After a century of speculation by writers, filmmakers, travelers and scholars, being Australian' has become a recognisable shorthand for a group of national characteristics. Now, in an era of international terrorism, being seen as un-Australian' has become a potent rhetorical weapon for some, and a badge of honour for others. Catriona Elder explores the origins, meaning and effects of the many stories we tell about ourselves, and how they have changed over time. She outlines some of the traditional stories and their role in Australian nationalism, and she shows how concepts of egalitarianism, peaceful settlement and sporting prowess have been used to create a national identity. Elder also investigates the cultural and social perspectives that have been used to critique dominant accounts of Australian identity, including ideas of class, gender, sexuality, ethnicity and race. She shows how these critiques have been, in turn, queried in recent years. Being Australian is an ideal introduction to studying Australia for anyone interested in understanding Australian society, culture and history. A clever work: incisive and original. At a time when Australian identities have never been more debated, Elder finds an open way through the closed doors which often restrict cultural representations of Australian-ness.' Professor Adam Shoemaker, Dean of Arts, ANU This is a timely and significant new analysis essential reading on issues of identity and our own anxieties about national belonging and what it means to be Australian' in a globalising world.' Kate Darian-Smith, Professor of Australian Studies and History, University of Melbourne
Analysis of the assimilation issues and race relations in five novels from the 1950s and 1960s and three non-fiction and texts that were produced in academic and government circles regarding the 'half caste problem' in the 1930s and 1940s; includes overview of assimilation in Australia and definitions of assimilation; management of race relations in Australia; eugenic politics; Aboriginality; 1937 Aboriginal welfare conference; Citizenship for the Aborigines (1944); Australia's Colours Minority: Its place in the community (1947).
International Latino Book Award winner, Best Cookbook More than just a cookbook, Decolonize Your Diet redefines what is meant by "traditional" Mexican food by reaching back through hundreds of years of history to reclaim heritage crops as a source of protection from modern diseases of development. Authors Luz Calvo and Catriona Rueda Esquibel are life partners; when Luz was diagnosed with breast cancer in 2006, they both radically changed their diets and began seeking out recipes featuring healthy, vegetarian Mexican foods. They promote a diet that is rich in plants indigenous to the Americas (corn, beans, squash, greens, herbs, and seeds), and are passionate about the idea that Latinos in America, specifically Mexicans, need to ditch the fast food and return to their own culture's food roots for both physical health and spiritual fulfillment. This vegetarian cookbook features over 100 colorful, recipes based on Mesoamerican cuisine and also includes contributions from indigenous cultures throughout the Americas, such as Kabocha Squash in Green Pipian, Aguachile de Quinoa, Mesquite Corn Tortillas, Tepary Bean Salad, and Amaranth Chocolate Cake. Steeped in history but very much rooted in the contemporary world, Decolonize Your Diet will introduce readers to the the energizing, healing properties of a plant-based Mexican American diet. Full-color throughout. Luz Calvo and Catriona Rueda Esquibel are professors at California State East Bay and San Francisco State University, respectively. They grow fruits, vegetables, and herbs on their small urban farm. This is their first book.
Agatha Award Winner for Best Historical Novel: Something fishy is going on in this clever mystery with “an exciting climax” set in a tiny Scottish village (Publishers Weekly). Winner, Lefty Award for Best Historical Mystery Novel Finalist, Macavity/Sue Feder Memorial Award for Best Historical Mystery On the rain-drenched, wind-battered Banffshire coast, dilapidated mansions cling to cliff tops and tiny fishing villages perch on ledges that would make a seagull think twice. It’s nowhere for Dandy Gilver, a child of gentle Northamptonshire, to spend Christmas. But when odd things start to turn up in barrels of fish—with a strong whiff of murder most foul—that’s exactly where she finds herself. Enlisted to investigate, Dandy and her trusty cohort, Alec Osborne, are soon swept up in the fisherfolks’ wedding season as well as the mystery. Between age-old traditions and brand-new horrors, Dandy must think the unthinkable to solve her most baffling case yet. “A host of colorful characters . . . the setting of this cozy thriller is vividly detailed and full of creeping menace.” —Kirkus Reviews “Not since Maisie Dobbs first surfaced has there been a pluckier or more winning heroine.” —Charles Finch, author of The Fleet Street Murders “A dandy series.” —The Boston Globe
It was September, 1932. Gerasimovka, Western Siberia. Two children are found dead in the forest outside a remote village. Both have been repeatedly stabbed and their bloody bodies are covered in sticky, crimson cranberry juice. Who committed these horrific murders has never been proved, but the elder boy, thirteen-year-old Pavlik Morozov, was quickly to become the most famous boy in Soviet history - statues of him were erected, biographies published, and children across the country were exhorted to emulate him. Catriona Kelly's aim is not to find out who really killed the boys, but rather to explore how Stalin's regime turned Pavlik into a hero designed to produce good Soviet citizens. Pavlik's story is intriguing and multi-layered: did he denounce his own father to the authorities? Was he murdered by members of his own family? Did he ever belong to the Pioneers, the Communist youth organization who claimed him as member No. 001? This is the first book in English on Pavlik's legend, using previously inaccessible local archives.
Agatha Christie meets Upstairs Downstairs . . . [For] fans of Phryne Fisher and Maisie Dobbs." —Publishers Weekly A mystery writer perfect for fans of Upstairs Downstairs, Downton Abbey, and Gosford Park, Catriona McPherson has charmed readers everywhere with her fun and clever series set in 1920s Scotland. In this new adventure, witty, aristocratic sleuth Dandy Gilver travels to an all-girls school in the small seaside town of Portpatrick to investigate the disappearance of a childhood friend who taught there. Soon, Dandy discovers that her missing chum is not the only thing that's off in Portpatrick. Other teachers have been disappearing at an alarming rate. The BBC has optioned the Dandy Gilver series for television, and mystery fans will love Dandy Gilver and a Bothersome Number of Corpses, the newest excursion with Scotland's most charming sleuth.
In Russia, food has a hugely important role in political, symbolic, and practical terms. In this illuminating history of Russian food in the modern age, Catriona Kelly a leading cultural historian and keen amateur cook reflects on this and an environment where what you eat (and drink) indicates how patriotic you are. Kelly argues that an expectation of 'feeding' is embedded in attitudes to the state as provider, and that rationing systems have traditionally replicated and even enforced social hierarchies. The book looks at how Russian food is intimately connected with family and friends, and was an important source of delight even in the Soviet period, when official culinary provision and practices ostensibly sought to promote nutrition above all, and food was often short. Russian Food since 1800 traces these complex and contradictory associations. It also examines various shifts in diet and cuisine over the last three centuries, including the ways in which old traditions such as pickling and jam-making sit alongside wider world influences from the vast imperial hinterland in the Baltic, the Caucasus, and Central Asia, as well as Western Europe and America.
This handbook is a guiding star for all medical students, junior doctors and trainees. The culmination of more than 20 years' clinical experience, and containing the knowledge and insight gained by more than 15 authors, the new edition is the definitive pocket-sized guide to today's clinical medicine.
The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." —Stephen King Winner of the British Fantasy Award for Best Horror Novel! A World Fantasy Award Finalist! An Indie Next Pick! A LibraryReads Top 10 Pick! A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly! Named one of the "50 Best Horror Books of All Time" by Esquire! "Brilliant....[a] deeply frightening deconstruction of the illusion of the self." —The New York Times Catriona Ward's The Last House on Needless Street is a shocking and immersive read perfect for fans of Gone Girl and The Haunting of Hill House. In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all. “The new face of literary dark fiction.” —Sarah Pinborough At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This important new book examines contemporary art while foregrounding the key role feminism has played in enabling current modes of artmaking, spectatorship and theoretical discourse. Contemporary Art and Feminism carefully outlines the links between feminist theory and practice of the past four decades of contemporary art and offers a radical re-reading of the contemporary movement. Rather than focus on filling in the gaps of accepted histories by ‘adding’ the ‘missing’ female, queer, First Nations and women artists of colour, the authors seek to revise broader understandings of contemporary practice by providing case studies contextualised in a robust art historical and theoretical basis. Readers are encouraged to see where art ideas come from and evaluate past and present art strategies. What strategies, materials or tropes are less relevant in today’s networked, event-driven art economies? What strategies and themes should we keep hold of, or develop in new ways? This is a significant and innovative intervention that is ideal for students in courses on contemporary art within fine arts, visual studies, history of art, gender studies and queer studies.
A classic murder-mystery set among the struggling upper classes of 1920s Perthshire as, in the aftermath of the First World War, their comfortable world begins to crumble. Dandy Gilver, her husband back from the War, her children off at school and her uniform growing musty in the attic, is bored to a whimper in the spring of 1923 and a little light snooping seems like harmless fun. Before long, though, the puzzle of what really happened to the Duffy diamonds after the Armistice Ball has been swept aside by a sudden, unexpected death in a lonely seaside cottage in Galloway. Society and the law seem ready to call it an accident but Dandy, along with Cara Duffy's fiancé Alec, is sure that there is more going on than meets the eye. What is being hidden by members of the Duffy family: the watchful Lena, the cold and distant Clemence and old Gregory Duffy with his air of quiet sadness, not to mention Cara herself whose secret always seems just tantalizingly out of view? Dandy must learn to trust her instincts and swallow most of her scruples if he is to uncover the truth and earn the right to call herself a sleuth.
Partnering with Nature is a simple book with a powerful message: our connections to the natural environment— and ultimately, to ourselves—are crucial in today’s fragmented world. As each successive generation moves farther away from nature, the growing disconnect is expressed through physical as well as mental stress, from depression and fatigue in adults to attention disorders and obesity in children. The way we relate to nature helps define our place within it, and by awakening this natural, yet dormant connection to the environment around us, we can move beyond solitary stewardship and into partnership. In Partnering with Nature, Catriona MacGregor weaves together scientific and historical wisdom, spiritual insights, and inspiring stories that illuminate the energies that link humans, animals, and the natural world. Through observation and conscious practice, we can open up to the power of nature to transform our lives, uplift our spirits, and even to direct our bodies to a healthier potential. For everyone who has a sense of something missing, who wishes to make a difference in their world, who yearns to reclaim their sense of wonder and awe, or who struggles with their health or emotional balance—nature speaks to all who will listen.
Guaranteed to appeal to those who never got over the death of Dorothy L. Sayers."--Financial Times (UK) Aristocratic and delightfully witty amateur sleuth Dandy Gilver was greeted with boisterous cheers from readers and reviewers alike in Catriona McPherson's previous outing, Dandy Gilver and the Proper Treatment of Bloodstains, which The Boston Globe named one of the best crime novels of 2011. In this new book in this charming and funny series, Dandy is caught between two feuding families who run rival department stores. Dandy's services are needed when the heiress to one of the stores goes missing. As Dandy starts to unravel long-hidden family secrets, she begins to discover disturbing connections, and it's not long before danger abounds. "With witty dialogue and low-key humor, McPherson's series is a great choice for Jacqueline Winspear, Carola Dunn, and Amy Patricia Meade fans. A strong traditional offering with sly humor, a love of dogs, and not too much violence. A real contender for the Agathas!"(Library Journal, starred review), Dandy Gilver and an Unsuitable Day for a Murder is one mystery not to be missed.
On the cusp of memory and history, the story of Scotland's twentieth-century is contested territory: international yet parochial; prosperous yet ailing; and, passionate yet temperate. This thematic account of Scotland's twentieth century examines the economic, social, political and cultural aspects that shaped the country during the period. Catroina MacDonald underlines the tensions inherent in the life of a nation distinguished by stark changes and surprising continuities, a fragmented identity, a shifting and at times uneasy accommodation in the UK nation state, and an ongoing engagement with globalising tendencies. In identifying the choices, ambitions, possibilities and contradictions that Scotland experienced during a century of profound change, she uncovers a country in which one can truly say extremes met.
In this, the first fully documented study of British and Irish popular reactions to the outbreak of the First World War, Catriona Pennell explores UK public opinion of the time and successfully challenges the myth of British 'war enthusiasm'. A Kingdom United explores what people felt, and how they acted, in response to an unanticipated and unprecedented crisis. It is a history of both ordinary people and elite figures in extraordinary times. Dr Pennell demonstrates that describing the reactions of over 40 million British and Irish people to the outbreak of war as either enthusiastic in the British case, or disengaged in the Irish, is over-simplified and inadequate. Emotional reactions to the war were ambiguous and complex, and changed over time. By the end of 1914 the populations of England, Scotland, Wales, and Ireland had largely embraced the war, but the war had also embraced them and showed no signs of relinquishing its grip. The five months from August to December 1914 set the shape of much that was to follow. A Kingdom United describes and explains that twenty-week formative process. Pennell draws from a vast array of diaries, letters, journals, and newspaper accounts by the very people who experienced the war in its first dramatic five months. She outlines the variety of responses felt amongst both the ordinary people and elite figures from across the country.
In Russia, legislation on the separation of church and state in early 1918 marginalized religious faith and raised pressing questions about what was to be done with church buildings. While associated with suspect beliefs, they were also regarded as structures with potential practical uses, and some were considered works of art. This engaging study draws on religious anthropology, sociology, cultural studies, and history to explore the fate of these "socialist churches," showing how attitudes and practices related to them were shaped both by laws on the preservation of monuments and anti-religious measures. Advocates of preservation, while sincere in their desire to save the buildings, were indifferent, if not hostile, to their religious purpose. Believers, on the other hand, regarded preservation laws as irritants, except when they provided leverage for use of the buildings by church communities. The situation was eased by the growing rapprochement of the Orthodox Church and Soviet state organizations after 1943, but not fully resolved until the Soviet Union fell apart. Based on abundant archival documentation, Catriona Kelly's powerful narrative portrays the human tragedies and compromises, but also the remarkable achievements, of those who fought to preserve these important buildings over the course of seven decades of state atheism. Socialist Churches will appeal to specialists, students, and general readers interested in church history, the history of architecture, and Russian art, history, and cultural studies.
From conception onwards, Stuart offspring were presented to their subjects through texts, images and public celebrations. Audiences were exhorted to share in their development, establishing affective bonds with the royal family and its latest additions. Yet inviting the public into Stuart domestic affairs exposed them to intense scrutiny and private interactions were endowed with public dimensions. Images of royal children had the potential both to support and to undermine dynastic messages. In Imaging Stuart Family Politics, Catriona Murray explores the promotion of Stuart familial propaganda through the figure of the royal child. Bringing together royal ritual, court portraiture and popular prints, she offers a distinctive perspective on this crucial dimension of seventeenth-century political culture, exploring the fashioning and dismantling of reproductive imagery, as well as the vital role of visual display within these dialogues. This wide-ranging study will appeal to scholars of Stuart cultural, political and social history.
McPherson's wit has been compared to that of PG Wodehouse or Nancy Mitford, and her finely researched and choreographed narratives to the work of Agatha Christie . . . an absolute delight . . . these are the perfect reads for a night by the fire.' Scotsman Wedding bells are set to ring as Dandy Gilver, family in tow, arrives in windswept Wester Ross on Valentine's Day. They've come to celebrate Lady Lavinia's fiftieth birthday and to meet her daughter Mallory, a less-than-suitable bride-to-be for Dandy's son Donald. But soon love is the last thing on Dandy's mind when the news breaks that Lady Lavinia has been found dead, brutally murdered in the middle of her famous knot garden. Strange superstitions and folklore abound among the Gaelic-speaking locals. But , Dandy suspects that the tangled boughs and branches around Applecross House hide something much more earthly at work . . .
Sundial is a new, twisty psychological horror novel from Catriona Ward, author of The Last House on Needless Street. Download a FREE sneak peek today! “The new face of literary dark fiction.” —Sarah Pinborough, New York Times bestselling author of Behind Her Eyes You can't escape what's in your blood... All Rob wanted was a normal life. She almost got it, too: a husband, two kids, a nice house in the suburbs. Far from her childhood home, Sundial, hidden deep in the wild Mojave Desert. But beneath the veneer, Rob is terrified for her oldest daughter, Callie, who collects tiny bones and whispers to imaginary friends. Rob sees a darkness in Callie, one that reminds her too much of the family she left behind. Running from her past has led her directly back to it -- what’s buried at Sundial could never stay a secret forever, and Rob must risk one last trip out there to protect her family, and her future. “A true nerve-shredder that keeps its mind-blowing secrets to the very end.” —Stephen King on The Last House on Needless Street At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book is intended to capture the interest of anyone who has been attracted to Russian culture through the greats of Russian literature, either through the texts themselves, or encountering them in the cinema, or opera. Rather than a conventional chronology of Russian literature, the book will explore the place and importance of literature of all sorts in Russian culture. How and when did a Russian national literature come into being? What shaped its creation? How have the Russians regarded their literary language? The book will uses the figure of Pushkin, 'the Russian Shakespeare' as a recurring example as his work influenced every Russian writer who came after hime, whether poets or novelists. It will look at such questions as why Russian writers are venerated, how they've been interpreted inside Russia and beyond, and the influences of such things as the folk tale tradition, orthodox religion, and the West ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
♥️ ' . . . an absolute delight . . . these are the perfect reads for a night by the fire' ♥️ Scotsman War is hovering on the horizon, and Dandy Gilver wants nothing more than to keep her friends and family close. But then a call in the night places her oldest friend Daisy at the centre of a murder investigation. With her friend's future on the line, Dandy and her fellow sleuth Alec Osbourne must race to prove her innocence. But when they reach the idyllic Scottish village of Dirleton, residents confirm a woman was seen at the crime scene - an ancient stone called the louping stane, still spattered with the victim's blood. And the longer the detectives spend in the village the more they question Daisy's involvement. They're not getting the answers they need, but are they asking the right questions? . . .
For decades postwar Austrian literature has been measured against and moulded into a series of generic categories and grand cultural narratives, from nostalgic ‘restoration’ literature of the 1950s through the socially critical ‘anti-Heimat’ novel to recent literary reckonings with Austria’s Nazi past. Peering through the lens of film adaptation, this book rattles the generic shackles imposed by literary history and provides an entirely new critical perspective on Austrian literature. Its original methodological approach challenges the primacy of written sources in existing scholarship and uses the distortions generated by the shift in medium as a productive starting point for literary analysis. Five case studies approach canonical texts in post-war Austrian literature by Gerhard Fritsch, Franz Innerhofer, Gerhard Roth, Elfriede Jelinek, and Robert Schindel, through close readings of their cinematic adaptations, concentrating on key areas of narratological concern: plot, narrative perspective, authorship, and post-modern ontologies. Setting the texts within the historical, cultural and political discourses that define the ‘Alpine Republic’, this study investigates fundamental aspects of Austrian national identity, such as its Habsburg and National Socialist legacies.
Insight Study Guides are written by experts and cover a range of popular literature, plays and films. Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.
THE DAZZLING SECOND GHOST STORY COLLECTION FROM THE CREATORS OF THE HAUNTING SEASON, NOW AVAILABLE IN PAPERBACK. 'Terrific - every bit as good as an MR James collection' ROSIE ANDREWS, author of THE LEVIATHAN Featuring new and original stories from: Bridget Collins Imogen Hermes Gowar Kiran Millwood Hargrave Andrew Michael Hurley Jess Kidd Natasha Pulley Elizabeth Macneal Laura Purcell Susan Stokes-Chapman Laura Shepherd-Robinson Stuart Turton Catriona Ward The tradition of a haunted tale at Christmas has flourished across the centuries. These twelve stories - authored by some of today's most loved and lauded writers of historical and gothic fiction - are all centred around Christmas or Advent, boldly and playfully re-imagining a beloved tradition for a modern audience. Taking you from a haunted Tuscan villa to a remote Scottish island with a dark secret,, these vibrant haunted stories are your ultimate companion for frosty nights. So curl up, light a candle, and fall under the spell of winters past . . .
Lexy Campbell fights to prove the innocence of a client she's been providing marriage guidance to after she is accused of murdering her husband. It's the Fourth of July in California and Lexy Campbell is headed home to Scotland. But first she must deliver her final dose of marriage guidance to the elderly Bombarros. They don't turn up for the session, but the cops do. Turns out Mr Bombarro is in the morgue and Mrs Bombarro is in the jail, arrested for murder. Certain of the old lady's innocence, Lexy decides to stay and clear her name. But after her own recent whirlwind divorce, she's got no money and no place to stay. So she checks into the Last Ditch Motel. As the plucky little band of motel guests start to take over Lexy's life, and the shady Bombarro relations come to town, one thing is for sure . . . the fireworks have only just begun.
First published in Great Britain under the title Dandy Gilver and a deadly measure of Brimstone by Hodder & Stoughton, an Hachette UK company"--Title page verso.
Drawing on documents from archives in St Petersburg and Moscow, the analysis portrays film production "in the round" and shows that the term "censorship" is less appropriate than the description preferred in the Soviet film industry itself, "control," which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced. The two opening chapters trace the various crises that beset film production between 1961 and 1970 (Chapter 1) and 1970 and 1985 (Chapter 2). These are followed by a chapter on the working life of the studio and particularly the technical aspects of production (Chapter 3), and a chapter on the studio aesthetic (Chapter 4). The second part of the book comprises close analyses of fifteen films that are particularly typical of the studio's production and which had especial impact within the studio and beyond. .
A USA TODAY BESTSELLER • A Best Book of 2023(Vulture) • A Best Horror Book of All Time (Cosmopolitan) • A Best Horror Book of 2023 (Esquire) • An Indie Next Pick • A LibraryReads Hall of Fame Pick! The author of The Last House on Needless Street, Catriona Ward, delivers a masterful story about friendship and betrayal, dark obsessions, and the impossibility of escaping your own story. "Here's your next obsession." (Kelly Link, author of Get In Trouble) In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write. It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer that stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives. But the more Wilder writes, the less he trusts himself and his memory. He starts to see things that can’t be real – notes hidden in the cabin, from an old friend now dead; a woman with dark hair drowning in the icy waters below, calling for help; entire chapters he doesn’t recall typing, appearing overnight. Who, or what, is haunting Wilder? No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does. “An origami puzzle of a book, the mystery so beautifully crafted you don’t see the folds, with edges sharp as a paper cut.”—Lauren Beukes, author of The Shining Girls At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
What would you do if you had another shot at life - if you could turn back the clock and return to being, say, fifteen? Janie Lawson's life hasn't turned out quite the way she'd hoped. Nearly forty, she's in a marriage that's frozen over with a mother-in-law she despises. Before Janie can make the final step toward divorce, though, her fate is taken out of her hands. Janie wakes up in her old bedroom and finds it just as it was in her teens. She stumbles downstairs to the kitchen where her mother greets her, looking radiantly young. But it isn't until Janie looks in the mirror, to be confronted by her fifteen-year-old self sporting the most diabolical 80s perm, that the reality of her situation sinks in. For a woman who scoffs at anything science can't prove, being swept back decades in time is a particularly ironic twist. She's gone back to 1981 and all the signs suggest that it's a one-way trip. But there's an upside - Janie has the chance to make her life turn out the way she wanted it. She's determined to help her parents, make her fortune and do some good in the world, starting with saving Lady Diana Spencer from her fate. But things don't quite go to plan and pretty soon Janie realises that even second time around, nothing is guaranteed ... GROWING UP AGAIN is a hilarious, laugh-out-loud novel about second chances - it's clever, compassionate and hugely entertaining.
After a century of speculation by writers, filmmakers, travelers and scholars, being Australian' has become a recognisable shorthand for a group of national characteristics. Now, in an era of international terrorism, being seen as un-Australian' has become a potent rhetorical weapon for some, and a badge of honour for others. Catriona Elder explores the origins, meaning and effects of the many stories we tell about ourselves, and how they have changed over time. She outlines some of the traditional stories and their role in Australian nationalism, and she shows how concepts of egalitarianism, peaceful settlement and sporting prowess have been used to create a national identity. Elder also investigates the cultural and social perspectives that have been used to critique dominant accounts of Australian identity, including ideas of class, gender, sexuality, ethnicity and race. She shows how these critiques have been, in turn, queried in recent years. Being Australian is an ideal introduction to studying Australia for anyone interested in understanding Australian society, culture and history. A clever work: incisive and original. At a time when Australian identities have never been more debated, Elder finds an open way through the closed doors which often restrict cultural representations of Australian-ness.' Professor Adam Shoemaker, Dean of Arts, ANU This is a timely and significant new analysis essential reading on issues of identity and our own anxieties about national belonging and what it means to be Australian' in a globalising world.' Kate Darian-Smith, Professor of Australian Studies and History, University of Melbourne
An unlikely marathoner finds her way through grief and into the untold history of women and running. Thirty-year-old Catriona Menzies-Pike defined herself in many ways: voracious reader, pub crawler, feminist, backpacker, and, since her parents' deaths a decade earlier, orphan. "Runner" was nowhere near the list. Yet when she began training for a half marathon on a whim, she found herself an instant convert. Soon she realized that running, "a pace suited to the precarious labor of memory," was helping her to grieve the loss of her parents in ways that she had been, for ten messy years, running away from. As Catriona excavates her own past, she also grows curious about other women drawn to running. What she finds is a history of repression and denial—running was thought to endanger childbearing, and as late as 1967 the organizer of the Boston Marathon tried to drag a woman off the course, telling her to "get the hell out of my race"—but also of incredible courage and achievement. As she brings to life the stories of pioneering athletes and analyzes the figure of the woman runner in pop culture, literature, and myth, she comes to the heart of why she's running, and why any of us do.
This work analyses the prose and drama of the Irish writer Tom Mac Intyre and the concept of paleo-postmodernism. It examines how Mac Intyre balances traditional themes with experimentation, which in the Irish literary canon is unusual. This book argues that Mac Intyre’s position in the Irish literary canon is an idiosyncratic one in that he combines two contrary aspects of Irish literature: between what Beckett terms as the Yeatsian ‘antiquarians’ who valorize the ‘Victorian Gael’ and the ‘others’ whose aesthetic involves a European-influenced ‘breakdown of the object’ which is associated with Beckett. Mac Intyre’s experimentation involves a breakdown of the object in order to uncover an unconscious Irish mythological and linguistic space in language. His approach to language experimentation is Yeatsian and this is what the author terms as paleo-postmodern. Thus the project considers how Mac Intyre incorporates Yeatsian revivalism with postmodern deconstruction in his drama and short stories.
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