Apex Blues chronicles the extraordinary lives and musical legacies of two generation-spanning Jazz clarinet virtuosos: Jimmie Noone Sr. and his son Jimmy Noone Jr. Jimmie Noone Sr. rose to fame in the 1910s New Orleans French Quarter jazz scene, forging his iconic ‘Sweet Lorraine’ style during the dawn of the genre. Later, his son Jimmy initially made waves as a San Diego local musician before feeling called to follow in his father’s footsteps. He set out to revive his dad’s New Orleans Jazz sound and mentorship. As the author witnesses firsthand, Jimmy exceeds even his father’s musical heights through raw talent and relentless dedication to his craft. In his final days, he completes his quest: to honor Jazz history by propelling his father’s sound into the future. Jimmy cements the Noone legacy, ensuring the nation remembers what sublime Jazz can be. Spanning generations, geographies, and evolutions of musical style, Apex Blues captures how two clarinet greats shepherded Jazz from regional obscurity into an acclaimed American art form.
Inward, Outward, Onward, Upward: A Lifelong Journey Towards Anti-Oppression and Inclusion in Museums puts forth an incisive look at diversity, equity, accessibility, inclusion, anti-racism, pro-marginalized people and museums. It asks its readers—museum professionals, paraprofessionals, museum governing bodies, and museum academic programs—to practice the skills of looking inward, developing empathy, working collaboratively across the museum to address the systemic effects of unexamined oppression, and working tirelessly for justice and change. DEAI—or whatever permutation of initials one might apply to this complex, critical concern—is not just about who leads museums and what they look like. It’s about acknowledging and redressing harms to people who have been, and continue to be, unjustly neglected, unfairly treated, willfully minoritized, and historically hidden from museums. It’s about looking at both the systems and the people who have caused harm and seeking to ameliorate them. It’s about being generous enough, brave enough, and vulnerable enough to learn from other people about ourselves, our shared motivations, beliefs, and practices, and to heal our world from the inside out. Leading museum DEAI consultant Cecile Shellman here offers more tools to help us talk, think, and work together. Chapters cover such hard topics as “The Individual and the 21st Century Museum: How Museums Have Changed and Why Individuals Need to Adapt,” “Don’t We All Matter? Why Tolerance and Kindness are Not Enough,” and “Understanding the Relationship between Privilege and Power: Making Decisions and Keeping Promises about DEAI Work.” Shellman offers numerous worksheets and forms that can be used by individuals or in group training sessions.
In the book Grands Visit the Planetarium, you will find that it is very family orientated. Grandma and Grandpa love having their grandchildren come to visit. They plan interesting things for them to do and love participating with them. After their own children grow up and move out, they look forward to spending time with their grandchildren. Grandma enjoys getting ready by baking cookies. Grandpa prepares by mowing the lawn and tightening the screws on the Jungle Jim and swing set. Grandma and Grandpa find themselves amused by their grandchildrens antics. They also love the way their grandchildren work together. It fills Grandmas and Grandpas hearts having their grandchildren around. Grandparents are at a disadvantage when it comes to books directed toward them raising their grandchildren. The Grand series focuses on just that, along with the time they spend together. The Grand series centers on how you would like your grandchildren to respond to the rest of the family. The series also allows grandparents to personalize the story by inputting your grandchildrens names into the book.
More than a century has passed since the first Poles settled in Detroit. The first communities were established on the east side of Detroit, but the colony expanded rapidly to the west neighborhoods, and Poles in Detroit still identify themselves as East- or Westsiders. The pioneers left Poland for freedom of language and religion, and to own property. They replicated village life in the big city, living in close-knit neighborhoods anchored by the parish church. Polish immigrants made cigars, built railroad cars, molded stoves, established businesses and breweries, and moved into the political arena. The struggles and triumphs of these early settlers are on display in the pages of Detroit Polonia, a photographic history that links future generations with their Polish heritage.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.