When a young woman is shipwrecked in the kingdom of the Blazing World, she befriends the natives, a highly intelligent and tolerant group of humanoid animals. With the help of the locals, the woman becomes the Empress of the island, and leads the Blazing World into a society of peace, equality, and understanding. Margaret Cavendish’s The Blazing World explores hot-button topics and themes, bringing a perspective that is still fresh modern-day. With imaginative and gripping prose, Cavendish advocates for philosophy over the material world, becoming a pioneer and strong advocate for peace, animals’ rights, feminism, and equality. Her work is considered innovative not only for the exploration of these topics, but also for the invention of a genre. This edition of The Blazing World is printed in a modern font and redesigned with a striking new cover, bringing Cavendish’s trailblazing literature into the 21st century.
The Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by English writer Margaret Cavendish, the Duchess of Newcastle. It has been described as an early forerunner of science fiction.
When a woman finds herself trapped in a loveless marriage, she receives guidance from an anonymous guardian in this eighteenth-century epistolary novel. Georgiana Cavendish, Duchess of Devonshire, first published The Sylph anonymously in 1778. With its autobiographical elements and frank depiction of infidelity, corruption, and alcoholism, it was a blistering exposé of aristocratic depravity. Welsh beauty Julia Grenville knows little of the world when she marries the wealthy, much older Lord Stanley. After moving to London, she writes to her sisters of disappointments and misfortunes: her unfaithful husband, the snobbery of London socialites, and a newfound weakness for gambling. Julia then receives correspondence from a mysterious guardian angel known only as the Sylph. Sympathetic to Julia’s unhappiness, the Sylph offers counsel on her marital strife and her growing affection for another man. And when she discovers that her husband faces ruin—and that she herself could be claimed in payment for his debts—the Sylph helps Julia find the courage to flee.
Margaret Cavendish was one of the most subversive and entertaining writers of the seventeenth century. She invented new genres, challenged gender roles, and critiqued the new science as well as the mores of society. “Paper Bodies” was the wonderful phrase she used to described her manuscripts, which she hoped would continue to make “a great Blazing Light” after her death. There are connections here to Cavendish’s most famous work, The Description of a New World, Called the Blazing World (1666), a unique tale of a woman travelling through the north pole to a strange new world. In addition to The Blazing World, this volume includes Cavendish’s brief autobiography, A True Relation of My Birth, Breeding and Life (1667), her play The Convent of Pleasure, and selections from her Sociable Letters, her poetry, and her critical writings. A variety of background documents by other seventeenth-century writers helps to set her work in context for the modern reader.
A young women is kidnapped and made Empress of The Blazing World. Taking root in this new community, she adapts to the culture and ways of the alien population, exploring the vast universe with their help. But when an invasion looms, she undertakes the role of a military leader. Will our protagonist follow in the footsteps of Earth’s Alexander the Great and Julius Caesar? And more importantly, can she conquer the land she once called home? Serving as the only known female work of utopian fiction in the 17th century, Margaret Cavendish’s quick witted and insightful novella weaves adventure, romance and autobiography in one impressive epic. Ideal for fans of Apple TV’s hit adaption of Isaac Asimov’s ‘Foundation’ series. Scare seekers will also admire 2021’s fantasy horror-thriller ‘The Blazing World’, inspired by Cavendish’s text. ‘The Blazing World’ is a must read for utopian fanatics who dare to question it all. Margaret Cavendish, Duchess of Newcastle-upon-Tyne, (1623-1673) was an English philosopher, poet, scientist, fiction writer and playwright. Spending most of the English Civil War in France, she wrote in her own name during a period when most female writers remained anonymous. Celebrated today as the first female writer of utopian and science fiction, her work spans topics of gender, power, scientific methods and philosophy. ‘The Blazing World’ remains as one of the earliest works of science fiction today. Challenging the contemporary belief that women were inferior to men, Cavendish advocated for women’s education and became the first woman to attend a meeting at the Royal Society of London.
The Blazing World - A New World - A 1666 Work of Prose Fiction by Margaret Cavendish. The Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by the English writer Margaret Cavendish, the Duchess of Newcastle. It has been mentioned as an early forerunner of science fiction. As its full title suggests, Blazing World is a fanciful depiction of a satirical, utopian kingdom in another world (with different stars in the sky) that can be reached via the North Pole. It is "the only known work of utopian fiction by a woman in the 17th century, as well as one of the earliest examples of what we now call 'science fiction' - although it is also a romance, an adventure story, and even autobiography." A young woman enters this other world, becomes the empress of a society composed of various species of talking animals, and organizes an invasion back into her world complete with submarines towed by the "fish men" and the dropping of "fire stones" by the "bird men" to confound the enemies of her homeland, the Kingdom of Esfi. The work was republished in 1668 with Cavendish's Observations upon Experimental Philosophy and thus functioned as an imaginative component to what was otherwise a reasoned endeavour in 17th century science. Cavendish's book inspired a notable sonnet by her husband, William Cavendish, 1st Duke of Newcastle-upon-Tyne, which celebrates her imaginative powers. The sonnet was included in her book.
The Convent of Pleasure (1868) is a closet drama by Margaret Cavendish. Intended for private performance rather than the stage, The Convent of Pleasure is a comedy that critiques the institution of marriage and explores the possibility of lesbian desire in a patriarchal society. Published under the author’s own name—a rare feat for a woman of her time—The Convent of Pleasure is a groundbreaking work of queer utopian literature that continues to inform and inspire artists and critics alike. “Put the case I should Marry the best of Men, if any best there be; yet would a Marry'd life have more crosses and sorrows then pleasure, freedom, or hapiness: nay Marriage to those that are virtuous is a greater restraint then a Monastery.” Tired of the ways of men, Lady Happy encourages her friends to join an experimental cloister devoted to feminine autonomy, friendship, and desire. Despite opposition from angry Monsieurs and the skeptical Madam Mediator, the woman forge a tight-knit group and seem prepared to defy the institution of marriage while pursuing romantic relationships with their fellow women. Before long, a mysterious Princess seeks entry to the convent. With a beautifully designed cover and professionally typeset manuscript, this edition of Margaret Cavendish’s The Convent of Pleasure is a classic of English literature reimagined for modern readers.
A guide to the peoples of Europe including family and social life, language, religion, health and education, arts and crafts, music and dance, food and drink, houses and homes, clothing and adornments.
Margaret Cavendish was one of the most subversive and entertaining writers of the seventeenth century. She invented new genres, challenged gender roles, and critiqued the new science as well as the mores of society. “Paper Bodies” was the wonderful phrase she used to described her manuscripts, which she hoped would continue to make “a great Blazing Light” after her death. There are connections here to Cavendish’s most famous work, The Description of a New World, Called the Blazing World (1666), a unique tale of a woman travelling through the north pole to a strange new world. In addition to The Blazing World, this volume includes Cavendish’s brief autobiography, A True Relation of My Birth, Breeding and Life (1667), her play The Convent of Pleasure, and selections from her Sociable Letters, her poetry, and her critical writings. A variety of background documents by other seventeenth-century writers helps to set her work in context for the modern reader.
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