With Is It Good for the Jews? Biro offers a sequel to his acclaimed collection of stories Two Jews on a Train. Through twenty-nine tales - some new, some old, but all finely wrought and rich in humor - Biro spins stories of characters coping with the vicissitudes and reverses of daily life, while simultaneously painting a poignant portrait of a world of unassimilated Jewish life that has largely been lost to the years. From rabbis competing to see who is the most humble, to the father who uses suicide threats to pressure his children into visiting, to three men berated by the Almighty himself for playing poker, Biro populates his stories with memorable characters and absurd - yet familiar - situations, all related with a dry wit and spry prose style redolent of the long tradition of Jewish storytelling. A collection simultaneously of foibles and fables, adversity and affection, Is It Good for the Jews? reminds us that if in the beginning was the word, then we can surely be forgiven for expecting a punch line to follow one of these days.
An exhilarating, accessible chronicle of the ruling families of France and England, showing how two dynasties formed one extraordinary story The twelfth and thirteenth centuries were a time of personal monarchy, when the close friendship or petty feuding between kings and queens could determine the course of history. The Capetians of France and the Angevins of England waged war, made peace, and intermarried. The lands under the control of the English king once reached to within a few miles of Paris, and those ruled by the French house, at their apogee, crossed the Channel and encompassed London itself. In this lively, engaging history, Catherine Hanley traces the great clashes, and occasional friendships, of the two dynasties. Along the way, she emphasizes the fascinating and influential women of the houses—including Eleanor of Aquitaine and Blanche of Castille—and shows how personalities and familial bonds shaped the fate of two countries. This is a tale of two intertwined dynasties that shaped the present and the future of England and France, told through the stories of the people involved.
Cover page -- Halftitle page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- Maps -- Tables -- Plates -- INTRODUCTION -- chapter one THE SHAPING OF A PRINCE -- chapter two FATHER AND SON -- chapter three THE INVITATION -- chapter four KING OF ENGLAND? -- chapter five THE TIDE TURNS -- chapter six FIGHTING BACK -- chapter seven THE END OF THE ADVENTURE -- chapter eight AFTERMATH -- chapter nine KING OF FRANCE -- chapter ten LEGACY -- CHRONOLOGY -- A NOTE ON SOURCES -- BIBLIOGRAPHY -- INDEX
An investigation of the depiction of warfare in contemporary writings, in both fictional narratives and factual accounts. War and combat were significant factors in the lives of all conditions of people during the twelfth and thirteenth centuries; thousands of men, women and children prepared for, engaged in and suffered from the consequences of almost endemic armed conflict. However, while war and combat feature prominently in many of the forms of literature written at the time, the theme of warfare in some types of narrative source remains a relatively under-studied area. This book offers an investigation of the depiction of warfare in contemporary writings, in both fictional narratives and factual accounts, aiming to bridge the gap between the disciplines of literature and military history. Using both established sources and the latest research, the author examines how the application of what is now known about the practical and technological aspects of medieval warfare can aid us in our understanding of literature. She also demonstrates, via an investigation of a corpus of Old French chronicles, epics and romances, how the judicious study of sources that are not always considered reliable can, in turn, inform us about contemporary perceptions of, and attitudes towards, war and other forms of armed combat. Dr Catherine Hanley was formerly a Research Associate in the Department of French at the University of Sheffield; she is now a freelance editor and historicalnovelist.
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