Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke's films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.
Ever since its world premiere at the Cannes film festival in May 2005, audiences have been talking about Michael Haneke's Caché. The film's enigmatic and multi-layered narrative leaves its viewers with many more questions than answers. The plot revolves around the mystery of who is sending a series of sinister videos and drawings to Georges Laurent (Daniel Auteuil), the presenter of a literary talkshow. As Georges becomes increasingly secretive, much to the distress of his wife Anne (Juliette Binoche), a culprit fails to surface. And even at the film's end, audiences are left struggling to make sense of what has gone before. This hasn't stopped people trying. In an in-depth and illuminating account, Wheatley examines the key themes at the heart of the 'meaning' of Caché: the film as thriller; post-colonial bourgeois guilt; political accountability and lastly, reality, the media and its audiences, tracing these strands through the film by means of close readings of individual scenes and moments. Inspired by the director's claim that we might understand the film as a set of Russian dolls, each of which is complete in itself but together forms a whole in which layers of unseen depth are concealed, Wheatley avoids a single, unifying approach to understanding Caché. Instead, her detailed analysis of the film's shifting perspectives opens up the multiplicity of meanings that Caché contains, in order to understand its secrets. This edition includes a new foreword in which the author reflects upon Caché in the context of Haneke's subsequent work, and considers the film's contemporary resonances in an era of omnipresent surveillance technology and doctored 'fake news' videos.
They baked New England's Thanksgiving pies, preached their faith to crowds of worshippers, spied for the patriots during the Revolution, wrote that human bondage was a sin, and demanded reparations for slavery. Black women in colonial and revolutionary New England sought not only legal emancipation from slavery but defined freedom more broadly to include spiritual, familial, and economic dimensions. Hidden behind the banner of achieving freedom was the assumption that freedom meant affirming black manhood The struggle for freedom in New England was different for men than for women. Black men in colonial and revolutionary New England were struggling for freedom from slavery and for the right to patriarchal control of their own families. Women had more complicated desires, seeking protection and support in a male headed household while also wanting personal liberty. Eventually women who were former slaves began to fight for dignity and respect for womanhood and access to schooling for black children.
In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance.
A set of compelling British whodunits featuring Detective Inspector Sloan—from a CWA Diamond Dagger winner and “most ingenious” author (The New Yorker). Over the course of twenty-four crime novels set in the fictional County of Calleshire, England, and featuring the sleuthing team of shrewd Detective Inspector C. D. Sloan and his less-than-shrewd sidekick, Detective Constable William Crosby, award-winning author Catherine Aird maintained the perfect balance between cozy village mystery and police procedural. These three entertaining crime novels offer “the very best in British mystery” (The New Yorker). Parting Breath: On the campus of the University of Calleshire, a young woman finds a student slumped against a cloister’s column, covered in blood. Before he dies, he manages to breathe the words “twenty-six minutes”—which is all Sloan and Crosby have to go on to solve a case that’s anything but elementary. Some Die Eloquent: As Sloan learns he is about to become a father, a suspicious death demands his attention. It turns out that a murdered mistress at the Girls’ Grammar School in Berebury was secretly a very wealthy woman. What was an elderly chemistry teacher doing with a small fortune—and who was willing to kill to get it? Passing Strange: When the village spinster, a nurse who also played the organ every Sunday at church, is found strangled behind a fortune-teller’s booth, Calleshire’s greatest detective will need more than a crystal ball to see who killed her.
NOWHERE TO RUN. NOWHERE TO HIDE. Fleeing her dark past, Tasya Flynn desperately breaks into a mansion -- and is caught red-handed by its owner, legendary millionaire and cat burglar Ian MacPherson. Fiercely intelligent and strangely attractive, he has been a recluse ever since his partner-in-crime betrayed him, but he is still a man to be reckoned with. Tasya expects him to call the police; instead he offers to mold her into a world-class jewel thief. After all, she needs a refuge and he needs someone to help him retrieve the priceless stone his former partner double-crossed him to obtain. But when the heist goes awry, Tasya discovers the mystery of the stone and embarks upon a perilous and passionate journey. For Ian is on a deadly quest for revenge, and it's up to Tasya to save him from a tragic fate...if she can.
Since breaking the BBC's monopoly in 1955, ITV has been at the centre of the British television landscape. To coincide with the fiftieth anniversary of the first ITV broadcast, this accessible book offers a range of perspectives on the complex and multifaceted history of Britain's first commercial broadcaster."--BOOK JACKET.
In this thrilling crime novel by CWA Diamond Dagger winner Catherine Aird, a student’s last words are all that Detective C. D. Sloan has to go on in his latest case There are rumblings throughout the campus of the University of Calleshire, talk of a sit-in, of revolt, of H? Chí Minh, of discontent. Malcolm Humbert has been expelled, and the students are livid. Meanwhile, the faculty is equally out of sorts—Hilda Linaker just wants to finish her treatise on Jane Austen, Bernard Watkinson is tired of dealing with the female students’ vehement—and possibly dangerous—opinions, and Simon Mautby can’t find a lab tech to help with his ecology experiments. When someone breaks into a dorm room, leaving behind little evidence but a single kernel of corn, it’s time to call in the police. But no one—not the professors, the students, or even the great detective C. D. Sloan—could have predicted murder. A young woman finds a second-year student slumped against a cloister’s column, covered in blood. Before he dies, he manages to breathe the words “twenty-six minutes.” The brilliant and acerbic inspector C. D. Sloan, recently reunited with his assistant, Detective Constable Crosby, must connect a seemingly unrelated burglary to a senseless murder—with nothing more to go on than those eerie last words.
In 1773, Phillis Wheatley published a book of poetry. It was a great accomplishment that made her very famous. Only a year before, Phillis had had to take a test to prove that she was the actual author of these poems, because Phillis Wheatley was a slave. Who would believe that an African girl could be the author of such poetry? Phillis did! She believed in herself, and took every opportunity she could to make her life better. She believed in the power of her words, and her writing to prove her talent, and used the power of words to change a life.
In the nineteenth and early twentieth centuries, Mexicans and Americans joined together to transform the U.S.-Mexico borderlands into a crossroads of modern economic development. This book reveals the forgotten story of their ambitious dreams and their ultimate failure to control this fugitive terrain. Focusing on a mining region that spilled across the Arizona-Sonora border, this book shows how entrepreneurs, corporations, and statesmen tried to domesticate nature and society within a transnational context. Efforts to tame a 'wild' frontier were stymied by labour struggles, social conflict, and revolution. Fugitive Landscapes explores the making and unmaking of the U.S.-Mexico border, telling how ordinary people resisted the domination of empires, nations, and corporations to shape transnational history on their own terms. By moving beyond traditional national narratives, it offers new lessons for our own border-crossing age.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
In 1743, sitting quietly with pen in hand, Sarah Osborn pondered how to tell the story of her life, how to make sense of both her spiritual awakening and the sudden destitution of her family. Remarkably, the memoir she created that year survives today, as do more than two thousand additional pages she composed over the following three decades. Sarah Osborn's World is the first book to mine this remarkable woman’s prolific personal and spiritual record. Catherine Brekus recovers the largely forgotten story of Sarah Osborn's life as one of the most charismatic female religious leaders of her time, while also connecting her captivating story to the rising evangelical movement in eighteenth-century America. A schoolteacher in Rhode Island, a wife, and a mother, Sarah Osborn led a remarkable revival in the 1760s that brought hundreds of people, including many slaves, to her house each week. Her extensive written record—encompassing issues ranging from the desire to be "born again" to a suspicion of capitalism—provides a unique vantage point from which to view the emergence of evangelicalism. Brekus sets Sarah Osborn's experience in the context of her revivalist era and expands our understanding of the birth of the evangelical movement—a movement that transformed Protestantism in the decades before the American Revolution.
In this classic parlor mystery from CWA Diamond Dagger winner Catherine Aird, Detective Inspector C. D. Sloan investigates a dinner party that ended in murder Twelve friends sit down for supper at Strontfield Park—but only eleven survive the evening. After dinner, the host, William Fent, offers to drive one of his guests home, only to die behind the wheel in a violent accident. The autopsy shows that Fent ingested enough barbiturates to kill a horse. So begins a fresh tale of murder and deceit for Detective Inspector C. D. Sloan, whose list of suspects begins and ends with the surviving dinner guests. Among them are a theologian at the local university; Dr. and Mrs. Washby, whose wedding was the cause for celebration; Ursula Renville, tall, graceful, and utterly aloof; the fat and extravagant Mr. and Mrs. Marchmont; the spinster Miss Paterson; the rector’s daughter, Cynthia Paterson; Quentin Fent, heir to the Fent fortune; and Mr. Fent’s wife, the now-widowed Helen. Each of the guests had the opportunity to kill William Fent. But which one wanted him dead?
Through the inspiring stories of eleven faithful women, Empowered will show girls that God is the true source of their power, strength, and purpose in life. In the pages of this book, girls will encounter women they may never have heard of and will learn some of the character traits that go along with the Christian walk. But they will also encounter a God who is faithful to complete the work He has begun in them. The stories in Empowered are about faithful women, but even more about a steadfast God. Girls don't have to do the things these women have done to live a life of purpose; by making a direct connection to their daily lives, readers will have a bigger and a more personal view of their Father and His love for them. The same God who was faithful to give Corrie ten Boom the love she needed to forgive her prison guard can help girls love the unlovable bullies at school. The love for Jesus that compelled Sophie Scholl to sacrifice her life for a higher cause can empower a young girl who sees injustice in the world around her. In a culture where the youth see value in terms of Instagram likes and viral videos, the life of Pandita Ramabai will show the value of humble worship. Empowered flips the popular idea of what it means to be a strong girl on its head, showing that real power comes from our loving Father through His Son and removing the pressure girls may feel to conquer the world on their own.
A portrait of America's most interesting yet overlooked women. In the midst of a historic "birth dearth," why do some 5 percent of American women choose to defy the demographic norm by bearing five or more children? Hannah’s Children is a compelling portrait of these overlooked but fascinating mothers who, like the biblical Hannah, see their children as their purpose, their contribution, and their greatest blessing. The social scientist Catherine Pakaluk, herself the mother of eight, traveled across the United States and interviewed fifty-five college-educated women who were raising five or more children. Through open-ended questions, she sought to understand who these women are, why and when they chose to have a large family, and what this choice means for them, their families, and the nation. Hannah’s Children is more than interesting stories of extraordinary women. It presents information that is urgently relevant for the future of American prosperity. Many countries have experimented with aggressively pro-natalist public policies, and all of them have failed. Pakaluk finds that the quantitative methods to which the social sciences limit themselves overlook important questions of meaning and identity in their inquiries into fertility rates. Her book is a pathbreaking foray into questions of purpose, religion, transcendence, healing, and growth—questions that ought to inform economic inquiry in the future.
Skilled workers of the early nineteenth century enjoyed a degree of professional independence because workplace knowledge and technical skill were their "property," or at least their attribute. In most sectors of today's economy, however, it is a foundational and widely accepted truth that businesses retain legal ownership of employee-generated intellectual property. In Working Knowledge, Catherine Fisk chronicles the legal and social transformations that led to the transfer of ownership of employee innovation from labor to management. This deeply contested development was won at the expense of workers' entrepreneurial independence and ultimately, Fisk argues, economic democracy. By reviewing judicial decisions and legal scholarship on all aspects of employee-generated intellectual property and combing the archives of major nineteenth-century intellectual property-producing companies--including DuPont, Rand McNally, and the American Tobacco Company--Fisk makes a highly technical area of law accessible to general readers while also addressing scholarly deficiencies in the histories of labor, intellectual property, and the business of technology.
Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes. Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?
A set of intriguing British whodunits featuring Detective Inspector Sloan—from a CWA Diamond Dagger winner and “most ingenious” author (The New Yorker). Over the course of twenty-four crime novels set in the fictional County of Calleshire, England, and featuring the sleuthing team of shrewd Detective Inspector C. D. Sloan and his less-than-shrewd sidekick, Detective Constable William Crosby, award-winning author Catherine Aird maintained the perfect balance between cozy village mystery and police procedural. These three entertaining crime novels offer “the very best in British mystery” (The New Yorker). A Late Phoenix: In the quaint Victorian town of Berebury, England, a skeleton has been found in the crater of a World War II bomb site. But this corpse is no buried casualty of the Blitz. The cause of death, Detective Inspector Sloan discovers, is a bullet to the spine. His Burial Too: Detective Inspector Sloan puzzles over an industrialist crushed under the rubble of an old Saxon church tower. With no eyewitnesses and little evidence, the policeman doesn’t seem to have a prayer of solving the case. And then a second body turns up. Slight Mourning: Twelve friends sit down for supper at Strontfield Park—but only eleven survive the evening. After dinner, the host offers to drive one of his guests home, only to die in a violent accident. His autopsy shows that he ingested enough barbiturates to kill a horse, and now the guest list is Sloan’s roster of suspects.
This book paints a rich and memorable portrait of the first African American to earn his living as a writer. Born in 1872 to former slaves, Dunbar touched the nation with poetry that portrayed the sorrows and the joys of African-American life.
Intricate, absorbing study based on research and card collections from around the world tells the story of playing cards and their manufacture, plus provides a fascinating overview of heraldry, geography, history, and the social and political activities of man over the past six centuries. Includes an enormous annotated bibliography of more than 900 items on playing cards and games, and over 1,400 illustrations. Praised by The New York Times as "the most authoritative and complete treatment of its kind.
Inventing counterfactual histories is a common pastime of modern day historians, both amateur and professional. We speculate about an America ruled by Jefferson Davis, a Europe that never threw off Hitler, or a second term for JFK. These narratives are often written off as politically inspired fantasy or as pop culture fodder, but in Telling It Like It Wasn’t, Catherine Gallagher takes the history of counterfactual history seriously, pinning it down as an object of dispassionate study. She doesn’t take a moral or normative stand on the practice, but focuses her attention on how it works and to what ends—a quest that takes readers on a fascinating tour of literary and historical criticism. Gallagher locates the origins of contemporary counterfactual history in eighteenth-century Europe, where the idea of other possible historical worlds first took hold in philosophical disputes about Providence before being repurposed by military theorists as a tool for improving the art of war. In the next century, counterfactualism became a legal device for deciding liability, and lengthy alternate-history fictions appeared, illustrating struggles for historical justice. These early motivations—for philosophical understanding, military improvement, and historical justice—are still evident today in our fondness for counterfactual tales. Alternate histories of the Civil War and WWII abound, but here, Gallagher shows how the counterfactual habit of replaying the recent past often shapes our understanding of the actual events themselves. The counterfactual mode lets us continue to envision our future by reconsidering the range of previous alternatives. Throughout this engaging and eye-opening book, Gallagher encourages readers to ask important questions about our obsession with counterfactual history and the roots of our tendency to ask “What if...?”
The over-the-counter (OTC) derivatives market has captured the attention of regulators after the Global Financial Crisis due to the risk it poses to financial stability. Under the post-crisis regulatory reform the concentration of business, and risks, among a few major players is changed by the concentration of a large portion of transactions in the new market infrastructures, the Central Counterparties (CCPs). This book, for the first time, analyses the regulatory response of the United Kingdom and the United States, the two largest centres of OTC derivatives transactions, and highlights their shortcomings. The book uses a normative risk-based approach to regulation as a methodological lens to analyse the UK regime of CCPs in the OTC derivatives market. It specifically focuses on prudential supervision and conduct of business rules governing OTC derivatives transactions and the move towards enhancing the use of central clearing. The resulting analysis, from a normative risk based approach, suggests that the UK regime for CCPs does not fulfil what would be expected if a coherent risk based approach was taken. Our comments on the Dodd-Frank Act highlight that the incoherent adoption of risk-based approach to regulation affects the effectiveness of the US regime for CCPs. Such a regime does not follow the pace of events of ‘innovation risk’; in particular, the foreseeable changes FinTech will bring to the OTCDM and central clearing services. The second inadequacy of the US regime concerns the dual regulatory structure of the CFTC and the SEC, and the inadequate adoption of different and not well-coordinated regulatory strategies. We also analyse the cross-border implications of the US regime for non-US CCPs that provide clearing services to US market participants. Finally, we study the negative effects of the absence of a clearly defined resolution regime for CCPs.
Why does Edward Long's History of Jamaica matter? Written in 1774, Long's History, that most 'civilised' of documents, attempted to define White and Black as essentially different and unequal. Long deployed natural history and social theory, carefully mapping the island, and drawing on poetry and engravings, in his efforts to establish a clear and fixed racialized hierarchy. His White family sat at the heart of Jamaican planter society and the West India trade in sugar, which provided the economic bedrock of this eighteenth-century system of racial capitalism. Catherine Hall tells the story behind the History of a slave-owning family that prospered across generations together with the destruction of such possibilities for enslaved people. She unpicks the many contradictions in Long's thinking, exposing the insidious myths and stereotypes that have poisoned social relations over generations and allowed reconfigured forms of racial difference and racial capitalism to live on in contemporary societies.
This title was first published in 2000: Drawing on a variety of research, including two surveys of councillors undertaken in Scotland, England and Wales, qualitative interviews and the re-analysis of existing data, this book aims to contribute towards research on local government councillors by exploring and developing the idea of "careers" of elected councillors and by examining their ambitions and the types of posts held during their period of office. In particular, the book examines the "career" experiences of men and women councillors, including the differential rates of participation, and progression to senior posts in elected local government. Developments including a growth in the number of "full-time" councillors and the Labour government's proposals for the modernization of local government make the consideration of career a prominent area. These and other issues, such as recruitment, party and gender differences are explored in the context of this book
Clear and direct in style, and with more than eighty photographs, maps and plans, Early Greek States Beyond the Polis is a widely relevant study of Greek history, archaeology and society. Catherine Morgan addresses the different forms of association experienced by early Iron-Age and Archaic Greeks by exploring the archaeological, literary and epigraphical records of central Greece and the northern Peloponnese. Giving an unprecedented understanding of the connections between polis identity and other forms and tiers of association, and refuting the traditional view of early Greek 'ethnic' groups (ethne) as simple systems based on primitive tribal ties, students will find this an essential text in the study of Greek history.
The sixteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work.
The authors provide undergraduate students with a substantial view of intellectual property law, dealing with principles, academic issues and practical considerations.
Zipf focuses on five gifted women in various parts of the country. In San Diego, Hazel Wood Waterman parlayed her Arts and Crafts training into a career in architecture. Cincinnati's Mary Louise McLaughlin expanded on her interest in Arts and Crafts pottery by inventing new ceramic technology. New York's Candace Wheeler established four businesses that used Arts and Crafts production to help other women earn a living. In Syracuse, both Adelaide Alsop Robineau and Irene Sargent were responsible for disseminating Arts and Crafts-related information through the movement's publications. Each woman's story is different, but each played an important part in the creation of professional opportunities for women in a male-dominated society.".
This book reveals a new history of the imagination told through its engagement with the body. Even as they denounced the imagination’s potential for inviting luxury, vice, and corruption, American audiences avidly consumed a transatlantic visual culture of touring paintings, dioramas, gift books, and theatrical performances that pictured a preindustrial—and largely imaginary—European past. By examining the visual, material, and rhetorical strategies artists like Washington Allston, Asher B. Durand, Thomas Cole, and others used to navigate this treacherous ground, Catherine Holochwost uncovers a hidden tension in antebellum aesthetics. The book will be of interest to scholars of art history, literary and cultural history, critical race studies, performance studies, and media studies.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.