Every great writer has a unique way of setting a story to paper. And, it turns out, many of these writers used methods that were just as inventive as the works they produced. Odd Type Writers explores the quirky writing habits of renowned authors, including Truman Capote, Ernest Hemingway, and Alexandre Dumas, among many others. * To meet his deadline for The Hunchback of Notre Dame, Victor Hugo placed himself under strict house arrest, locking up all of his clothes and wearing nothing but a large gray shawl until he finished the book. * Virginia Woolf used purple ink for love letters, diary entries, and to pen her acclaimed novel Mrs. Dalloway. Also, in her twenties, she preferred to write while standing up. * Friedrich Schiller kept a drawer full of rotten apples in his study. According to his wife, he couldn’t work without that pungent odor wafting into his nose. * Eudora Welty evaluated her work with scissors handy. If anything needed to be moved, she cut it right out of the page. Then she’d use pins to put the section in its new place. In Odd Type Writers, you’ll find out why James Joyce wrote in crayon, what Edgar Allan Poe’s cat was doing on his shoulder, why Vladimir Nabokov had to keep his feet wet, and the other peculiar tools and eccentric methods used to compose some of the greatest works of all time.
Every great book begins with an idea, whether it comes to a writer's mind with lightning speed or tugs at the imagination over time. Dancing with Mrs. Dalloway offers stories of the inspiration behind fifty classic works, from The Sound and the Fury, Jane Eyre, and Frankenstein to Anna Karenina, The Bell Jar, and Winnie-the-Pooh. Gabriel García Márquez was driving to Acapulco with his family when he slammed on the brakes, turned the car around, and insisted they abandon their trip so he could return home to write. He had good reason to cut the trip short-a childhood memory of touching ice had suddenly sparked the first line to a novel that would become his most famous work, One Hundred Years of Solitude. C. S. Lewis, on the other hand, spent decades pondering the scene that inspired The Lion, the Witch and the Wardrobe. When Lewis was sixteen, he had a peculiar daydream: a faun carried a bundle of parcels and an umbrella through snow-covered woods. Lewis was almost forty when he decided to write a novel that grew around the vision. In Dancing with Mrs. Dalloway, you'll discover who Edgar Allan Poe's raven really belonged to, whether Jane Austen's heartthrob Mr. Darcy actually existed, who got into mischief with a young Mark Twain, and what the real Sherlock Holmes did for a living. These delightful stories reveal the often unknown reasons our literary heroes put quill to parchment, pen to paper, or finger to keyboard to write some of the world's best-loved books.
A fresh, heartwarming voice." —Jodi Thomas, New York Times bestselling author It’s been a year since an eccentric billionaire summoned seven strangers to the dilapidated, postage stamp-sized town of Fat Chance, Texas. To win a cash bequest, each was required to spend six months in the ghost town to see if they could transform it—and themselves—into something extraordinary. But by the time pastry chef Fernando Cruz arrives, several members of the original gang have already skedaddled... Fernando’s hopes of starting a new life in Fat Chance are dashed when the town’s handful of ragtag residents—and a mysterious low-flying plane—show him just how weird the place actually is. His hopes of making over the town’s sole café into a BBQ restaurant for nearby ranchers threaten to turn to dust as a string of bizarre secrets are revealed. But just when the pickins’ couldn’t get any slimmer, the citizens of Fat Chance realize they might be able to build exactly the kind of hometown they all need—but never knew they wanted... Praise for Celia Bonaduce and her novels "A bingeworthy triology about smart, quirky women who feel like friends. In Much Ado About Mother she shows us just how strong (and funny) the mother-daughter bond can be. Loved it!" --Clare O'Donahue, author of The Kate Conway Mysteries "Celia Bonaduce writes well rounded, real life characters straight from the heart. I loved this book!" —Phyliss Miranda, New York Times bestselling author on A Comedy of Erinn "The Merchant of Venice Beach has a fresh, heartwarming voice that will keep readers smiling as they dance through this charming story by Celia Bonaduce." —Jodi Thomas, New York Times bestselling author
Together with the Olympics, world's fairs are one of the few regular international events of sufficient scale to showcase a spectrum of sights, wonders, learning opportunities, technological advances, and new (or renewed) urban districts, and to present them all to a mass audience. Meet Me at the Fair: A World's Fair Reader breaks new ground in scholarship on world's fairs by incorporating a number of short new texts that investigate world's fairs in their multiple aspects: political, urban/architectural, anthropological/ sociological, technological, commercial, popular, and representational. Contributors come from eight different countries and represent affiliations in academia, museums and libraries, professional and architectural firms, non-profit organizations, and government regulatory agencies. In taking the measure of both the material artifacts and the larger cultural production of world's fairs, the volume presents its own phantasmagoria of disciplinary perspectives, historical periods, geographical locales, media, and messages, mirroring the microcosmic form of the world's fair itself.
“A fresh, heartwarming voice.” —Jodi Thomas, New York Times bestselling author From ghost town to growing community, it’s been a few years since a group of strangers inherited property in tiny, deserted Fat Chance, Texas. And besides creating businesses, they’ve developed friendships and romances too. But plans to pave the town may put Dymphna Pearl and her beau, Professor Johnson, on opposite sides of Main Street. In his zeal for the project, he’s making great decisions for Fat Chance, but not for them as a couple. Disgruntled, Dymphna heads back to Los Angeles to collect the rabbits she’s created a special place for in the hot Texas climate. But the professor is in for another surprise... Professor Johnson didn’t even know about Dympha’s sister, Maggie, and when he meets her in a most unexpected way, he begins to understand why. In the meantime, Dymphna is off pursuing an exciting venture to let the world know about Fat Chance—one that will bring a talented new crew to the eclectic group. The kitschy little place they call home is clearly destined for bigger, better things—-but with so many changes a-coming will the same be true for everyone in Fat Chance, including the professor and Dymphna? Praise for Celia Bonaduce and her novels “A bingeworthy triology about smart, quirky women who feel like friends. In Much Ado About Mother she shows us just how strong (and funny) the mother-daughter bond can be. Loved it!”--Clare O'Donahue, author of The Kate Conway Mysteries “Celia Bonaduce writes well rounded, real life characters straight from the heart. I loved this book!” —Phyliss Miranda, New York Times bestselling author on A Comedy of Erinn “The Merchant of Venice Beach has a fresh, heartwarming voice that will keep readers smiling as they dance through this charming story by Celia Bonaduce.” —Jodi Thomas, New York Times bestselling author
This book serves as an introduction to the burgeoning field of ecothology, illustrating both its variety and its commonality across different Christian theological divides. Some of the questions addressed in this short book include the following: How can the Bible still make sense in the context of climate change and biodiversity loss? Who on earth is Jesus Christ, and what does he mean for us in today's world? How can Christians be faithful to their traditions while responding to pressing calls to be engaged in environmental activism? What is the relationship between theory and practice, and local as well as global demands, and how is this relationship expressed in different ecclesial settings? How can we encourage each other to develop a sense of the earth as divine gift? Written in clear, accessible style, this book walks readers through difficult concepts and shows the way different sources in Christian theology have responded to one of the most significant cultural issues of our time.
Out of the Hay and into the Hops explores the history and development of hop cultivation in the Weald of Kent together with the marketing of this important crop in the Borough at Southwark (where a significant proportion of Wealden hops were sold). A picture emerges of the relationship between the two activities, as well as of the impact this rural industry had upon the lives of the people engaged in it. Dr Cordle draws extensively on personal accounts of hop work to evoke a way of life now lost for good. Oral history, together with evidence from farm books and other sources, records how the steady routine of hop ploughing and dung spreading, weeding and spraying contrasted with the bustle and excitement of hop picking (bringing in, as it did, many itinerant workers from outside the community to help with the harvest) and the anxious period of drying the crop. For hops, prey to the vagaries of weather and disease, needed much care and attention to bring them to fruition. In early times their cultivation provided work for more people than any other crop. The diverse processes of hop cultivation are examined within the wider context of events such as the advent of rail and the effects of war, as are changes to the working practices and technologies used, and their reception and implementation in the Weald. Meanwhile, in the Borough, an enclave of hop factors and merchants, whose interests sometimes conflicted with those of the hop growers, arose and then suffered decline. A full account of this trade is presented, including day-to-day working practices, links with the Weald, and the changes in hop marketing following Britain's entry into the European Economic Community. This book provides readers with a fascinating analysis of some three hundred years of hop history in the Weald and the Borough. Hops still grow in the Weald; in the Borough, the Le May facade and the gates of the Hop Exchange are reminders of former trade."--Book description.
What steps can be taken to incorporate a cultural perspective to the evaluation of research risks and benefits? How can investigators develop and implement respectful informed consent procedures in diverse cultural and language communities? What are ethical pitfalls and successful approaches to engaging in community and participant consultation? The Handbook of Ethical Research With Ethnocultural Populations and Communities, edited by Joseph E. Trimble and Celia B. Fisher, addresses these and other key questions in the first major work to focus specifically on ethical issues involving work with ethnocultural populations. Filling gaps and questions left unanswered by general rules of scientific conduct such as those embodied in federal regulations and professional codes, this Handbook will help guide ethical decision making for social and behavioral science research with multicultural groups for years to come. Key Features: Brings together for the first time a multidisciplinary blend of national leaders who specialize in the area of conducting research with ethnocultural populations Addresses existing issues at methodological, procedural, and conceptual levels for the responsible conduct of research in the field Incorporates as background a summary of leading research and scholarship on various topics framed within the authors′ personal successes, challenges, and failures in the dynamic process of creating a multicultural research ethic Includes real-world case examples to illustrate significant ethical principles in the research venture more concretely The Handbook is designed for graduate and advanced undergraduate students in Psychology and will also be valuable for social and medical science researchers and institutional review boards. This book will also be of interest to ethicists and bioethicists, policy makers, and foundations that fund research involving multicultural populations. .
Forcibly removed from their homes in the late 1830s, Cherokee, Creek, Choctaw, and Chickasaw Indians brought their African-descended slaves with them along the Trail of Tears and resettled in Indian Territory, present-day Oklahoma. Celia E. Naylor vividly charts the experiences of enslaved and free African Cherokees from the Trail of Tears to Oklahoma's entry into the Union in 1907. Carefully extracting the voices of former slaves from interviews and mining a range of sources in Oklahoma, she creates an engaging narrative of the composite lives of African Cherokees. Naylor explores how slaves connected with Indian communities not only through Indian customs--language, clothing, and food--but also through bonds of kinship. Examining this intricate and emotionally charged history, Naylor demonstrates that the "red over black" relationship was no more benign than "white over black." She presents new angles to traditional understandings of slave resistance and counters previous romanticized ideas of slavery in the Cherokee Nation. She also challenges contemporary racial and cultural conceptions of African-descended people in the United States. Naylor reveals how black Cherokee identities evolved reflecting complex notions about race, culture, "blood," kinship, and nationality. Indeed, Cherokee freedpeople's struggle for recognition and equal rights that began in the nineteenth century continues even today in Oklahoma.
When Mary sees her grandmother accused of witchcraft and hanged for the crime, she is silently hurried to safety by an unknown woman. The woman gives her tools to keep the record of her days - paper and ink. Mary is taken to a boat in Plymouth and from there sails to the New World where she hopes to make a new life among the pilgrims. But old superstitions die hard and soon Mary finds that she, like her grandmother, is the victim of ignorance and stupidity, and once more she faces important choices to ensure her survival. With a vividly evoked environment and characters skilfully and patiently drawn, this is a powerful literary achievement by Celia Rees that is utterly engrossing from start to finish.
“A fresh, heartwarming voice.” —Jodi Thomas, New York Times bestselling author For champion professional knitter Dymphna Pearl, inheriting part of a sun-blasted ghost town in the Texas hill country isn’t just unexpected, it’s a little daunting. To earn a cash bequest that could change her life, she’ll have to leave California to live in tiny, run-down Fat Chance for six months—with seven strangers. Impossible! Or is it? Trading her sandals for cowboy boots, Dymphna dives into her new life with equal parts anxiety and excitement. After all, she’s never felt quite at home in Santa Monica anyway. Maybe Fat Chance will be her second chance. But making it habitable is going take more than a lasso and Wild West spirit. With an opinionated buzzard overlooking the proceedings and mismatched strangers learning to become friends, Dymphna wonders if unlocking the secrets of her own heart is the way to strike real gold.
_______________ 'Historical fiction at its very best' - Waterstones' Guide to Kids' Books 'Prolific, erudite and consistently brilliant ... breathtaking' - Guardian 'Powerful, absorbing and unusual' - The Bookseller _______________ An updated edition of this outstanding historical novel, in a stunning new package to celebrate the 20th anniversary of its publication. When Mary sees her grandmother accused of witchcraft and hanged for the crime, she is silently hurried to safety by an unknown woman. The woman gives her tools to keep the record of her days – paper and ink. Mary is taken to a boat in Plymouth and from there sails to the New World where she hopes to make a new life among the pilgrims. But old superstitions die hard and soon Mary finds that she, like her grandmother, is the victim of ignorance and stupidity, and once more she faces important choices to ensure her survival. With a vividly evoked environment and characters skilfully and patiently drawn, this is a powerful literary achievement by Celia Rees that is utterly engrossing from start to finish.
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