In the words of the great poet Senghor, Cedric Villani makes the bold claim that Mathematics is the Poetry of Science. Perhaps paradoxical to some, both disciplines are concerned with describing the world around us, understanding its parts, and using this knowledge to create something profound. World-renowned mathematician and Fields Medallist Cedric Villani explores this analogy in this engaging and intelligent text, and shows how mathematics, one of the world's few universal languages, holds deep similarities to the literary genre. A great lover of poetry, he insists that the two are intrinsically linked in their aim of both tackling the complexities of our reality as well as distancing us from it so that we may better appreciate its beauty. In a more light-hearted and concise approach than his more theoretical academic works, this book represents one of Villani's attempts to communicate his love of mathematics to a wider audience, drawing daring parallels between two universes that meet in their aspiration of the sublime.
In the words of the great poet Senghor, Cedric Villani makes the bold claim that Mathematics is the Poetry of Science. Perhaps paradoxical to some, both disciplines are concerned with describing the world around us, understanding its parts, and using this knowledge to create something profound. World-renowned mathematician and Fields Medallist Cedric Villani explores this analogy in this engaging and intelligent text, and shows how mathematics, one of the world's few universal languages, holds deep similarities to the literary genre. A great lover of poetry, he insists that the two are intrinsically linked in their aim of both tackling the complexities of our reality as well as distancing us from it so that we may better appreciate its beauty. In a more light-hearted and concise approach than his more theoretical academic works, this book represents one of Villani's attempts to communicate his love of mathematics to a wider audience, drawing daring parallels between two universes that meet in their aspiration of the sublime.
Cedric C. Brown combines the study of literature and social history in order to recognize the immense importance of friendship bonds to early modern society. Drawing on new archival research, he acknowledges a wide range of types of friendship, from the intimate to the obviously instrumental, and sees these practices as often co-terminous with gift exchange. Failure to recognize the inter-connected range of a friendship spectrum has hitherto limited the adequacy of some modern studies of friendship, often weighted towards the intimate or gendered-related issues. This book focuses both on friendships represented in imaginative works and on lived friendships in many textual and material forms, in an attempt to recognize cultural environments and functions. In order to provide depth and coherence, case histories have been selected from the middle and later parts of the seventeenth century. Nevertheless many kinds of bonds are recognized, as between patron and client, mentor and pupil, within the family, within marriage, in courtship, or according to fashionable refined friendship theory. Both humanist and religious values systems are registered, and friendships are configured in cross-gendered and same-sex relationships. Theories of friendship are also included. Apart from written documents, the range of "texts" extends to keepsakes, pictures, funerary monument and memorial garden features. Figures discussed at length include Henry More and the Finch/Conway family, John Evelyn, Jeremy Taylor, Elizabeth Carey/Mordaunt, John Milton, Charles Diodati, Cyriac Skinner, Dorothy Osborne/Temple, William Temple, Lord Arlington, Sir Orlando Bridgeman, and Katherine Phillips and her circle, especially Anne Owen/Trevor and Sir Charles Cotterell.
For the first time in an approachable, affordable volume this study treats the whole literary career of England's most distinguished protestant-republican poet and writer, considering the miscellaneous output in the light of contexts and political functions. It highlights self-presentational and persuasive characteristics, pays attention to the sense of vocation and also describes Milton's distinctive achievement in social genres. Milton's competitive humanist training is seen to accomodate uneasily to the specific demands of some public works. The book features unfamiliar texts, whilst canonical texts are set in the story of his long endeavours during a turbulent period in English history.
This textbook offers for the first time a comprehensive analysis of the classic doctrines and main areas of international law from a European perspective, meeting the needs of the many European law schools teaching public international law in English. Special attention is devoted to the practice of the European Union, the Council of Europe and European States – both civil law and common law countries – with regard to international law. In particular the book analyses the interplay between international law, EU law and national law in the case law of the Court of Justice of the EU, the European Court of Human Rights and national jurisdictions in Europe. It provides the reader with insights into how the international legal practice of the EU and its Member States impacts the development of international law, both in terms of doctrines such as treaty-making and customary law, the exercise of (extraterritorial) jurisdiction, state responsibility and the settlement of disputes, as well as particular sub-fields of international law, such as human rights law and international economic law. In addition the book covers other important areas such as the use of force and collective security, the law of armed conflict, and global and regional international organisations. It provides European perspectives on all these issues and will be of great value to students, scholars and practitioners.
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