In this highly original and influential book, Catherine Wendy Bracewell reconstructs and analyzes the tumultuous history of the uskoks of Senj, the martial bands nominally under the control of the Habsburg Military Frontier in Croatia, who between the 1530s and the 1620s developed a community based on raiding the Ottoman hinterland, Venetian possessions in Dalmatia, and shipping on the Adriatic. Drawing on a broad range of sources, including the archives of the Dalmatian communes under Venetian rule and military frontier records, Bracewell provides the first comprehensive analysis of the uskoks as a social phenomenon, examining their origins, their military and social organization, their plunder economy, their mental world, and their relations with other groups in this borderland between three empires. The uskoks lived on the Christian-Muslim frontier, and they invoked Europe's struggle against Islam to justify their often bloody deeds. As Bracewell demonstrates, however, their actions were also shaped by the maze of local political and economic rivalries, social conflicts, and confessional antagonisms. In a book that tests the concept of the social bandit, the author analyzes the motives that guided the uskoks and distinguishes these from the factors that impelled various elements of the local population to support them.
In this highly original and influential book, Catherine Wendy Bracewell reconstructs and analyzes the tumultuous history of the uskoks of Senj, the martial bands nominally under the control of the Habsburg Military Frontier in Croatia, who between the 1530s and the 1620s developed a community based on raiding the Ottoman hinterland, Venetian possessions in Dalmatia, and shipping on the Adriatic. Drawing on a broad range of sources, including the archives of the Dalmatian communes under Venetian rule and military frontier records, Bracewell provides the first comprehensive analysis of the uskoks as a social phenomenon, examining their origins, their military and social organization, their plunder economy, their mental world, and their relations with other groups in this borderland between three empires. The uskoks lived on the Christian-Muslim frontier, and they invoked Europe’s struggle against Islam to justify their often bloody deeds. As Bracewell demonstrates, however, their actions were also shaped by the maze of local political and economic rivalries, social conflicts, and confessional antagonisms. In a book that tests the concept of the social bandit, the author analyzes the motives that guided the uskoks and distinguishes these from the factors that impelled various elements of the local population to support them.
A concise and accessible introduction to the gender histories of eastern Europe and the Soviet Union in the 20th century. These essays juxtapose established topics in gender history such as motherhood, masculinities, work and activism with newer areas, such as the history of imprisonment and the transnational history of sexuality. By collecting these essays in a single volume, Catherine Baker encourages historians to look at gender history across borders and time periods, emphasising that evidence and debates from Eastern Europe can inform broader approaches to contemporary gender history.
Sounds of the Borderland is the first book-length study of how popular music became a medium for political communication and contested identification during and after Croatia's war of independence from Yugoslavia. It extends existing cultural studies literature on music, politics and the state, which has largely been grounded in Western European and North American political systems. It also responds to an emerging fascination with the culture and politics of contemporary south-east Europe, expanding scholarship on the post-Yugoslav conflicts by going on to encompass significant social and political changes into the present day. The outbreak of war in 1991 saw almost every professional musician in Croatia take part in a wave of patriotic music-making and the powerful state television system strive to bring popular music under its control. As the political imperative shifted from securing national survival to consolidating a homogenous nation-state, the music industry responded with several strategies for creating a national popular music, producing messages about the nation and, in the ongoing debates over the origins of the folk music that inspired many songs, a way to define the nation by expressing what Croatia was not. The war on ethnic ambiguity which cut through individuals' social and creative lives played out across the airwaves, sales racks and gossip columns of a small country that imagined itself a historical and cultural borderland. These explicit and implicit narratives of nationhood connect many political phases: the months of fiercest fighting, the stabilised front, the uneasy post-war years when the symbolic frontline region of eastern Slavonia had still not returned to Croatian sovereignty, the euphoria and instability after the end of the Tudjman regime in 2000, and Croatia's fraught journey towards the European Union. Baker's book provides valuable insight into the role of music in a wartime and post-conflict society and will be essential reading for researchers and students interested in south-east Europe or the transformation of entertainment during and after conflict.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This is the first book to situate the territories and collective identities of former Yugoslavia within the politics of race – not just ethnicity – and the history of how ideas of racialised difference have been translated globally. The book connects critical race scholarship, global historical sociologies of ‘race in translation’ and south-east European cultural critique to show that the Yugoslav region is deeply embedded in global formations of race. In doing this, it considers the everyday geopolitical imagination of popular culture; the history of ethnicity, nationhood and migration; transnational formations of race before and during state socialism, including the Non-Aligned Movement; and post-Yugoslav discourses of security, migration, terrorism and international intervention, including the War on Terror and the present refugee crisis.
Catherine Baker offers an up-to-date, balanced and concise introductory account of the Yugoslav wars of the 1990s and their aftermath. The volume incorporates the latest research, showing how the state of the field has evolved and guides students through the existing literature, topics and debates.
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