moves back in time to pull apart the various cultural strands that would come together that afternoon in the Singakademie. The author investigates the role played by intellectuals, journalists, and amateur musicians (she is one herself) in developing the notion that Germans were "the people of music." Applegate assesses the impact on music's cultural place of the renewal of German Protestantism, historicism, the mania for collecting and restoring, and romanticism. In her conclusion, she looks at the subsequent careers of her protagonists and the lasting reverberations of the 1829 performance itself.
Unique in the literature on Jewish camping, this book provides an in-depth study of a community-based, residential summer camp that serves Jewish children from primarily rural areas. Focused on Camp Ben Frankel (CBF), established in 1950 in southern Illinois, this book focuses on how a pluralist Jewish camp constructs meaningful experiences of Jewish “family” and Judaism for campers—and teaches them about Israel. Inspired by models of the earliest camps established for Jewish children in urban areas, CBF’s founders worked to create a camp that would appeal to the rural, often isolated Jewish families in its catchment area. Although seemingly on the periphery of American Jewish life, CBF staff and campers are revealed to be deeply entwined with national developments in Jewish culture and practice and, indeed, contributors to shaping them. This research highlights the importance of campers’ experiences of traditional elements of the Jewish “family” (an experience increasingly limited to time at camp), as well as the overarching importance of song. Over the years, Judaism becomes constructed as fun, welcoming, and easy for campers, while Israel is presented in ways that are meant to be appropriate for a community camp. In the camp’s earliest decades, Israel was framed by “traditional” Zionist discourse; later, as community priorities shifted, the cause of Russian Jews was the focus. Most recently, as Israeli politics have been increasingly viewed as potentially divisive, the camp has adopted an “Israel-lite” approach, focusing on Israel as the Biblical homeland of the Jewish people and a place home to Jews who are similar to American Jews. In sum, this study sheds light on how a small, rural, community camp contributes in significant ways to our understanding of American Jews, their Judaism, and their Zionism.
U.S. welfare rights activists have long envied women in Sweden, who benefited from social policies that made the incidence of poverty among children and solo mothers among the lowest in the world. This situation has begun to change with the rise of neoliberalism in Sweden from the late 1970s to the middle of the 1990s; social policy that had once dramatically improved the lives of solo mothers began to give way to policies that privatized their problems. Solo mothers in the United States were worse off, as conservative policymakers launched a clamorous campaign to restore the "traditional nuclear family" as the only guarantor of women's and children's well-being, blaming solo mothers for everything from juvenile crime to their own poverty. In this revealing and timely book, sociologist and former legal services attorney, Celia Winkler, charts the policies in Sweden and the United States that transformed the social and economic situation of solo mothers, who are an early warning of more general danger: the canary in the coal mine.
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